Biblioteca de Catalunya

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Pianist and Composer

He started piano lessons with Narcís Oliveras. At about four years of age he debuted at Teatre Romea. In 1879, thanks to count Guillermo Morphy (secretary to King Alfonso XII), he obtained a royal grant to attend the Royal Conservatory of Brussels where he was awarded the first prize. He toured around Europe emulating F. Liszt and returned to Barcelona in 1883, where he studied composition under F. Pedrell. From 1890 to 1909 he travelled between Barcelona, London and Paris. During this period, he briefly taught at the Schola Cantorum (Paris, 1898-1900) where he was in contact with composers such as V. D’Indy, P. Dukas and G. Fauré, and had Déodat de Severac as a student.

Although he composed significant lyrical works (The magic Opal, 1893, Henry Clifford,1895, Pepita Jiménez, 1896, and Merlin, 1902) he is well known for his piano music and particularly for Iberia (1900), which is considered a central piece of the pianistic repertoire

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Pianist and Composer

He started piano lessons with Narcís Oliveras. At about four years of age he debuted at Teatre Romea. In 1879, thanks to count Guillermo Morphy (secretary to King Alfonso XII), he obtained a royal grant to attend the Royal Conservatory of Brussels where he was awarded the first prize. He toured around Europe emulating F. Liszt and returned to Barcelona in 1883, where he studied composition under F. Pedrell. From 1890 to 1909 he travelled between Barcelona, London and Paris. During this period, he briefly taught at the Schola Cantorum (Paris, 1898-1900) where he was in contact with composers such as V. D’Indy, P. Dukas and G. Fauré, and had Déodat de Severac as a student.

Although he composed significant lyrical works (The magic Opal, 1893, Henry Clifford,1895, Pepita Jiménez, 1896, and Merlin, 1902) he is well known for his piano music and particularly for Iberia (1900), which is considered a central piece of the pianistic repertoire

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Avi dels compositors Feliu Gasull i Joan Albert Amargós Altisent

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Avi dels compositors Feliu Gasull i Joan Albert Amargós Altisent

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Composer

He studied at the ESMB and developed a broad musical carrier that included music conducting, composition and pedagogy. In addition to being conductor of the Orfeó Barcelonès, in the 1950s he created the an Award and founded Ja Concert Hall bearing his name, promoting in this way Barcelona's musical life.
He composed orchestral music and premiered his opera Amunt! (1959) at Gran Teatre del Liceu.

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Composer

He studied at the ESMB and developed a broad musical carrier that included music conducting, composition and pedagogy. In addition to being conductor of the Orfeó Barcelonès, in the 1950s he created the an Award and founded Ja Concert Hall bearing his name, promoting in this way Barcelona's musical life.
He composed orchestral music and premiered his opera Amunt! (1959) at Gran Teatre del Liceu.

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Noms propis: Salvador Giner, Pere Sosa, Felip Pedrell, Manuel Penella Raga (pare), Manuel Penella Moreno, Vicente Peydró, José Espí És germà del professor de música Eugenio Amorós Sirvent, i pare del musicòleg José Vicente Amorós, qui va viure a Sant Cugat.

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Noms propis: Salvador Giner, Pere Sosa, Felip Pedrell, Manuel Penella Raga (pare), Manuel Penella Moreno, Vicente Peydró, José Espí És germà del professor de música Eugenio Amorós Sirvent, i pare del musicòleg José Vicente Amorós, qui va viure a Sant Cugat.

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Composer and teacher

Amorós studied organ and composition under Salvador Giner at the Conservatory of Valencia.  He founded the journal Biblioteca Musical Valenciana and was director of the Conservatory of Valencia between 1919 and 1924. Furthermore, he published multiple pedagogical books and composed sacred music and zarzuela.

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Composer and teacher

Amorós studied organ and composition under Salvador Giner at the Conservatory of Valencia.  He founded the journal Biblioteca Musical Valenciana and was director of the Conservatory of Valencia between 1919 and 1924. Furthermore, he published multiple pedagogical books and composed sacred music and zarzuela.

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Revisió Oriol:

Compositor i mestre de capella

Malgrat disposar de pocs documents històrics i obres musicals conservades, sabem que fou mestre de capella interí a la Catedral de Girona (1688-1690), del Palau de la Comtessa de Barcelona, al costat de Felip Olivelles i mestre titular de la Catedral de La Seu d’Urgell /1709-1712). Intervingué en la polèmica sobre la Missa Scala Aretina (1702) de Francesc Valls a favor d’aquest.

S’han conservat només dues obres litúrgiques i sis villancets en castellà.

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Revisió Oriol:

Compositor i mestre de capella

Malgrat disposar de pocs documents històrics i obres musicals conservades, sabem que fou mestre de capella interí a la Catedral de Girona (1688-1690), del Palau de la Comtessa de Barcelona, al costat de Felip Olivelles i mestre titular de la Catedral de La Seu d’Urgell /1709-1712). Intervingué en la polèmica sobre la Missa Scala Aretina (1702) de Francesc Valls a favor d’aquest.

S’han conservat només dues obres litúrgiques i sis villancets en castellà.

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Composer

Little historical evidence of his life has survived, and only two liturgical works and six vilancets in Spanish have been preserved. Despite the scarcity of sources, we know Argany was provisional choirmaster at Girona’s Cathedral (1688-1690) and at the Palau de la Comtessa (Barcelona) (together with Felip Olivelles) and choirmaster at the Seu d’Urgell Cathedral (1709-1712). He was also choirmaster in Lleida in three different periods: in 1690, from 1700 to 1707 –after which he was dismissed when the bourbonic forces took the city- and in 1715. In the context of the 1702 debate on the Missa Scala Aretina, he wrote an opuscule in favor of Francesc Valls.

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Composer

Little historical evidence of his life has survived, and only two liturgical works and six vilancets in Spanish have been preserved. Despite the scarcity of sources, we know Argany was provisional choirmaster at Girona’s Cathedral (1688-1690) and at the Palau de la Comtessa (Barcelona) (together with Felip Olivelles) and choirmaster at the Seu d’Urgell Cathedral (1709-1712). He was also choirmaster in Lleida in three different periods: in 1690, from 1700 to 1707 –after which he was dismissed when the bourbonic forces took the city- and in 1715. In the context of the 1702 debate on the Missa Scala Aretina, he wrote an opuscule in favor of Francesc Valls.

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"a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(6) "Argany" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(6) "Argany" ["format"]=> NULL ["safe_value"]=> string(6) "Argany" } } } ["field_field_np_cognom_2"]=> array(0) { } } [4]=> object(stdClass)#232 (9) { ["node_title"]=> string(4) "Pere" ["nid"]=> string(4) "6215" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(6) "Astort" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["field_data_field_np_cognom_2_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#412 (53) { ["vid"]=> string(4) "6382" 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He was admitted to the church of La Mercè in Barcelona as a choirboy and was taught by Josep Cortinas. In addition, he studied piano under Llorenç Bau, composition under Domènec Mas i Serracant and possibly under Felip Pedrell. He began composing while working as a salesperson for the music publisher Rafel Guàrdia. In 1901, he created his own publishing company and piano shop named El Arte Musical. He became particularly focused on the composition of dance pieces he labeled ‘waltz-boston’, which consisted in a fusion of waltzes, American ragtime, and other proto-jazz harmonies and rhythms. From 1899 onwards, he signed these compositions under the pseudonym Clifton Worsley. Thus, his music achieved a wide circulation across the most relevant national and international publishers of the time and through the sale of piano rolls and recordings. In addition to composing over 200 dances (including waltzes-boston, two-steps, cake-walks, shimmies and fox-trots) he composed songs and operettas such as El vals de los pájaros and Palabra de rey, both premiered in 1917 at Teatre Tívoli

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He was admitted to the church of La Mercè in Barcelona as a choirboy and was taught by Josep Cortinas. In addition, he studied piano under Llorenç Bau, composition under Domènec Mas i Serracant and possibly under Felip Pedrell. He began composing while working as a salesperson for the music publisher Rafel Guàrdia. In 1901, he created his own publishing company and piano shop named El Arte Musical. He became particularly focused on the composition of dance pieces he labeled ‘waltz-boston’, which consisted in a fusion of waltzes, American ragtime, and other proto-jazz harmonies and rhythms. From 1899 onwards, he signed these compositions under the pseudonym Clifton Worsley. Thus, his music achieved a wide circulation across the most relevant national and international publishers of the time and through the sale of piano rolls and recordings. In addition to composing over 200 dances (including waltzes-boston, two-steps, cake-walks, shimmies and fox-trots) he composed songs and operettas such as El vals de los pájaros and Palabra de rey, both premiered in 1917 at Teatre Tívoli

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{ [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1614080411" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "3" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg2" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(6) "Astort" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(6) "Astort" ["format"]=> NULL ["safe_value"]=> string(6) "Astort" } } } ["field_field_np_cognom_2"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(5) "Ribas" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(5) "Ribas" ["format"]=> NULL ["safe_value"]=> string(5) "Ribas" } } } } [5]=> object(stdClass)#233 (9) { ["node_title"]=> string(4) "Léa" ["nid"]=> string(4) "6515" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(4) "Bach" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["field_data_field_np_cognom_2_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#419 (53) { ["vid"]=> string(4) "6682" ["uid"]=> string(1) "5" ["title"]=> string(4) "Léa" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "6515" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1617709293" ["changed"]=> string(10) "1618566889" ["tnid"]=> string(4) "6358" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1618566889" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "102" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "6355" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1891-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1988-10-06 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3478" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(2) "24" } [1]=> array(1) { ["target_id"]=> string(2) "26" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(1072) "

Harpist

She studied under Maria Cortinas at the Conservatori del Liceu, where she obtained her harp diploma at the age of thirteen. She continued her studies at the Conservatoire Supérieure de Musique in Paris, under the direction of Alphonse Hasselmans. She soon embarked on a performing career that took her to America, the continent where she remained from 1914 onwards. She initially settled in Buenos Aires, continuing her activity as a performer with a busy concert schedule and a teaching job that she never gave up. After the First World War she settled in Lisbon, where she also carried out an intense pedagogical activity. In 1929, she moved to Rio de Janeiro, where she lived for the rest of his life. In Brazil, she followed the path started by the harpist Clotilde Cerdà, carrying out relevant work as a teacher in her private studio and at the Instituto Nacional de Música de Rio.

Lea Bach played a key role in the foundation of the Brazilian harp school by introducing the French technique and teaching model in that country.

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(1065) "

Harpist

She studied under Maria Cortinas at the Conservatori del Liceu, where she obtained her harp diploma at the age of thirteen. She continued her studies at the Conservatoire Supérieure de Musique in Paris, under the direction of Alphonse Hasselmans. She soon embarked on a performing career that took her to America, the continent where she remained from 1914 onwards. She initially settled in Buenos Aires, continuing her activity as a performer with a busy concert schedule and a teaching job that she never gave up. After the First World War she settled in Lisbon, where she also carried out an intense pedagogical activity. In 1929, she moved to Rio de Janeiro, where she lived for the rest of his life. In Brazil, she followed the path started by the harpist Clotilde Cerdà, carrying out relevant work as a teacher in her private studio and at the Instituto Nacional de Música de Rio.

Lea Bach played a key role in the foundation of the Brazilian harp school by introducing the French technique and teaching model in that country.

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["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1617709293" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(4) "Bach" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(4) "Bach" ["format"]=> NULL ["safe_value"]=> string(4) "Bach" } } } ["field_field_np_cognom_2"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(8) "Baixeras" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(8) "Baixeras" ["format"]=> NULL ["safe_value"]=> string(8) "Baixeras" } } } } 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["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1909-05-14 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(2) "22" } [1]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(888) "

Singer and Composer

He studied singing in Barcelona under Goula, who encouraged him to become a baritone and later a tenor. After studying singing in Paris, he debuted as a baritone at Liceu with Donizetti and took the stage name Angelo Angioletti (sometimes subject to small variations). His performances won acclaim at the Politeama Genovese, Teatro Real of Madrid and Liceu, singing in operas by Wagner, Bizet and Thomas. His career was established when he covered for the tenor Francesc Viñas in wagnerian roles at Carlo Felice theatre (Genoa) and La Scala (Milan). By the end of his career he premiered Acté by Manén and Emporium by Morera. He also composed accompanied vocal pieces and the opera Aurèlia, premiered at Eldorado theatre (Barcelona). A collection of the singer's materials is held at the Biblioteca de Catalunya. 

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(880) "

Singer and Composer

He studied singing in Barcelona under Goula, who encouraged him to become a baritone and later a tenor. After studying singing in Paris, he debuted as a baritone at Liceu with Donizetti and took the stage name Angelo Angioletti (sometimes subject to small variations). His performances won acclaim at the Politeama Genovese, Teatro Real of Madrid and Liceu, singing in operas by Wagner, Bizet and Thomas. His career was established when he covered for the tenor Francesc Viñas in wagnerian roles at Carlo Felice theatre (Genoa) and La Scala (Milan). By the end of his career he premiered Acté by Manén and Emporium by Morera. He also composed accompanied vocal pieces and the opera Aurèlia, premiered at Eldorado theatre (Barcelona). A collection of the singer's materials is held at the Biblioteca de Catalunya. 

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"3693" } [1]=> array(1) { ["target_id"]=> string(4) "3711" } [2]=> array(1) { ["target_id"]=> string(4) "3740" } [3]=> array(1) { ["target_id"]=> string(4) "1797" } [4]=> array(1) { ["target_id"]=> string(4) "1795" } [5]=> array(1) { ["target_id"]=> string(4) "1793" } } } ["field_centres_de_documentaci_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3606" } } } ["field_urls_d_interes"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3829" } } } ["field_bibliografia"]=> array(0) { } ["field__udios_sense_fitxa"]=> array(0) { } ["field_np_noms_alternatius"]=> array(1) { ["und"]=> array(3) { [0]=> array(3) { ["value"]=> string(16) "Angelo Agioletti" ["format"]=> NULL ["safe_value"]=> string(16) "Angelo Agioletti" } [1]=> array(3) { ["value"]=> string(18) "Angiolo Angioletti" ["format"]=> NULL ["safe_value"]=> string(18) "Angiolo Angioletti" } [2]=> array(3) { ["value"]=> string(17) "Angiolo Angelotti" ["format"]=> NULL 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"a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(5) "Bachs" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(5) "Bachs" ["format"]=> NULL ["safe_value"]=> string(5) "Bachs" } } } ["field_field_np_cognom_2"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(6) "Rosés" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(6) "Rosés" ["format"]=> NULL ["safe_value"]=> string(6) "Rosés" } } } } [7]=> object(stdClass)#235 (9) { ["node_title"]=> string(10) "Concepció" ["nid"]=> string(4) "3873" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(5) "Badia" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" 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Joaquim Nin i Castellanos, Narcís Bonet, Joaquín Rodrigo, Juan José Castro, Alberto Ginastera, Heitor Villa-Lobos, Carlos Guastavino o Jayme Ovalle, ventura Gassol, Arnold Schönberg, Manel Clausells, Maria Teresa Balcells, Maria Canela, Pere Vallribera

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Joaquim Nin i Castellanos, Narcís Bonet, Joaquín Rodrigo, Juan José Castro, Alberto Ginastera, Heitor Villa-Lobos, Carlos Guastavino o Jayme Ovalle, ventura Gassol, Arnold Schönberg, Manel Clausells, Maria Teresa Balcells, Maria Canela, Pere Vallribera

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Soprano and teacher

She studied piano under Granados and Rosa Culmell. She debuted at Palau de la Música in 1913 singing the role of a flower maiden in a concert version of Wagner's Parsifal. From that time on, she developed a great career and got composers such as Granados, Pahissa, Gerhard and Pau Casals to composer for her voice. Between 1915 and 1930, she toured around Europe. Later on between 1938 and 1946, she lived in exile in Brazil and Argentina, where she worked with composers such Villa-Lobos and Falla. After returning to Barcelona, she was appointed professor of the Conservatori Superior and organized singing courses around the world.

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Soprano and teacher

She studied piano under Granados and Rosa Culmell. She debuted at Palau de la Música in 1913 singing the role of a flower maiden in a concert version of Wagner's Parsifal. From that time on, she developed a great career and got composers such as Granados, Pahissa, Gerhard and Pau Casals to composer for her voice. Between 1915 and 1930, she toured around Europe. Later on between 1938 and 1946, she lived in exile in Brazil and Argentina, where she worked with composers such Villa-Lobos and Falla. After returning to Barcelona, she was appointed professor of the Conservatori Superior and organized singing courses around the world.

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Organist and composer

Baguer studied with his Uncle Francesc Mariner in Barcelona's cathedral, where he was appointed organist in 1789.

He taught composers such as Mateu Ferrer and Ramon Carnicer. Among his output, there are nineteenth classical symphonies, a concert for two bassoons, chamber music, organ and vocal music as well as oratorios such El regreso a Barcelona a su patra del Dr Josef Oriol (1807). In addition, he premiered the opera La principessa filosofa (1797) in Teatre de la Santa Creu, an opera with a libretto by Agustín Moreto which has been considered by some as a defence of emperor Charles VI during the War of the Spanish Succession (1701-1714).

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Organist and composer

Baguer studied with his Uncle Francesc Mariner in Barcelona's cathedral, where he was appointed organist in 1789.

He taught composers such as Mateu Ferrer and Ramon Carnicer. Among his output, there are nineteenth classical symphonies, a concert for two bassoons, chamber music, organ and vocal music as well as oratorios such El regreso a Barcelona a su patra del Dr Josef Oriol (1807). In addition, he premiered the opera La principessa filosofa (1797) in Teatre de la Santa Creu, an opera with a libretto by Agustín Moreto which has been considered by some as a defence of emperor Charles VI during the War of the Spanish Succession (1701-1714).

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object(stdClass)#237 (9) { ["node_title"]=> string(4) "Joan" ["nid"]=> string(4) "3877" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(8) "Balcells" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["field_data_field_np_cognom_2_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#342 (53) { ["vid"]=> string(4) "4016" ["uid"]=> string(1) "5" ["title"]=> string(4) "Joan" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "3877" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541430281" ["changed"]=> string(10) "1552047093" ["tnid"]=> string(3) "603" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1552047093" ["revision_uid"]=> string(1) "5" ["body"]=> 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Noms propis: Balcells Llastarry, Rosa (filla), Eusebi Daniel, Lluís Millet, Ígor Stravinski, Heitor Villa-Lobos, Erich Kleiber, Alfred Cortot

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Noms propis: Balcells Llastarry, Rosa (filla), Eusebi Daniel, Lluís Millet, Ígor Stravinski, Heitor Villa-Lobos, Erich Kleiber, Alfred Cortot

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Composer and conductor

He was a pupil of Antoni Nicolau and Eusebi Daniel in harmony and counterpoint and fugue at the Escola Municipal de Música of Barcelona. He also received lessons from Joan Lamote de Grignon and Lluís Millet. In 1912, he became professor of Solfeig at the Escola Municipal, a post he hold until his retirement. That same year, he was also appointed Kapellmeister at Sant Felip Neri. He is renowned for founding the Orfeó Gracienc in 1904 and conducting it until 1945. During his years as conductor, the Orfeó performed with the symphony orchestra of the Musical Association of Barcelona and was conducted by internationally renowned conductors. He also collaborated conducting choirs with the Orquestra Pau Casals in different institutional ceremonies of the Second Spanish Republic and in the Festival of the International Society of Contemporary Music (1936). His output includes a capella vocal music, music for voice and accompaniment and music for choir and cobla. He also wrote numerous sardanes and two pieces of lyrical theatre.

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Composer and conductor

He was a pupil of Antoni Nicolau and Eusebi Daniel in harmony and counterpoint and fugue at the Escola Municipal de Música of Barcelona. He also received lessons from Joan Lamote de Grignon and Lluís Millet. In 1912, he became professor of Solfeig at the Escola Municipal, a post he hold until his retirement. That same year, he was also appointed Kapellmeister at Sant Felip Neri. He is renowned for founding the Orfeó Gracienc in 1904 and conducting it until 1945. During his years as conductor, the Orfeó performed with the symphony orchestra of the Musical Association of Barcelona and was conducted by internationally renowned conductors. He also collaborated conducting choirs with the Orquestra Pau Casals in different institutional ceremonies of the Second Spanish Republic and in the Festival of the International Society of Contemporary Music (1936). His output includes a capella vocal music, music for voice and accompaniment and music for choir and cobla. He also wrote numerous sardanes and two pieces of lyrical theatre.

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00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(2) "24" } [1]=> array(1) { ["target_id"]=> string(2) "26" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(1126) "

Harpist

Daughter of Joan Balcells García and sister of Maria Teresa Balcells. She began her music studies at the age of ten at the Escola Municipal de Música de Barcelona under Frederic Alfonso, Margarida Orfila and harp under Dolors Sànchez. In 1926, she won a scholarship from the Maria Patxot i Rabell Foundation which allowed her to access the École Normale de Musique in Paris where she studied the French harp technique for two years under Micheline Kahn and Georges Dandelot.

She returned to Barcelona as Pau Casals’s protégée and made her debut in 1930 with the Pau Casals Orchestra on a tour of Catalonia. Composers such as her teacher Frederic Alfonso, Joan Altisent and Joan B. Lambert composed music for her instrument.

She carried out important pedagogical work at the Marshall Academy and as a harp professor of the Conservatori Municipal de Música, consolidating a modern harp school. In 1989, together with some of her students, she founded the Catalan Association of Harpists.

Her discography includes music of the Renaissance and the Spanish Baroque.

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Harpist

Daughter of Joan Balcells García and sister of Maria Teresa Balcells. She began her music studies at the age of ten at the Escola Municipal de Música de Barcelona under Frederic Alfonso, Margarida Orfila and harp under Dolors Sànchez. In 1926, she won a scholarship from the Maria Patxot i Rabell Foundation which allowed her to access the École Normale de Musique in Paris where she studied the French harp technique for two years under Micheline Kahn and Georges Dandelot.

She returned to Barcelona as Pau Casals’s protégée and made her debut in 1930 with the Pau Casals Orchestra on a tour of Catalonia. Composers such as her teacher Frederic Alfonso, Joan Altisent and Joan B. Lambert composed music for her instrument.

She carried out important pedagogical work at the Marshall Academy and as a harp professor of the Conservatori Municipal de Música, consolidating a modern harp school. In 1989, together with some of her students, she founded the Catalan Association of Harpists.

Her discography includes music of the Renaissance and the Spanish Baroque.

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["raw"]=> array(3) { ["value"]=> string(8) "Balcells" ["format"]=> NULL ["safe_value"]=> string(8) "Balcells" } } } ["field_field_np_cognom_2"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(9) "Llastarry" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(9) "Llastarry" ["format"]=> NULL ["safe_value"]=> string(9) "Llastarry" } } } } [11]=> object(stdClass)#239 (9) { ["node_title"]=> string(5) "Jaume" ["nid"]=> string(4) "3878" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(6) "Balius" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["field_data_field_np_cognom_2_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#343 (52) { ["vid"]=> string(4) "4017" ["uid"]=> string(1) "5" ["title"]=> string(5) "Jaume" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "3878" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541430324" ["changed"]=> string(10) "1545908218" ["tnid"]=> string(3) "535" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1545908218" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(0) { } ["field_data_naixement"]=> array(0) { } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1822-11-03 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(0) { } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "22" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(501) "

Composer and Kapellmeister

He studied at Escolania de Montserrat and was a kapellmeister in the cathedrals of La Seu d'Urgell and Girona (1781-1785) replacing F. Juncà. From 1785 onward, he held the same position in the cathedral of Córdoba, leving the position temporarily, to be appointed master of the convent of the Incarnation of Madrid. His musical production is extensive and includes oratorios and cantatas as well as masses, hymns, lamentations, motets and secular music.

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Composer and Kapellmeister

He studied at Escolania de Montserrat and was a kapellmeister in the cathedrals of La Seu d'Urgell and Girona (1781-1785) replacing F. Juncà. From 1785 onward, he held the same position in the cathedral of Córdoba, leving the position temporarily, to be appointed master of the convent of the Incarnation of Madrid. His musical production is extensive and includes oratorios and cantatas as well as masses, hymns, lamentations, motets and secular music.

" } } } ["field_ciutats_relacionades"]=> array(1) { ["und"]=> array(6) { [0]=> array(1) { ["target_id"]=> string(4) "3494" } [1]=> array(1) { ["target_id"]=> string(3) "157" } [2]=> array(1) { ["target_id"]=> string(3) "172" } [3]=> array(1) { ["target_id"]=> string(4) "3492" } [4]=> array(1) { ["target_id"]=> string(3) "163" } [5]=> array(1) { ["target_id"]=> string(4) "1197" } } } ["field_associat_al_fons_del_museu"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_domini_public"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_patrimoni_musical_catal_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_obres"]=> array(0) { } ["field_institucions_i_formacions_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3684" } } } ["field_noms_propis_relacionats"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "4002" } } } ["field_teatres_i_auditoris_relaci"]=> array(0) { } ["field_centres_de_documentaci_"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(4) "3606" } [1]=> array(1) { ["target_id"]=> string(4) "3618" } } } ["field_urls_d_interes"]=> array(0) { } ["field_bibliografia"]=> array(0) { } ["field__udios_sense_fitxa"]=> array(0) { } ["field_np_noms_alternatius"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(5) "Jaime" ["format"]=> NULL ["safe_value"]=> string(5) "Jaime" } } } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(6) "Balius" ["format"]=> NULL ["safe_value"]=> string(6) "Balius" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(4) "Vila" ["format"]=> NULL ["safe_value"]=> string(4) "Vila" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541430324" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(6) "Balius" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(6) "Balius" ["format"]=> NULL ["safe_value"]=> string(6) "Balius" } } } ["field_field_np_cognom_2"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(4) "Vila" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(4) "Vila" ["format"]=> NULL ["safe_value"]=> string(4) "Vila" } } } } [12]=> object(stdClass)#240 (9) { ["node_title"]=> string(8) "Mercedes" ["nid"]=> string(4) "6212" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(9) "Belenguer" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["field_data_field_np_cognom_2_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#411 (53) { ["vid"]=> string(4) "6379" ["uid"]=> string(1) "3" ["title"]=> string(8) "Mercedes" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "6212" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1614079682" ["changed"]=> string(10) "1621596777" ["tnid"]=> string(4) "6170" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1621596777" ["revision_uid"]=> string(1) "3" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "102" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "231" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1889-07-06 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1965-07-23 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "22" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(750) "

Lyricist

Valencian author based in Barcelona who worked with her husband Francisco Codoñer. She wrote the lyrics of very popular songs and dances during the second third of the 20^th century and with special influence during the 1940s. She and her husband were also known as Godoy and J. Lito, respectively, pseudonyms under which they signed many of their works.

Some of her most celebrated songs of the time include Mi casita de papel, Yo quiero un TBO and Amor que viene cantando, popularized by renowned vocalists such as Pepe Blanco, Jorge Sepúlveda and Carmen Morell. The couple's production included pieces in different dance styles: tangos, foxtrots, pasodobles and boleros.

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(732) "

Lyricist

Valencian author based in Barcelona who worked with her husband Francisco Codoñer. She wrote the lyrics of very popular songs and dances during the second third of the 20th century and with special influence during the 1940s. She and her husband were also known as Godoy and J. Lito, respectively, pseudonyms under which they signed many of their works.

Some of her most celebrated songs of the time include Mi casita de papel, Yo quiero un TBO and Amor que viene cantando, popularized by renowned vocalists such as Pepe Blanco, Jorge Sepúlveda and Carmen Morell. The couple's production included pieces in different dance styles: tangos, foxtrots, pasodobles and boleros.

" } } } ["field_ciutats_relacionades"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(2) "91" } [1]=> array(1) { ["target_id"]=> string(4) "6206" } } } ["field_associat_al_fons_del_museu"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_domini_public"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_patrimoni_musical_catal_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_obres"]=> array(0) { } ["field_institucions_i_formacions_"]=> array(0) { } ["field_noms_propis_relacionats"]=> array(0) { } ["field_teatres_i_auditoris_relaci"]=> array(0) { } ["field_centres_de_documentaci_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3606" } } } ["field_urls_d_interes"]=> array(0) { } ["field_bibliografia"]=> array(0) { } ["field__udios_sense_fitxa"]=> array(1) { ["und"]=> array(3) { [0]=> array(1) { ["target_id"]=> string(4) "6169" } [1]=> array(1) { ["target_id"]=> string(4) "6168" } [2]=> array(1) { ["target_id"]=> string(4) "6171" } } } ["field_np_noms_alternatius"]=> array(0) { } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(9) "Belenguer" ["format"]=> NULL ["safe_value"]=> string(9) "Belenguer" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(11) "Machancoses" ["format"]=> NULL ["safe_value"]=> string(11) "Machancoses" } } } ["field_np_alies"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(7) "M.Godoy" ["format"]=> NULL ["safe_value"]=> string(7) "M.Godoy" } } } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1614079682" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "3" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg2" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(9) "Belenguer" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(9) "Belenguer" ["format"]=> NULL ["safe_value"]=> string(9) "Belenguer" } } } ["field_field_np_cognom_2"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(11) "Machancoses" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(11) "Machancoses" ["format"]=> NULL ["safe_value"]=> string(11) "Machancoses" } } } } [13]=> object(stdClass)#241 (9) { ["node_title"]=> string(5) "Jaume" ["nid"]=> string(4) "3890" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(8) "Biscarri" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["field_data_field_np_cognom_2_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#344 (53) { ["vid"]=> string(4) "4029" ["uid"]=> string(1) "5" ["title"]=> string(5) "Jaume" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "3890" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541431241" ["changed"]=> string(10) "1573038043" ["tnid"]=> string(3) "602" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1573038043" ["revision_uid"]=> string(1) "5" ["body"]=> array(1) { ["und"]=> array(1) { [0]=> array(5) { ["value"]=> string(262) "

Noms: Rossini, Fétis, Carafa, Marmontel o Ketterer, Andreu Vidal i Llimona la revista La España musical, JB Pujol, Enric Ferrer Rodrigo, Jaume Biscarri de Fortuny. Li dediquen obres per amic: Eusebi Font , Campabadal, J. (1846-1905), Sabater, Baudilio

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Noms: Rossini, Fétis, Carafa, Marmontel o Ketterer, Andreu Vidal i Llimona la revista La España musical, JB Pujol, Enric Ferrer Rodrigo, Jaume Biscarri de Fortuny. Li dediquen obres per amic: Eusebi Font , Campabadal, J. (1846-1905), Sabater, Baudilio

" ["safe_summary"]=> string(0) "" } } } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1837-06-13 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1877-03-17 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(2) "22" } [1]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(1076) "

Pianist and composer

He studied in Bellpuig and Balaguer under Baixel and Francesc Coma and later on he studied counterpoint and piano under Andreví and J. M. Sirvent in Barcelona. In addition to music, he had a background in humanities and theology. Between 1864 and 1866 he moved to Paris, where he met Rossini, Fétis, Carafa, Marmontel and Ketterer. After returning to Barcelona, he founded the journal La España musical with the publisher Andreu Vidal Llimona. He published essays and reviews and got into a debate about the keyboard intonation with Joan Baptista Pujol. In addition to pianist and theoretician, he was also teacher and had Enric Ferrer Rodrigo as student.

Among his output, he is renowned for piano pieces such as Tres Elegías, which was awarded the price of the Certamen de València (1875) and for his commissioned antiphone for the 25th anniversary of the coronation of Pius IX (1871). On the day of his death he was appointed academic of the Academia de Bellas Artes de San Fernando.

 

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Pianist and composer

He studied in Bellpuig and Balaguer under Baixel and Francesc Coma and later on he studied counterpoint and piano under Andreví and J. M. Sirvent in Barcelona. In addition to music, he had a background in humanities and theology. Between 1864 and 1866 he moved to Paris, where he met Rossini, Fétis, Carafa, Marmontel and Ketterer. After returning to Barcelona, he founded the journal La España musical with the publisher Andreu Vidal Llimona. He published essays and reviews and got into a debate about the keyboard intonation with Joan Baptista Pujol. In addition to pianist and theoretician, he was also teacher and had Enric Ferrer Rodrigo as student.

Among his output, he is renowned for piano pieces such as Tres Elegías, which was awarded the price of the Certamen de València (1875) and for his commissioned antiphone for the 25th anniversary of the coronation of Pius IX (1871). On the day of his death he was appointed academic of the Academia de Bellas Artes de San Fernando.

 

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Noms propis: Jaume Biscarri Bossom de Saga, Pere Tintorer

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Noms propis: Jaume Biscarri Bossom de Saga, Pere Tintorer

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Composer and teacher

He studied music following the family tradition. In addition to being a renowned composer and pianist, Biscarri thrived as a harmony and composition teacher (often by correspondence with students from the rest of the Peninsula). He also contributed to the magazine Musical Hermes of Casa Parramon. The attribution of his compositional output has often been difficult, as he not always signed music under his name but also with the pseudonyms Bisfort or Jeaquein. His output includes sardanes as well as orchestral, chamber, stage and religious music. He married Maria Antonieta Cuyàs, granddaughter of Pere Tintorer.

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Composer and teacher

He studied music following the family tradition. In addition to being a renowned composer and pianist, Biscarri thrived as a harmony and composition teacher (often by correspondence with students from the rest of the Peninsula). He also contributed to the magazine Musical Hermes of Casa Parramon. The attribution of his compositional output has often been difficult, as he not always signed music under his name but also with the pseudonyms Bisfort or Jeaquein. His output includes sardanes as well as orchestral, chamber, stage and religious music. He married Maria Antonieta Cuyàs, granddaughter of Pere Tintorer.

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"dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541431306" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(11) "Biscarri de" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(11) "Biscarri de" ["format"]=> NULL ["safe_value"]=> string(11) "Biscarri de" } } } ["field_field_np_cognom_2"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(7) "Fortuny" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(7) "Fortuny" ["format"]=> NULL ["safe_value"]=> string(7) "Fortuny" } } } } [15]=> object(stdClass)#243 (9) { ["node_title"]=> string(6) "Manuel" ["nid"]=> string(4) "3892" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(13) "Blancafort de" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["field_data_field_np_cognom_2_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#346 (52) { ["vid"]=> string(4) "4031" ["uid"]=> string(1) "5" ["title"]=> string(6) "Manuel" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "3892" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541431358" ["changed"]=> string(10) "1573142810" ["tnid"]=> string(3) "224" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1573142810" ["revision_uid"]=> string(1) "5" 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Maria Canals

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Maria Canals

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Composer

He started his musical education with his father, music amateur and founder of Victoria de la Garriga piano rolls, and later with J. Alsius and Joan Lamote de Grignon. In the 1910 and 1920s he transcribed piano rolls for his family business. This background and his friendship with Frederic Mompou directed him towards composition. His first output in the 1920s were mainly songs, small choral pieces and piano pieces such as El parc d'atraccions, premiered by Ricard Viñes in Paris (1924). In the same period, he composed fashionable dances and jazz pieces with Mompou for Hobby piano rolls. From 1930 onwards, he devoted himself to large-scale compositions for chamber, orchestral and choral ensembles. He took part in the Festival SIMC (Barcelona, 1936), where some of his work was premiered. He has been considered one of the most relevant Catalan composers of his century for the singularity of his compositions, which were influenced by the French school and later by classical expressivity. He received many prices and awards.

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Composer

He started his musical education with his father, music amateur and founder of Victoria de la Garriga piano rolls, and later with J. Alsius and Joan Lamote de Grignon. In the 1910 and 1920s he transcribed piano rolls for his family business. This background and his friendship with Frederic Mompou directed him towards composition. His first output in the 1920s were mainly songs, small choral pieces and piano pieces such as El parc d'atraccions, premiered by Ricard Viñes in Paris (1924). In the same period, he composed fashionable dances and jazz pieces with Mompou for Hobby piano rolls. From 1930 onwards, he devoted himself to large-scale compositions for chamber, orchestral and choral ensembles. He took part in the Festival SIMC (Barcelona, 1936), where some of his work was premiered. He has been considered one of the most relevant Catalan composers of his century for the singularity of his compositions, which were influenced by the French school and later by classical expressivity. He received many prices and awards.

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Moszkowoski, Chaimnade, Radoux, Landowska, Zeple, Bonaventura Burgès

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Moszkowoski, Chaimnade, Radoux, Landowska, Zeple, Bonaventura Burgès

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Teacher, composer and music promoter

He studied at the Escola Municipal de Música de Barcelona and later in Cologne, where he obtained his PhD. After returning to Catalonia he founded the Escola Musical Internacional and the Barcelona Concert Society (Societat Barcelonesa de Concerts, 1898). Thanks to this institutional affiliation, he maintained correspondence with European composers such as Saint-Saëns, Grieg, D'Indy, Massenet and Charpentier. He was also teacher of Acadèmia Ainaud and Centre Artístic Musical until his death. His output consists mainly of symphonic, chamber and piano music but also opera, sardanes and choral music. His bucolic poem for voice and piano La vida al camp (1890) enjoyed many performances throughout Europe.

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Teacher, composer and music promoter

He studied at the Escola Municipal de Música de Barcelona and later in Cologne, where he obtained his PhD. After returning to Catalonia he founded the Escola Musical Internacional and the Barcelona Concert Society (Societat Barcelonesa de Concerts, 1898). Thanks to this institutional affiliation, he maintained correspondence with European composers such as Saint-Saëns, Grieg, D'Indy, Massenet and Charpentier. He was also teacher of Acadèmia Ainaud and Centre Artístic Musical until his death. His output consists mainly of symphonic, chamber and piano music but also opera, sardanes and choral music. His bucolic poem for voice and piano La vida al camp (1890) enjoyed many performances throughout Europe.

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Guinovart, Onofre

Torre, Jeroni de la

Peris, Andreu

Babán, Gracia

Rodríguez, Jorge

josep climent

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Guinovart, Onofre

Torre, Jeroni de la

Peris, Andreu

Babán, Gracia

 

Rodríguez, Jorge

josep climent

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Composer and Organist

His music education started in the church of Algemesí and developed later in Valencia's Cathedral. In 1665 he was appointed second organist and a year later first organist of the same cathedral. He held that position for 45 years, only interrupted by the period 1675 to 1677, when he temporarily  took on the responsibilities of Kappelmeister until Teodor Ortells was appointed. His output includes many compositions for the organ (tientos, tocatas, passacaglias and versos) which have been considered the culmination of the Iberian baroque music for the organ for his virtuosism and advanced musical language. He also composed sacred vocal music, for up to 13 voices, that have been highly regarded.

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Composer and Organist

His music education started in the church of Algemesí and developed later in Valencia's Cathedral. In 1665 he was appointed second organist and a year later first organist of the same cathedral. He held that position for 45 years, only interrupted by the period 1675 to 1677, when he temporarily  took on the responsibilities of Kappelmeister until Teodor Ortells was appointed. His output includes many compositions for the organ (tientos, tocatas, passacaglias and versos) which have been considered the culmination of the Iberian baroque music for the organ for his virtuosism and advanced musical language. He also composed sacred vocal music, for up to 13 voices, that have been highly regarded.

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["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(8) "Campmany" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["field_data_field_np_cognom_2_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#349 (52) { ["vid"]=> string(4) "4055" ["uid"]=> string(1) "5" ["title"]=> string(10) "Montserrat" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "3916" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541496424" ["changed"]=> string(10) "1545927250" ["tnid"]=> string(3) "604" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1545927250" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { 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array(1) { [0]=> array(3) { ["value"]=> string(874) "

Composer and Teacher

As a child, she and her family moved to Argentina. In Buenos Aires she studied under Guido Cappocci (singing), Julián Aguirre (piano) and Constatino Gaito (composition). In 1919 she obtained the first composition prize of the Orfeó Català in Buenos Aires with Raïms i espigues. She returned to Barcelona in 1929, where the Pau Casals Orchestra premiered Danza India and Poemas de Cuyo, pentatonal pieces of Inca inspiration. She furthered her education under Joan Llongueres, Joan Massià and Blanca Selva. In 1940 she moved to Buenos Aires where she worked intensively as a teacher of the Escuela Normal nº1, and took composition lessons with Carlos Vega. From the 1950s onwards, she abandoned the language of music nationalism and oral music to explore dodecatonism.
 

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Composer and Teacher

As a child, she and her family moved to Argentina. In Buenos Aires she studied under Guido Cappocci (singing), Julián Aguirre (piano) and Constatino Gaito (composition). In 1919 she obtained the first composition prize of the Orfeó Català in Buenos Aires with Raïms i espigues. She returned to Barcelona in 1929, where the Pau Casals Orchestra premiered Danza India and Poemas de Cuyo, pentatonal pieces of Inca inspiration. She furthered her education under Joan Llongueres, Joan Massià and Blanca Selva. In 1940 she moved to Buenos Aires where she worked intensively as a teacher of the Escuela Normal nº1, and took composition lessons with Carlos Vega. From the 1950s onwards, she abandoned the language of music nationalism and oral music to explore dodecatonism.
 

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["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541496424" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(8) "Campmany" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(8) "Campmany" ["format"]=> NULL ["safe_value"]=> string(8) "Campmany" } } } ["field_field_np_cognom_2"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(7) "Cortés" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(7) "Cortés" ["format"]=> NULL ["safe_value"]=> string(7) "Cortés" } } } } [19]=> object(stdClass)#247 (9) { ["node_title"]=> string(8) "Bartomeu" ["nid"]=> string(4) "3918" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(9) "Càrceres" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["field_data_field_np_cognom_2_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#350 (52) { ["vid"]=> string(4) "4057" ["uid"]=> string(1) "5" ["title"]=> string(8) "Bartomeu" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "3918" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541496559" ["changed"]=> string(10) "1579792030" ["tnid"]=> string(3) "861" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1579792030" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(0) { } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1500-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1600-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(0) { } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(2) "22" } [1]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(656) "

Composer

The only surviving evidence of his figure has been documented in 1546, as a "puntador de libros" of the chapel of Ferdinand II of Aragon, Duke of Calabria. He has been credited as the copyist of the well-known Cançoner de Gandia (currently held in Uppsala). Among his sacred compositions, a mass and three motets and psalms have survived, in addition to the well-known polyphonic version of Cant de la sibil·la of Valencia. Other surviving material include half a dozen songs and La trulla, which has been considered the longest ensalada of the Renaissance period.

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Composer

The only surviving evidence of his figure has been documented in 1546, as a "puntador de libros" of the chapel of Ferdinand II of Aragon, Duke of Calabria. He has been credited as the copyist of the well-known Cançoner de Gandia (currently held in Uppsala). Among his sacred compositions, a mass and three motets and psalms have survived, in addition to the well-known polyphonic version of Cant de la sibil·la of Valencia. Other surviving material include half a dozen songs and La trulla, which has been considered the longest ensalada of the Renaissance period.

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["field_centres_de_documentaci_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3606" } } } ["field_urls_d_interes"]=> array(0) { } ["field_bibliografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3549" } } } ["field__udios_sense_fitxa"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "5112" } } } ["field_np_noms_alternatius"]=> array(0) { } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(9) "Càrceres" ["format"]=> NULL ["safe_value"]=> string(9) "Càrceres" } } } ["field_np_cognom_2"]=> array(0) { } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541496559" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(9) "Càrceres" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(9) "Càrceres" ["format"]=> NULL ["safe_value"]=> string(9) "Càrceres" } } } ["field_field_np_cognom_2"]=> array(0) { } } [20]=> object(stdClass)#248 (9) { ["node_title"]=> string(5) "Josep" ["nid"]=> string(4) "3919" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(8) "Carcoler" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" 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Composer and organist

He studied at the chapel Tarragona's Cathedral under Joan C. Ripollès. He was appointed kapellmeister of the collegiate church of Tremp (1723-1739) and later of Sant Esteve d'Olot (1739-1775). His compositional production includes circa 50 liturgical and sacred music following Iberian models of the late Baroque.

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Composer and organist

He studied at the chapel Tarragona's Cathedral under Joan C. Ripollès. He was appointed kapellmeister of the collegiate church of Tremp (1723-1739) and later of Sant Esteve d'Olot (1739-1775). His compositional production includes circa 50 liturgical and sacred music following Iberian models of the late Baroque.

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Composer and Teacher

He studied in the music chapel of Girona's Cathedral with Antoni Vidal and Josep Barba. In 1850 he founded a musical school in Girona. Between 1851 and 1860 he was Kapellmeister of Girona's Cathedra before he moved to Barcelona in 1860. There, he was appointed director of the Escola de Cecs and was a member of the Gran Teatre del Liceu Orchestra. Although he moved to France in 1876 he returned to Catalonia in 1880 and was appointed Kapellmeister and organist of the basilica of La Bisbal d'Empordà. In La Bisbal, he not only founded a school where relevant figures of the sardana world would study, but he also contributed to the foundation of La Principal de la Bisbal cobla. He was a bibliophile and among his collections of historical books and musical instruments, he held an anonymous manuscript with the five shortest sardanes ever known. He composed over two thousand works including religious music, sardanes, choir music, zarzuela and opera.

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Composer and Teacher

He studied in the music chapel of Girona's Cathedral with Antoni Vidal and Josep Barba. In 1850 he founded a musical school in Girona. Between 1851 and 1860 he was Kapellmeister of Girona's Cathedra before he moved to Barcelona in 1860. There, he was appointed director of the Escola de Cecs and was a member of the Gran Teatre del Liceu Orchestra. Although he moved to France in 1876 he returned to Catalonia in 1880 and was appointed Kapellmeister and organist of the basilica of La Bisbal d'Empordà. In La Bisbal, he not only founded a school where relevant figures of the sardana world would study, but he also contributed to the foundation of La Principal de la Bisbal cobla. He was a bibliophile and among his collections of historical books and musical instruments, he held an anonymous manuscript with the five shortest sardanes ever known. He composed over two thousand works including religious music, sardanes, choir music, zarzuela and opera.

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Manuel Blanch i Puig, Agustí Cassadó, Trio Cassadó

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Manuel Blanch i Puig, Agustí Cassadó, Trio Cassadó

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Composer and pianist

He studied with Manuel Blanch in the church of Santa Maria (Mataró) and later with Julià Vilaseca and Bonaventura Frígola in the basilica of La Mercè (Barcelona). From 1900 to 1903, he created and conducted the Associació Capella Catalana, devoted to the renewal of Catholic liturgical music. In 1907 he moved to Paris for the musical education of his children. He formed a trio with his children Agusí (violin), Gaspar (cello) and himself. At the beginning of World War I, he returned to Barcelona, where he devoted himself to composition (sacred music, symphonic and stage music, lieder and sardana), education and conducting. He premiered at the Gran Teatre del Liceu El monjo negre (1920) and his piece Hispania for piano and orchestra was awarded a prize in Paris in 1911.

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Composer and pianist

He studied with Manuel Blanch in the church of Santa Maria (Mataró) and later with Julià Vilaseca and Bonaventura Frígola in the basilica of La Mercè (Barcelona). From 1900 to 1903, he created and conducted the Associació Capella Catalana, devoted to the renewal of Catholic liturgical music. In 1907 he moved to Paris for the musical education of his children. He formed a trio with his children Agusí (violin), Gaspar (cello) and himself. At the beginning of World War I, he returned to Barcelona, where he devoted himself to composition (sacred music, symphonic and stage music, lieder and sardana), education and conducting. He premiered at the Gran Teatre del Liceu El monjo negre (1920) and his piece Hispania for piano and orchestra was awarded a prize in Paris in 1911.

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Composer and conductor

From a wealthy family of craftsmen in decline, he took advantage of his musical knowledge to work as a guitarist in fashionable cafes. There, he got in contact with working people and republicans. After being imprisoned for the revolts of 1843, he realized the power of singing in a community, and in 1845 he founded the La Aurora. In 1850, he founded the society La Fraternidad, a pioneer of the non-religious male voice choir in Catalonia, following the model of the French orphanages. The aim of the choir was to promote values such as mutual support, education, republicanism and pride at work. In 1854 he composed the first song in Catalan "La font del roure". In 1857 he founded the Societat Coral Euterpe which started a movement with thousands of associates. In 1871, when he was already a prominent republican, he was appointed president of the Diputació de Barcelona. Clavé has been considered a prominent figure for creating a new popular culture using songs of romantic-operatic inspiration (both in Catalan and Spanish) to achieve great social impact.

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Composer and conductor

From a wealthy family of craftsmen in decline, he took advantage of his musical knowledge to work as a guitarist in fashionable cafes. There, he got in contact with working people and republicans. After being imprisoned for the revolts of 1843, he realized the power of singing in a community, and in 1845 he founded the La Aurora. In 1850, he founded the society La Fraternidad, a pioneer of the non-religious male voice choir in Catalonia, following the model of the French orphanages. The aim of the choir was to promote values such as mutual support, education, republicanism and pride at work. In 1854 he composed the first song in Catalan "La font del roure". In 1857 he founded the Societat Coral Euterpe which started a movement with thousands of associates. In 1871, when he was already a prominent republican, he was appointed president of the Diputació de Barcelona. Clavé has been considered a prominent figure for creating a new popular culture using songs of romantic-operatic inspiration (both in Catalan and Spanish) to achieve great social impact.

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"a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(6) "Clavé" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(6) "Clavé" ["format"]=> NULL ["safe_value"]=> string(6) "Clavé" } } } ["field_field_np_cognom_2"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(5) "Camps" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(5) "Camps" ["format"]=> NULL ["safe_value"]=> string(5) "Camps" } } } } [24]=> object(stdClass)#252 (9) { ["node_title"]=> string(9) "Francisco" ["nid"]=> string(4) "6207" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(8) "Codoñer" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" 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Composer

Based in Barcelona, he composed popular songs and dances during the second third of the 20^th century, with special relevance during the 1940s. His wife, Mercedes Belenguer, collaborated as his lyricist. They signed many of the works under the names of J. Lito and M. Godoy, respectively.

Some of the most celebrated songs include Mi casita de papel, Yo quiero un TBO and Amor que viene cantando, popularized by renowned vocalists of the time such as Pepe Blanco, Jorge Sepúlveda and Carmen Morell. The couple's production included pieces in different dance styles: tangos, foxtrots, pasodobles and boleros.

Francisco Codoñer is also the author of stage music premiered in Barcelona: the revue Luz en las sombras (1925) at Gran Teatre del Bosc; the lyrical fantasia Me debes un beso (1954) at Teatre Apol·lo and the revue Dos amores vienen cantando (1955) at Teatre Poliorama.

 

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Composer

Based in Barcelona, he composed popular songs and dances during the second third of the 20th century, with special relevance during the 1940s. His wife, Mercedes Belenguer, collaborated as his lyricist. They signed many of the works under the names of J. Lito and M. Godoy, respectively.

Some of the most celebrated songs include Mi casita de papel, Yo quiero un TBO and Amor que viene cantando, popularized by renowned vocalists of the time such as Pepe Blanco, Jorge Sepúlveda and Carmen Morell. The couple's production included pieces in different dance styles: tangos, foxtrots, pasodobles and boleros.

Francisco Codoñer is also the author of stage music premiered in Barcelona: the revue Luz en las sombras (1925) at Gran Teatre del Bosc; the lyrical fantasia Me debes un beso (1954) at Teatre Apol·lo and the revue Dos amores vienen cantando (1955) at Teatre Poliorama.

 

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Cercle Manuel de Falla: Albert Blancafort, J.E.Cirlot, Àngel Cerdà.

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Cercle Manuel de Falla: Albert Blancafort, J.E.Cirlot, Àngel Cerdà.

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Composer

He started as a self-taught musician around the Barcelonian group Els vuit in the postwar period and received advice from Cristòfor Taltabull. In 1946 he begun composing. A year later, together with Manuel Valls, he founded the Cercle Manuel de Falla. Over a hundred works have been preserved, mostly chamber, symphonic, religious and scenic music.

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Composer

He started as a self-taught musician around the Barcelonian group Els vuit in the postwar period and received advice from Cristòfor Taltabull. In 1946 he begun composing. A year later, together with Manuel Valls, he founded the Cercle Manuel de Falla. Over a hundred works have been preserved, mostly chamber, symphonic, religious and scenic music.

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["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(8) "Comellas" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(8) "Comellas" ["format"]=> NULL ["safe_value"]=> string(8) "Comellas" } } } ["field_field_np_cognom_2"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(9) "Maristany" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(9) "Maristany" ["format"]=> NULL ["safe_value"]=> string(9) "Maristany" } } } } [26]=> object(stdClass)#254 (9) { ["node_title"]=> string(6) "Vicent" ["nid"]=> string(4) 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Composer, pianist and pedagogue

In 1862 he settled in Barcelona. He studied piano under Joan Baptista Pujol and composition under Gabriel Balart. He continued his musical training in Paris under G. J. Pfeiffer and at the Stuttgart Conservatory. On these visits he established contacts with Hans von Bülow and Franz Liszt. After a stay in Madrid where he gave piano recitals, he settled in Barcelona and performed at the 1888 Universal Exposition.

As a composer, he composed stage and symphonic music for voice and piano, as well as an extensive repertoire for solo piano. In 1873 he composed the zarzuela L’adroger del Padró and in 1880, Fantasía nocturno and Esperanza won awards. In 1905 he premiered the opera Inés de Castro at the Liceu.

In 1891 he obtained a position as piano teacher at the Liceu Conservatory and published didactic works such as the Estudis catacterístics per a piano. Júlia Sicard, Josep Cumellas, Josep Barberà and Joaquim Vidal were among his students.

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Composer, pianist and pedagogue

In 1862 he settled in Barcelona. He studied piano under Joan Baptista Pujol and composition under Gabriel Balart. He continued his musical training in Paris under G. J. Pfeiffer and at the Stuttgart Conservatory. On these visits he established contacts with Hans von Bülow and Franz Liszt. After a stay in Madrid where he gave piano recitals, he settled in Barcelona and performed at the 1888 Universal Exposition.

As a composer, he composed stage and symphonic music for voice and piano, as well as an extensive repertoire for solo piano. In 1873 he composed the zarzuela L’adroger del Padró and in 1880, Fantasía nocturno and Esperanza won awards. In 1905 he premiered the opera Inés de Castro at the Liceu.

In 1891 he obtained a position as piano teacher at the Liceu Conservatory and published didactic works such as the Estudis catacterístics per a piano. Júlia Sicard, Josep Cumellas, Josep Barberà and Joaquim Vidal were among his students.

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Composer

He was a promoter and music director who became internationally renowned for appearing in Hollywood films leading orchestras that popularized Latin rhythms. Thanks to his popularity and television appearances, he produced a large discography. Her family moved to Havana in 1904 and in 1915, to New York. After some time working as a classical violinist, at the end of 1920 he devoted himself to composition of dance music and developed an aesthetic that adapted the rumba, mambo or bolero to the public of the United States. Xavier Cugat Orchestra, which included musicians from Cuba, Mexico and Puerto Rico, were the resident orchestra of the Waldorf-Astoria since 1933. In the 1940s, he worked in productions of musical films next to F. Sinatra, R. Hayworth, F. Astaire, C. Miranda and E. Williams. He was also a cartoonist and entrepreneur, and promoter of singers such as Lina Romay or Abbe Lane, her fourth wive. Installed in Catalonia at the end of the 1970s, he enjoyed a great popularity with Gran Orquestra Xavier Cugat Caravana Show.

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Composer

He was a promoter and music director who became internationally renowned for appearing in Hollywood films leading orchestras that popularized Latin rhythms. Thanks to his popularity and television appearances, he produced a large discography. Her family moved to Havana in 1904 and in 1915, to New York. After some time working as a classical violinist, at the end of 1920 he devoted himself to composition of dance music and developed an aesthetic that adapted the rumba, mambo or bolero to the public of the United States. Xavier Cugat Orchestra, which included musicians from Cuba, Mexico and Puerto Rico, were the resident orchestra of the Waldorf-Astoria since 1933. In the 1940s, he worked in productions of musical films next to F. Sinatra, R. Hayworth, F. Astaire, C. Miranda and E. Williams. He was also a cartoonist and entrepreneur, and promoter of singers such as Lina Romay or Abbe Lane, her fourth wive. Installed in Catalonia at the end of the 1970s, he enjoyed a great popularity with Gran Orquestra Xavier Cugat Caravana Show.

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nebot d'Eusebi Daniel i Campalans

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nebot d'Eusebi Daniel i Campalans

" ["safe_summary"]=> string(0) "" } } } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1880-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1963-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "22" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(500) "

Composer

He was Eusebi Daniel i Campalans's nephew. From 1900 to 1912 he lived in Paris and between 1917 and 1924 in Argentina. After returning to Barcelona, he was known for his compositions for teatre líric as well as for the zarzuelas and sainets premiered in the 1930s and 1940s. He composed piano music, religious music, dances, music for band, an opera and various choir arrangements of popular songs. He also practiced painting and was a professional photographer.

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(496) "

Composer

He was Eusebi Daniel i Campalans's nephew. From 1900 to 1912 he lived in Paris and between 1917 and 1924 in Argentina. After returning to Barcelona, he was known for his compositions for teatre líric as well as for the zarzuelas and sainets premiered in the 1930s and 1940s. He composed piano music, religious music, dances, music for band, an opera and various choir arrangements of popular songs. He also practiced painting and was a professional photographer.

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"a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(6) "Daniel" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(6) "Daniel" ["format"]=> NULL ["safe_value"]=> string(6) "Daniel" } } } ["field_field_np_cognom_2"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(6) "Ramona" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(6) "Ramona" ["format"]=> NULL ["safe_value"]=> string(6) "Ramona" } } } } [29]=> object(stdClass)#257 (9) { ["node_title"]=> string(8) "Francesc" ["nid"]=> string(4) "3964" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(5) "Forns" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" 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Violinist and Composer

He was the first violinist at Teatre del Liceu and at the chapel of Barcelona's Cathedral. He was also teacher of solfeo at Conservatori del Liceu. He composed mainly religious music, such as the Missa sobre el Tantum Ergo for the chapter of the Barcelona’s Cathedral, and a Hymn that received an honorary mention at the musical event organized to commemorate the Millennial of the Monastery of Montserrat. His output also includes one symphonic piece and one chamber music piece, as well as some arrangements.

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(559) "

Violinist and Composer

He was the first violinist at Teatre del Liceu and at the chapel of Barcelona's Cathedral. He was also teacher of solfeo at Conservatori del Liceu. He composed mainly religious music, such as the Missa sobre el Tantum Ergo for the chapter of the Barcelona’s Cathedral, and a Hymn that received an honorary mention at the musical event organized to commemorate the Millennial of the Monastery of Montserrat. His output also includes one symphonic piece and one chamber music piece, as well as some arrangements.

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Francesc Navarro Dídac Pontac

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Francesc Navarro Dídac Pontac

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Kapellmeister and composer

Probably of Valencian origin, he studied at the cathedral of Valencia (1648-1652). After becoming a Kapellmeister of Huesca’s Cathedral (1659) and sitting a competitive examination for the Corpus chapel of Valencia (1662), he was appointed Kapellmeister in Barcelona's Cathedral (1667). Part of his duties as Kapellmeister were composing for the chapel (74 of such works have been preserved including sacred music, vilancets and tonos) and instructing the students (for example J. Gaz). He was in contact with the most renowned composers of his time, including Cererols and Cabanilles. His Historia de Joseph and Aquí de la fe are considered the oldest oratorio compositions of the Iberian Peninsula.

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Kapellmeister and composer

Probably of Valencian origin, he studied at the cathedral of Valencia (1648-1652). After becoming a Kapellmeister of Huesca’s Cathedral (1659) and sitting a competitive examination for the Corpus chapel of Valencia (1662), he was appointed Kapellmeister in Barcelona's Cathedral (1667). Part of his duties as Kapellmeister were composing for the chapel (74 of such works have been preserved including sacred music, vilancets and tonos) and instructing the students (for example J. Gaz). He was in contact with the most renowned composers of his time, including Cererols and Cabanilles. His Historia de Joseph and Aquí de la fe are considered the oldest oratorio compositions of the Iberian Peninsula.

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Composer

He studied under E. Granados and F. Marshall (piano). Between 1916 and 1921 he studied also musicology and composition under Felip Pedrell. He collected songs of oral tradition for the Ethnography and Folklore Archive of Catalonia. In 1923 he moved to Vienna to study with Arnold Schönberg, with whom he worked until 1928. In 1931, he was appointed professor of music at the Escola Normal. He was part of the group Compositors Independents de Catalunya (Group of the Eight) together with Blancafort, Mompou, Toldrà, Ricard Lamote and Samper. He promoted the International Society for Contemporary Music Festival in Barcelona in 1936. In 1939 he decided to exile and settled at King's College in Cambridge, where he remained for the rest of his life. He composed for the BBC and in 1968 he was appointed honorary doctor by the University of Cambridge. His extensive output offers his own perspective on different styles from neoclassicism to serialism whilst making use of music of oral tradition. He is considered the greatest Catalan composer of the 20th-century.

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Composer

He studied under E. Granados and F. Marshall (piano). Between 1916 and 1921 he studied also musicology and composition under Felip Pedrell. He collected songs of oral tradition for the Ethnography and Folklore Archive of Catalonia. In 1923 he moved to Vienna to study with Arnold Schönberg, with whom he worked until 1928. In 1931, he was appointed professor of music at the Escola Normal. He was part of the group Compositors Independents de Catalunya (Group of the Eight) together with Blancafort, Mompou, Toldrà, Ricard Lamote and Samper. He promoted the International Society for Contemporary Music Festival in Barcelona in 1936. In 1939 he decided to exile and settled at King's College in Cambridge, where he remained for the rest of his life. He composed for the BBC and in 1968 he was appointed honorary doctor by the University of Cambridge. His extensive output offers his own perspective on different styles from neoclassicism to serialism whilst making use of music of oral tradition. He is considered the greatest Catalan composer of the 20th-century.

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Harpsichordist, pianist and pedagogue

He studied at the Escola Municipal de Música de Barcelona under Lluís Millet and Robert Goberna. In 1905, he debuted as a pianist at the Cercle Artístic de Barcelona. In 1920 he moved to Paris, where he studied piano under Isidor Philipp and Alfred Cortot, harpsichord under Wanda Landowska and composition under Vincent d'Indy at the Schola Cantorum. In 1928 he returned to Barcelona, beginning a busy period of piano and harpsichord recitals at the Palau de la Música Catalana, the 1931 Chopin Festival and the 1932 Bach Festival. He founded the organization Compositors Independents de Catalunya (CIC), also known as Grup dels Vuit, which was presented publicly in 1931. From 1939, he devoted himself to harpsichord and piano teaching and in 1947, he gained a position at the Conservatori de Barcelona and created an Early Music professorship. Antoni Besses, Teresa Llacuna, Romà Alís and Maria Empar Ribera were among his students. He worked as a music critic and essayist for Revista Musical Catalana and La Publicitat and composed music for piano, vo

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Harpsichordist, pianist and pedagogue

He studied at the Escola Municipal de Música de Barcelona under Lluís Millet and Robert Goberna. In 1905, he debuted as a pianist at the Cercle Artístic de Barcelona. In 1920 he moved to Paris, where he studied piano under Isidor Philipp and Alfred Cortot, harpsichord under Wanda Landowska and composition under Vincent d'Indy at the Schola Cantorum. In 1928 he returned to Barcelona, beginning a busy period of piano and harpsichord recitals at the Palau de la Música Catalana, the 1931 Chopin Festival and the 1932 Bach Festival. He founded the organization Compositors Independents de Catalunya (CIC), also known as Grup dels Vuit, which was presented publicly in 1931. From 1939, he devoted himself to harpsichord and piano teaching and in 1947, he gained a position at the Conservatori de Barcelona and created an Early Music professorship. Antoni Besses, Teresa Llacuna, Romà Alís and Maria Empar Ribera were among his students. He worked as a music critic and essayist for Revista Musical Catalana and La Publicitat and composed music for piano, vo

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Gols Veciana, Josep, Gols Soler, Joan

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Gols Veciana, Josep, Gols Soler, Joan

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Composer

He began violin and piano with his father. In 1927 he won the Pau Casals scholarship, and moved to Barcelona with his brother. There, he studied piano and composition with Blanca Selva and Baltasar Samper, and collaborated in Obra del Cançoner Popular de Catalunya. In 1930 he returned to Tarragona, where he was appointed conductor of Orfeó Tarragoní and teacher of both the Conservatory of Tarragona and Taller-Escola de Pintura i Escultura of the Generalitat. During the Civil War he combined teaching and pianist jobs in theaters and cinemas, but he became ill and died prematurely. Gols's musical output includes song as well as spiano, chamber and choir music. He received several awards and has been compared to the Catalan composers of Grup dels Vuit.

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Composer

He began violin and piano with his father. In 1927 he won the Pau Casals scholarship, and moved to Barcelona with his brother. There, he studied piano and composition with Blanca Selva and Baltasar Samper, and collaborated in Obra del Cançoner Popular de Catalunya. In 1930 he returned to Tarragona, where he was appointed conductor of Orfeó Tarragoní and teacher of both the Conservatory of Tarragona and Taller-Escola de Pintura i Escultura of the Generalitat. During the Civil War he combined teaching and pianist jobs in theaters and cinemas, but he became ill and died prematurely. Gols's musical output includes song as well as spiano, chamber and choir music. He received several awards and has been compared to the Catalan composers of Grup dels Vuit.

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Composer, pianist and teacher. He studied with Pujol and Pedrell in Barcelona, and with Ch. de Bériot (1887-1889) in Paris, who inspired his taste for a delicate piano sonority. Also in Paris, he befriended Viñes and Albéniz. After returning to Barcelona, he began the solo and chamber music career, playing with musicians such as Malats, Casals and Crickboom. In 1901 he founded the Granados Academy and in 1912, the Sala Granados de Concerts. In addition, his output includes songs, opera and stage music –which he often composed in collaboration with A. Mestres and Teatre Líric Català. He acquainted also Saint-Saëns, Ravel, Debussy or Grieg. He performed Goyescas for piano at the Palau de la Música (1911) and Salle Pleyel (1914), and premiered the opera Goyescas at the Metropolitan Opera (New York). He also recorded music, some of it for player piano. Some of his compositions have been considered milestones of the pianistic repertoire. Together with Albéniz, he is considered the founder of the Catalan piano school. His performing style is virtuosic influenced by late romanticism.

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Composer, pianist and teacher. He studied with Pujol and Pedrell in Barcelona, and with Ch. de Bériot (1887-1889) in Paris, who inspired his taste for a delicate piano sonority. Also in Paris, he befriended Viñes and Albéniz. After returning to Barcelona, he began the solo and chamber music career, playing with musicians such as Malats, Casals and Crickboom. In 1901 he founded the Granados Academy and in 1912, the Sala Granados de Concerts. In addition, his output includes songs, opera and stage music –which he often composed in collaboration with A. Mestres and Teatre Líric Català. He acquainted also Saint-Saëns, Ravel, Debussy or Grieg. He performed Goyescas for piano at the Palau de la Música (1911) and Salle Pleyel (1914), and premiered the opera Goyescas at the Metropolitan Opera (New York). He also recorded music, some of it for player piano. Some of his compositions have been considered milestones of the pianistic repertoire. Together with Albéniz, he is considered the founder of the Catalan piano school. His performing style is virtuosic influenced by late romanticism.

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Composer, industrial engineer and cellist

After studying violoncello, Homs started to study composition as well as engineering. During the 1920s, he attended Sessions Amicals de Música (1926-1936). Between 1931 and 1936, he became the only student of Gerhard and discovered Schöenberg's serialism. After the wars, he played an important role in dissemination of Catalan music, organizing concert cycles at the Jardins dels Tarongers (1948-1958). He was the first president of the Catalan Association of Composers (1974) and conducted musical activities in various spaces. From 1954 onwards, his composition followed serialism with regards to pitch, rhythm, timbre and structure. His compositions have been performed in several countries and are characterized by the of lean instrumental means focusing on solo and chamber ensembles.

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Composer, industrial engineer and cellist

After studying violoncello, Homs started to study composition as well as engineering. During the 1920s, he attended Sessions Amicals de Música (1926-1936). Between 1931 and 1936, he became the only student of Gerhard and discovered Schöenberg's serialism. After the wars, he played an important role in dissemination of Catalan music, organizing concert cycles at the Jardins dels Tarongers (1948-1958). He was the first president of the Catalan Association of Composers (1974) and conducted musical activities in various spaces. From 1954 onwards, his composition followed serialism with regards to pitch, rhythm, timbre and structure. His compositions have been performed in several countries and are characterized by the of lean instrumental means focusing on solo and chamber ensembles.

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Musicologist

Son of the musicologist Lluís Lamaña Arenas (1868-1964), he studied violin and trumpet at the Liceu Conservatory and completed the industrial engineering degree in 1923. He managed the Orquestra d'Estudis Simfònics, conducted by Eduard Toldrà (1921- 1935). Higini Anglès introduced him to organological research and became one of the most prominent musicologists of his field. In 1935, he founded the Ars Musicae ensemble and conducted it until 1961. In 1936, prominent performers joined the ensemble to perform at the SIMC in Barcelona. From that point on, Ars Musicae would become a platform for renowned performers such as V. dels Àngels, J. Savall, E .Gispert or R. Escalas. In addition to books, he published in the Dictionary Labor, Anuario Musical and Revista Musical Catalana. He held positions at the Liceu Conservatory and collaborated with the Spanish Institute of Musicology (CSIC). He was a pioneer in the design of ancient instruments.

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Musicologist

Son of the musicologist Lluís Lamaña Arenas (1868-1964), he studied violin and trumpet at the Liceu Conservatory and completed the industrial engineering degree in 1923. He managed the Orquestra d'Estudis Simfònics, conducted by Eduard Toldrà (1921- 1935). Higini Anglès introduced him to organological research and became one of the most prominent musicologists of his field. In 1935, he founded the Ars Musicae ensemble and conducted it until 1961. In 1936, prominent performers joined the ensemble to perform at the SIMC in Barcelona. From that point on, Ars Musicae would become a platform for renowned performers such as V. dels Àngels, J. Savall, E .Gispert or R. Escalas. In addition to books, he published in the Dictionary Labor, Anuario Musical and Revista Musical Catalana. He held positions at the Liceu Conservatory and collaborated with the Spanish Institute of Musicology (CSIC). He was a pioneer in the design of ancient instruments.

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agustí grau, joan gibert camins

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agustí grau, joan gibert camins

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In addition to studying with his father, he studied piano with J. Pellicer and F. Marshall and composition with J. Rabentós and B. Gàlvez. In the 1920s he was a performer of the Orquestra Simfònica de Barcelona, musical director of a piano roll company (1922-25) and percussionist at the Banda Municipal of Barcelona (1926). In 1930 he was appointed conductor of the Orquestra Simfònica de Girona and in 1932, assistant conductor of the Banda Municipal. He was member of the Independent Composers of Catalonia and took part in the International Festival of Contemporary Music (1936). In 1939 he was exiled to Valencia, where he served as assistant conductor of the Orquestra Municipal (1943-47). In 1950 he was able to return to Barcelona, and worked first in Ràdio Barcelona and in 1956 as assistant conductor of the Orquestra Municipal next to Toldrà. As a composer he had a varied catalogue including band transcriptions and soundtracks, in addition to compositions such as Simfonia catalana (1950) and the opera La cabeza del dragón (1939) premiered at Liceu. He also wrote pedagogical works.

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In addition to studying with his father, he studied piano with J. Pellicer and F. Marshall and composition with J. Rabentós and B. Gàlvez. In the 1920s he was a performer of the Orquestra Simfònica de Barcelona, musical director of a piano roll company (1922-25) and percussionist at the Banda Municipal of Barcelona (1926). In 1930 he was appointed conductor of the Orquestra Simfònica de Girona and in 1932, assistant conductor of the Banda Municipal. He was member of the Independent Composers of Catalonia and took part in the International Festival of Contemporary Music (1936). In 1939 he was exiled to Valencia, where he served as assistant conductor of the Orquestra Municipal (1943-47). In 1950 he was able to return to Barcelona, and worked first in Ràdio Barcelona and in 1956 as assistant conductor of the Orquestra Municipal next to Toldrà. As a composer he had a varied catalogue including band transcriptions and soundtracks, in addition to compositions such as Simfonia catalana (1950) and the opera La cabeza del dragón (1939) premiered at Liceu. He also wrote pedagogical works.

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"Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(2) "22" } [1]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(874) "

Conductor and composer

He began his music education under Josep Abarcat in Tarragona, and continued with Antoni Nicolau (composition). At Liceu Conservatory, he studied with Gabriel Balart (violin) and Pere Tintorer (piano). From 1902, he conducted the orchestra of the Musical Association of Barcelona and in 1911, he founded the Orquestra Simfònica de Barcelona. The turning point of his conducting career was in 1913 when he was invited to conduct the Berliner Philharmoniker with a programme of his own works. From 1920, he devoted himself to conducting the Banda Municipal of Barcelona with which he achieved a great artistic success. Dismissed for political reasons, in 1939 he was banished to Valencia where he founded the Orquestra Municipal of Valencia. His compositional output is varied and abundant and shows F. Pedrell’s aesthetic imprint.

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Conductor and composer

He began his music education under Josep Abarcat in Tarragona, and continued with Antoni Nicolau (composition). At Liceu Conservatory, he studied with Gabriel Balart (violin) and Pere Tintorer (piano). From 1902, he conducted the orchestra of the Musical Association of Barcelona and in 1911, he founded the Orquestra Simfònica de Barcelona. The turning point of his conducting career was in 1913 when he was invited to conduct the Berliner Philharmoniker with a programme of his own works. From 1920, he devoted himself to conducting the Banda Municipal of Barcelona with which he achieved a great artistic success. Dismissed for political reasons, in 1939 he was banished to Valencia where he founded the Orquestra Municipal of Valencia. His compositional output is varied and abundant and shows F. Pedrell’s aesthetic imprint.

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["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "4169" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "22" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(643) "

Composer

He started music lessons with his father in Santa Maria de Sants (Barcelona). Later, he studied piano, harmony and composition at Liceu Conservatory with Obiols and Rodoreda. He conducted the choral society El Porvenir de Sants (1876-1886) and appointed teacher at the Escola Municipal de Cecs I Sordmuts. Although he passed away at a young age, he had a large output that covers almost all ensembles, particularly choir, chamber, piano and religious music as well as zarzuelas and arrangements. He had Jaume Pahissa as his student. Important musical figures of the time paid tribute to the composer upon his death.

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Composer

He started music lessons with his father in Santa Maria de Sants (Barcelona). Later, he studied piano, harmony and composition at Liceu Conservatory with Obiols and Rodoreda. He conducted the choral society El Porvenir de Sants (1876-1886) and appointed teacher at the Escola Municipal de Cecs I Sordmuts. Although he passed away at a young age, he had a large output that covers almost all ensembles, particularly choir, chamber, piano and religious music as well as zarzuelas and arrangements. He had Jaume Pahissa as his student. Important musical figures of the time paid tribute to the composer upon his death.

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{ [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(8) "Mercader" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(8) "Mercader" ["format"]=> NULL ["safe_value"]=> string(8) "Mercader" } } } } [40]=> object(stdClass)#268 (9) { ["node_title"]=> string(10) "Jaume Joan" ["nid"]=> string(4) "6523" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(5) "Lleys" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["field_data_field_np_cognom_2_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#423 (53) { ["vid"]=> string(4) "6690" ["uid"]=> string(1) "5" ["title"]=> string(10) "Jaume Joan" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "6523" ["type"]=> string(9) "nom_propi" ["language"]=> 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} } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "234" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(2) "22" } [1]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(1149) "

In the register of musicians of the cathedral of Girona he signed as a ‘music student from Barcelona’, having studied there under F. Andreví. In 1820, he was appointed Kapellmeister of Girona’s Cathedral, a position he left in January 1822 due to the financial problems of the diocese. In September 1923 he was reinstated but he soon obtained a teaching post in Castelló d’Empúries in the spring of 1824, which he would keep until the end of his life. He was a renowned composer and his music was disseminated across multiple parishes. This output was mainly religious, but also included some secular pieces. Some of his most remarkable works are the Stabat Mater for choir and orchestra, premiered by the Societat de Concerts de Barcelona in 1845, the motet Iesu, Rex mitis for 3 voices (1849) and Tema con Variaciones para el Violoncello. During his stay in Castelló he wrote treatises on harmony, composition, counterpoint and fugue which were praised by F. Pedrell. Lleys had a great pedagogical influence in the Alt Empordà. I. Lleys, A. Cotó, C. Candi and B. Frígola were among his disciples.

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In the register of musicians of the cathedral of Girona he signed as a ‘music student from Barcelona’, having studied there under F. Andreví. In 1820, he was appointed Kapellmeister of Girona’s Cathedral, a position he left in January 1822 due to the financial problems of the diocese. In September 1923 he was reinstated but he soon obtained a teaching post in Castelló d’Empúries in the spring of 1824, which he would keep until the end of his life. He was a renowned composer and his music was disseminated across multiple parishes. This output was mainly religious, but also included some secular pieces. Some of his most remarkable works are the Stabat Mater for choir and orchestra, premiered by the Societat de Concerts de Barcelona in 1845, the motet Iesu, Rex mitis for 3 voices (1849) and Tema con Variaciones para el Violoncello. During his stay in Castelló he wrote treatises on harmony, composition, counterpoint and fugue which were praised by F. Pedrell. Lleys had a great pedagogical influence in the Alt Empordà. I. Lleys, A. Cotó, C. Candi and B. Frígola were among his disciples.

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Manuel Borgunyó, Joan Gibert i Camins, Émile Jaques–Dalcroze, Joaquim Pecanins i Fàbregas, Blanche Selva, Josep Jordi Llongueres Puig

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Manuel Borgunyó, Joan Gibert i Camins, Émile Jaques–Dalcroze, Joaquim Pecanins i Fàbregas, Blanche Selva, Josep Jordi Llongueres Puig

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Composer and Teacher

He studied piano, harmony and composition with Mas i Serracant, Granados, Morera and Millet. Between 1901 and 1918 he founded and directed the Escola Coral and the Escola Municipal de Música in Terrassa. In 1911, he traveled to France, Germany and Switzerland, where he earned certificates in the Jaques-Dalcroze Institute of Hallerau and that of Geneva. He later introduced the Dalcroze method in Catalonia. Based in the Dalcroze method, he created and directed the Institut Català de Rítmica i Plàstica in 1912 and the Academy of Music of Barcelona in 1942. His compositions were closely related to teaching, including music for children stage performances. He also arranged popular songs and composed music for choir and piano. In addition to his composition, he became a prominent figure also for his publications on pedagogy. He was also a music critic, wrote poetry and essay and organized cultural events.

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Composer and Teacher

He studied piano, harmony and composition with Mas i Serracant, Granados, Morera and Millet. Between 1901 and 1918 he founded and directed the Escola Coral and the Escola Municipal de Música in Terrassa. In 1911, he traveled to France, Germany and Switzerland, where he earned certificates in the Jaques-Dalcroze Institute of Hallerau and that of Geneva. He later introduced the Dalcroze method in Catalonia. Based in the Dalcroze method, he created and directed the Institut Català de Rítmica i Plàstica in 1912 and the Academy of Music of Barcelona in 1942. His compositions were closely related to teaching, including music for children stage performances. He also arranged popular songs and composed music for choir and piano. In addition to his composition, he became a prominent figure also for his publications on pedagogy. He was also a music critic, wrote poetry and essay and organized cultural events.

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Composer, violinist and director

Considered a child prodigy, he offered his first recital in Barcelona at seven years of age, having studied with Clemente Ibarguren and Frederic Balart. He toured America with ten years and soon became an internationally renowned performer. In addition to performing duets with the most important musicians of the time, such as Enric Granados, Pau Casals, Antonin Dvorák and Richard Strauss, he was also conductor, music promoter and a music journalist. He was also spured the creation of an auditorium in Barcelona, which never finalized due to financial difficulties. He composed powerful works, especially opera, chamber and symphonic music, as well as sardanes and transcripts for violin. His compositions are post-romantic in style and with Richard Strauss as a reference. As a violinist, he was acclaimed for his technique, and as a conductor, for the orchestras and audiences for which he performed. He was also acclaimed for essays such as Mis experiencas (1944) and El violín (1958).

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Composer, violinist and director

Considered a child prodigy, he offered his first recital in Barcelona at seven years of age, having studied with Clemente Ibarguren and Frederic Balart. He toured America with ten years and soon became an internationally renowned performer. In addition to performing duets with the most important musicians of the time, such as Enric Granados, Pau Casals, Antonin Dvorák and Richard Strauss, he was also conductor, music promoter and a music journalist. He was also spured the creation of an auditorium in Barcelona, which never finalized due to financial difficulties. He composed powerful works, especially opera, chamber and symphonic music, as well as sardanes and transcripts for violin. His compositions are post-romantic in style and with Richard Strauss as a reference. As a violinist, he was acclaimed for his technique, and as a conductor, for the orchestras and audiences for which he performed. He was also acclaimed for essays such as Mis experiencas (1944) and El violín (1958).

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Kapellmeister, composer and organist

He was a choirboy of the church of Palau de Barcelona and studied music with his father Marraco Xauxas and his uncle Joan Ferrer (violin). He also studied with Francesc Moliner and piano and composition with Bernat Calvó Puig, Mateu Ferrer Vilanova. In the 1850s he was a violinist at the orchestra of Teatre Principal and Teatre del Liceu. In 1864, he was appointed Kapellmeister of Barcelona’s Cathedral succeeding Mateu Ferrer. It is also reported that he was received by Rossini in Paris in 1862. Among its compositions, there are many popular dances of the time and religious music for small and large ensembles. The catalog also includes orchestral music, sometimes of operatic inspiration, and chamber music. Marraco was one of the most renowned composers of his time and considered a great improviser on the organ. Among his output is the Missa de Rèquiem pels morts de la Guerra d’Àfrica (1860).

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Kapellmeister, composer and organist

He was a choirboy of the church of Palau de Barcelona and studied music with his father Marraco Xauxas and his uncle Joan Ferrer (violin). He also studied with Francesc Moliner and piano and composition with Bernat Calvó Puig, Mateu Ferrer Vilanova. In the 1850s he was a violinist at the orchestra of Teatre Principal and Teatre del Liceu. In 1864, he was appointed Kapellmeister of Barcelona’s Cathedral succeeding Mateu Ferrer. It is also reported that he was received by Rossini in Paris in 1862. Among its compositions, there are many popular dances of the time and religious music for small and large ensembles. The catalog also includes orchestral music, sometimes of operatic inspiration, and chamber music. Marraco was one of the most renowned composers of his time and considered a great improviser on the organ. Among his output is the Missa de Rèquiem pels morts de la Guerra d’Àfrica (1860).

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PIanist, composer and teacher

He studied piano, harmony and composition with Granados and Pedrell, and violin with Mathieu Crickboom. He was a teacher at his own academy, founded in 1911. He also devoted himself to poetry, sculpture and painting and is known to have written a treatise of harmony and instrumentation. He composed a large number of works considered of melodic inspiration, including religious, piano, orchestra and chamber music, as well as harmonization of popular songs. He died prematurely and information about his output is still scarce.

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PIanist, composer and teacher

He studied piano, harmony and composition with Granados and Pedrell, and violin with Mathieu Crickboom. He was a teacher at his own academy, founded in 1911. He also devoted himself to poetry, sculpture and painting and is known to have written a treatise of harmony and instrumentation. He composed a large number of works considered of melodic inspiration, including religious, piano, orchestra and chamber music, as well as harmonization of popular songs. He died prematurely and information about his output is still scarce.

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["field_urls_d_interes"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(4) "4040" } [1]=> array(1) { ["target_id"]=> string(4) "4042" } } } ["field_bibliografia"]=> array(0) { } ["field__udios_sense_fitxa"]=> array(0) { } ["field_np_noms_alternatius"]=> array(0) { } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(6) "Martí" ["format"]=> NULL ["safe_value"]=> string(6) "Martí" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(8) "Cristià" ["format"]=> NULL ["safe_value"]=> string(8) "Cristià" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541513325" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(6) "Martí" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(6) "Martí" ["format"]=> NULL ["safe_value"]=> string(6) "Martí" } } } ["field_field_np_cognom_2"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(8) "Cristià" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(8) "Cristià" ["format"]=> NULL ["safe_value"]=> string(8) "Cristià" } } } } [45]=> object(stdClass)#273 (9) { ["node_title"]=> string(6) "Manuel" ["nid"]=> string(4) "4045" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(6) "Martí" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["field_data_field_np_cognom_2_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#372 (53) { ["vid"]=> string(4) "4184" ["uid"]=> string(1) "5" ["title"]=> string(6) "Manuel" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4045" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541513769" ["changed"]=> string(10) "1579822973" ["tnid"]=> string(3) "894" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1579822973" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(13) { ["fid"]=> string(2) "31" ["uid"]=> string(1) "3" ["filename"]=> string(15) "144 Martí.jpg" ["uri"]=> string(24) "public://144 Martí.jpg" ["filemime"]=> string(10) "image/jpeg" ["filesize"]=> string(6) "181982" ["status"]=> string(1) "1" ["timestamp"]=> string(10) "1456681482" ["rdf_mapping"]=> array(0) { } ["alt"]=> string(0) "" ["title"]=> string(0) "" ["width"]=> string(3) "479" ["height"]=> string(3) "471" } } } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1881-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1947-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(2) "22" } [1]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(759) " " ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(709) "

Composer and director 

He studied, among others with Jaume Pahissa and Enric Morera. He founded and conducted several choirs. Particularly relevant is his post as conductor of Catalunya Nova (1902-03), and that of deputy director of the Orfeó Barcelonès. In 1904 he founded the Society of Catalan Concerts. He also devoted himself to teaching, wrote a harmony handbook, and conducted lyrical productions. He composed orchestral piano and chamber music, pieces for voice and accompaniment. Corpus (1919, premiered in 1929 by Pau Casals Orchestra) is particularly relevant among his output as it was composed according to the theories of the intertonality of his teacher Pahissa.  

" } } } ["field_ciutats_relacionades"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_associat_al_fons_del_museu"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_domini_public"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_patrimoni_musical_catal_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_obres"]=> array(1) { ["und"]=> array(6) { [0]=> array(1) { ["target_id"]=> string(4) "4770" } [1]=> array(1) { ["target_id"]=> string(4) "4760" } [2]=> array(1) { ["target_id"]=> string(4) "4755" } [3]=> array(1) { ["target_id"]=> string(4) "4754" } [4]=> array(1) { ["target_id"]=> string(4) "4763" } [5]=> array(1) { ["target_id"]=> string(4) "4757" } } } ["field_institucions_i_formacions_"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(4) "3670" } [1]=> array(1) { ["target_id"]=> string(4) "3678" } } } ["field_noms_propis_relacionats"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(4) "4079" } [1]=> array(1) { ["target_id"]=> string(4) "4070" } } } ["field_teatres_i_auditoris_relaci"]=> array(0) { } ["field_centres_de_documentaci_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3606" } } } ["field_urls_d_interes"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "4041" } } } ["field_bibliografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3539" } } } ["field__udios_sense_fitxa"]=> array(0) { } ["field_np_noms_alternatius"]=> array(0) { } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(6) "Martí" ["format"]=> NULL ["safe_value"]=> string(6) "Martí" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(6) "Sáenz" ["format"]=> NULL ["safe_value"]=> string(6) "Sáenz" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541513769" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(6) "Martí" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(6) "Martí" ["format"]=> NULL ["safe_value"]=> string(6) "Martí" } } } ["field_field_np_cognom_2"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(6) "Sáenz" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(6) "Sáenz" ["format"]=> NULL ["safe_value"]=> string(6) "Sáenz" } } } } [46]=> object(stdClass)#274 (9) { ["node_title"]=> string(6) "Claudi" ["nid"]=> string(4) "4046" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(9) "Martínez" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["field_data_field_np_cognom_2_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#373 (53) { ["vid"]=> string(4) "4185" ["uid"]=> string(1) "5" ["title"]=> string(6) "Claudi" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4046" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541513814" ["changed"]=> string(10) "1579824095" ["tnid"]=> string(3) "418" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1579824095" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1845-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1919-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(3) { [0]=> array(1) { ["target_id"]=> string(2) "22" } [1]=> array(1) { ["target_id"]=> string(2) "24" } [2]=> array(1) { ["target_id"]=> string(2) "26" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(696) " " ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(658) "

Pianist, composer and pedagogue 

He studied with Bernat Calvó Puig at the Escolania of La Mercè and with Pere Tintorer. He refused the posts of organist at the Mercè and of Santa Anna, in Barcelona, to devote himself to performance and education. He founded the Societat de Quartets of Barcelona and the Wagnerian Association of Barcelona and contributed to the foundation of the Orfeó Català. Furthermore, he worked as accompanying pianist of performers such as Pablo de Sarasate. His output includes mainly piano and religious music, as well as chamber music. He composed Trio (1869) and the cantata Catalunya (1877).

" } } } ["field_ciutats_relacionades"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_associat_al_fons_del_museu"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_domini_public"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_patrimoni_musical_catal_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_obres"]=> array(1) { ["und"]=> array(13) { [0]=> array(1) { ["target_id"]=> string(4) "5394" } [1]=> array(1) { ["target_id"]=> string(4) "5717" } [2]=> array(1) { ["target_id"]=> string(4) "5727" } [3]=> array(1) { ["target_id"]=> string(4) "4846" } [4]=> array(1) { ["target_id"]=> string(4) "4868" } [5]=> array(1) { ["target_id"]=> string(4) "4865" } [6]=> array(1) { ["target_id"]=> string(4) "5801" } [7]=> array(1) { ["target_id"]=> string(4) "4870" } [8]=> array(1) { ["target_id"]=> string(4) "5785" } [9]=> array(1) { ["target_id"]=> string(4) "4912" } [10]=> array(1) { ["target_id"]=> string(4) "6071" } [11]=> array(1) { ["target_id"]=> string(4) "5058" } [12]=> array(1) { ["target_id"]=> string(4) "4971" } } } ["field_institucions_i_formacions_"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(4) "3675" } [1]=> array(1) { ["target_id"]=> string(4) "3636" } } } ["field_noms_propis_relacionats"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(4) "4103" } [1]=> array(1) { ["target_id"]=> string(3) "186" } } } ["field_teatres_i_auditoris_relaci"]=> array(0) { } ["field_centres_de_documentaci_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3606" } } } ["field_urls_d_interes"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3787" } } } ["field_bibliografia"]=> array(0) { } ["field__udios_sense_fitxa"]=> array(0) { } ["field_np_noms_alternatius"]=> array(0) { } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(9) "Martínez" ["format"]=> NULL ["safe_value"]=> string(9) "Martínez" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(6) "Imbert" ["format"]=> NULL ["safe_value"]=> string(6) "Imbert" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541513814" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(9) "Martínez" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(9) "Martínez" ["format"]=> NULL ["safe_value"]=> string(9) "Martínez" } } } ["field_field_np_cognom_2"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(6) "Imbert" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(6) "Imbert" ["format"]=> NULL ["safe_value"]=> string(6) "Imbert" } } } } [47]=> object(stdClass)#275 (9) { ["node_title"]=> string(6) "Rafael" ["nid"]=> string(4) "4047" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(9) "Martínez" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["field_data_field_np_cognom_2_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#374 (53) { ["vid"]=> string(4) "4186" ["uid"]=> string(1) "5" ["title"]=> string(6) "Rafael" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4047" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541513836" ["changed"]=> string(10) "1579824625" ["tnid"]=> string(3) "421" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1579824625" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "420" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1895-10-12 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1946-12-26 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "22" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(960) " " ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(944) "

His father who was subcantor taught him the principles of music. He studied with Manuel Ferrando González and in Valencia (where he moved in 1908) with J. Pastor and J.M. Úbeda composition and organ. He conducted the Banda Municipal and was pianist of Café Moderno. Later on, he traveled to Barcelona and settled in Madrid, where he worked as a répétiteur and organist of Teatro Real by recommendation of Emilio Serrano. Later, he returned to Barcelona to work as organist and composer as well as Kapellmeister of Sant Josep Oriol and Sagrada Família. He is best known for the success of his production of lyric theater in Catalan of the 1920s, with titles such as Cançó d’amor i de guerra (1926) or La legió d’honor (1930). In addition, he composed sacred and symphonic music, as well as music for music bands and movie soundtracks.

" } } } ["field_ciutats_relacionades"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(3) "231" } [1]=> array(1) { ["target_id"]=> string(3) "163" } } } ["field_associat_al_fons_del_museu"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_domini_public"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_patrimoni_musical_catal_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_obres"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "6023" } } } ["field_institucions_i_formacions_"]=> array(0) { } ["field_noms_propis_relacionats"]=> array(0) { } ["field_teatres_i_auditoris_relaci"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3740" } } } ["field_centres_de_documentaci_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3606" } } } ["field_urls_d_interes"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3852" } } } ["field_bibliografia"]=> array(0) { } ["field__udios_sense_fitxa"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "5246" } } } ["field_np_noms_alternatius"]=> array(0) { } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(9) "Martínez" ["format"]=> NULL ["safe_value"]=> string(9) "Martínez" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(5) "Valls" ["format"]=> NULL ["safe_value"]=> string(5) "Valls" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541513836" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(9) "Martínez" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(9) "Martínez" ["format"]=> NULL ["safe_value"]=> string(9) "Martínez" } } } ["field_field_np_cognom_2"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(5) "Valls" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(5) "Valls" ["format"]=> NULL ["safe_value"]=> string(5) "Valls" } } } } [48]=> object(stdClass)#276 (9) { ["node_title"]=> string(5) "Oriol" ["nid"]=> string(4) "4050" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(9) "Martorell" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["field_data_field_np_cognom_2_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#375 (53) { ["vid"]=> string(4) "4189" ["uid"]=> string(1) "5" ["title"]=> string(5) "Oriol" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4050" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541513952" ["changed"]=> string(10) "1558364429" ["tnid"]=> string(3) "422" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1558364429" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1927-11-10 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1998-08-24 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(2) "24" } [1]=> array(1) { ["target_id"]=> string(2) "26" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(1089) " " ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(1070) "

Pedagogue and choir conductor

He studied piano with Ll. Torrà, flute with N. Carbonell and conducting with E. Toldrà, G. Wolters and Ph. Caillard. In addition, he studied pedagogy and music history at the University of Perugia and received his PhD at the U. of Barcelona (1976), where he was appointed professor. From that position, he promoted music studies in higher education. His professional activity included conferences around the world and conducting and promoting of choir music. He founded and conducted Coral Sant Jordi (1947-91), was president of the Federació Catalana d’Entitats Corals and was deputy director of the Europa Cantat movement (1960). He was also devoted to the promotion of Catalan music through record companies and was involved in the Antologia històrica de la música catalana. He made numerous recordings and transcriptions for choir. His advanced pedagogical task paired with his political commitment lead him to become member of the Catalan Parliament.

" } } } ["field_ciutats_relacionades"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3471" } } } ["field_associat_al_fons_del_museu"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_domini_public"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_patrimoni_musical_catal_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_obres"]=> array(0) { } ["field_institucions_i_formacions_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3626" } } } ["field_noms_propis_relacionats"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3452" } } } ["field_teatres_i_auditoris_relaci"]=> array(0) { } ["field_centres_de_documentaci_"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(4) "3590" } [1]=> array(1) { ["target_id"]=> string(4) "3606" } } } ["field_urls_d_interes"]=> array(1) { ["und"]=> array(3) { [0]=> array(1) { ["target_id"]=> string(4) "4049" } [1]=> array(1) { ["target_id"]=> string(4) "3770" } [2]=> array(1) { ["target_id"]=> string(4) "4048" } } } ["field_bibliografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3529" } } } ["field__udios_sense_fitxa"]=> array(0) { } ["field_np_noms_alternatius"]=> array(0) { } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(9) "Martorell" ["format"]=> NULL ["safe_value"]=> string(9) "Martorell" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(6) "Codina" ["format"]=> NULL ["safe_value"]=> string(6) "Codina" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541513952" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(9) "Martorell" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(9) "Martorell" ["format"]=> NULL ["safe_value"]=> string(9) "Martorell" } } } ["field_field_np_cognom_2"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(6) "Codina" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(6) "Codina" ["format"]=> NULL ["safe_value"]=> string(6) "Codina" } } } } [49]=> object(stdClass)#277 (9) { ["node_title"]=> string(6) "Miquel" ["nid"]=> string(4) "6241" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(3) "Mas" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["field_data_field_np_cognom_2_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#415 (53) { ["vid"]=> string(4) "6408" ["uid"]=> string(1) "3" ["title"]=> string(6) "Miquel" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "6241" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1614087153" ["changed"]=> string(10) "1614087224" ["tnid"]=> string(4) "6240" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1614087224" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "151" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1846-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1923-06-09 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(3) { [0]=> array(1) { ["target_id"]=> string(2) "22" } [1]=> array(1) { ["target_id"]=> string(2) "24" } [2]=> array(1) { ["target_id"]=> string(2) "26" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(1085) "

Guitarist, composer and pedagogue

He began his music studies in Barcelona under Josep Rodoreda, Joan Baptista Pujol and Josep Brocà. He gave guitar concerts in Barcelona, Zaragoza, Bilbao and Paris. He later managed a guitar and bandurria quartet formed by Beltrán, Hernández and Cateura, with whom he performed in Girona and northern Catalonia.

In the late 1870s, the quartet turned into a quintet and it debuted in Paris and gave recitals in Berlin, Dresden, Vienna, Brussels, Prague, Nice and Monte Carlo. Mas i Bargalló founded other ensembles such as the Lira Barcelonesa and the Lira Espanyola, with which he performed by the turn of the century.

In 1894 he was appointed professor of guitar and plucked instruments at the Escola Municipal de Música de Barcelona, a position he held until his retirement in 1922. He taught Joan Nogués and Alfred Romea. His compositions include transcriptions and études for plucked strings ensemble, piano music, the habanera En un guateque for guitar, as well as tangos and xotis.

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(1075) "

Guitarist, composer and pedagogue

He began his music studies in Barcelona under Josep Rodoreda, Joan Baptista Pujol and Josep Brocà. He gave guitar concerts in Barcelona, Zaragoza, Bilbao and Paris. He later managed a guitar and bandurria quartet formed by Beltrán, Hernández and Cateura, with whom he performed in Girona and northern Catalonia.

In the late 1870s, the quartet turned into a quintet and it debuted in Paris and gave recitals in Berlin, Dresden, Vienna, Brussels, Prague, Nice and Monte Carlo. Mas i Bargalló founded other ensembles such as the Lira Barcelonesa and the Lira Espanyola, with which he performed by the turn of the century.

In 1894 he was appointed professor of guitar and plucked instruments at the Escola Municipal de Música de Barcelona, a position he held until his retirement in 1922. He taught Joan Nogués and Alfred Romea. His compositions include transcriptions and études for plucked strings ensemble, piano music, the habanera En un guateque for guitar, as well as tangos and xotis.

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Composer, pedagogue and music promoter

He studied piano with Carles G. Vidiella and harmony, composition and counterpoint with Anselm Barba and Francesc Alió. In 1879 he published Dansa ideal, his first composition for piano. For a few years he gave several recitals in Barcelona, one of them at the Teatre Líric. In 1888, together with Josep Lapeyra, he founded the Associació Musical de Barcelona that promoted the dissemination of symphonic music. At the end of the century he moved to Paris, where he expanded his musical studies and visited the 1900 World's Fair.

In 1907 he settled in the Vedado district of Havana, where he worked as a teacher and advocator of music societies. Thus, he was director of the Conservatorio Masriera and founder of a women's choir and an orchestra of amateur musicians.

He wrote three masses for orchestra, pieces for voice and piano and ¡Daniel!, a lyrical drama in two acts written by him and premiered in Barcelona in 1905. In 1939 he composed Cantata a Clemencia Isaura for the Juegos Florales Nacionales of Cárdenas (Cuba).

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Composer, pedagogue and music promoter

He studied piano with Carles G. Vidiella and harmony, composition and counterpoint with Anselm Barba and Francesc Alió. In 1879 he published Dansa ideal, his first composition for piano. For a few years he gave several recitals in Barcelona, one of them at the Teatre Líric. In 1888, together with Josep Lapeyra, he founded the Associació Musical de Barcelona that promoted the dissemination of symphonic music. At the end of the century he moved to Paris, where he expanded his musical studies and visited the 1900 World's Fair.

In 1907 he settled in the Vedado district of Havana, where he worked as a teacher and advocator of music societies. Thus, he was director of the Conservatorio Masriera and founder of a women's choir and an orchestra of amateur musicians.

He wrote three masses for orchestra, pieces for voice and piano and ¡Daniel!, a lyrical drama in two acts written by him and premiered in Barcelona in 1905. In 1939 he composed Cantata a Clemencia Isaura for the Juegos Florales Nacionales of Cárdenas (Cuba).

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Organist and composer

He studied solfège with Mas Serracant, piano with Granados and Marshall, harmony with Pedrell, composition with Taltabull and counterpoint with Morera. He graduated at the Pontificio Istituto di Musica Sacra in Rome, where he studied with Casimiri and Dagnino. He later studied in Munich with Max Reger and at Solesmes Abbey. In addition to music, he also studied theology: he was ordained a priest (1922) and entered the Society of Jesus. Since then and until 1936 he was Kappelmeister, organist and teacher in Barcelona and obtained the Patxot Prize for the oratorio Montserrat (1933). During the Civil War he moved to Rome and returned to Barcelona. Between 1949 and 1963 he visited South America. In 1953 he won the National Music Prize for Canigó. He is considered a neo-Romantic composer that avoided contemporary trends and was influenced by R. Wagner, R. Strauss and C. Debussy. He composed religious music, songs and operas, such as Canigó (1934, with text by Josep Carner) premiered at Liceu in 1953.

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["sticky"]=> string(1) "0" ["nid"]=> string(4) "4055" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541514094" ["changed"]=> string(10) "1617306102" ["tnid"]=> string(3) "135" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1617306102" ["revision_uid"]=> string(1) "3" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1890-02-14 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1969-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(2) "22" } [1]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(1133) " " ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(1110) "

Violinist, pedagogue and composer

He began piano lessons with his mother and violin with Pérez Aguirre. In 1902 he studied at the Conservatory of Brussels with A. Marchot, where he won the Van Hal prize in 1906. That same year he returned to Barcelona and engaged in solo performances accompanied by the Barcelona Symphony Orchestra conducted by Lamote de Grignon. He founded a string quartet (with Quer, Garangou and Cassadó), a string trio (with Garganta and Ricart Matas) and a duet with the organist Albert Schweitzer. On several tours in Europe he performed music by Roussel, Ravel and D'Indy. He collaborated with the Orfeó Català in the sacred concerts (1915) and the Bach Festivals (1917). From 1924 onwards, he performed with the pianist Blanche Selva and with Maria Carbonell, who he married and with whom he founded the Joan Massià Association of concerts. He was a renowned professor of the Escola Municipal de Música of Barcelona and taught violinists such as Xavier Turull and Gonçal Comellas. He composed songs, chamber and piano music with a striking impressionist influe

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["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "282" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1672-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1742-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "172" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(2) "22" } [1]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(737) " " ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(695) "

Kapellmeister and composer 

Together with his brother Carles Milans, he most probably begun his music education under Felip Olivelles at the music chapel of the Palau de la Comtessa of Barcelona. He became Kapellmeister of the same institution between 1702 and 1714. For reasons most likely related to the War of the Spanish Succession, he left this position and in October of 1714 and obtained the same one in Girona’s Cathedral. He retired in 1733 and was succeeded by Emmanuel Gònima. He is considered one of the greatest Catalan composers of the late Baroque, partly thanks to being acquaint with composers and musicians of the chapel of Archduke Charles III of Austria. 

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He studied at the Escola Municipal of Music with Enric Morera, Lluís Millet and Jaume Pahissa, and later in Paris with Paul Dukas. He founded the Associació Catalana d'Artistes (1920-1923) and conducted its orchestra. He also conducted the Schola Cantorum of Gràcia (1922-1932) and the Agrupació Coral de Música Antiga (1929-1932). Molas also trained to be a teacher and taught harmony, violin, instrumentation and composition. In the years of the Republic he was president of the Federació de Sindicats de Músics de Catalunya. During the Civil War he lived in Majorca, where he performed Érase una vez and founded the Orquestra de Cambra (later Symphonic Orchestra of Majorca). Upon retirement he worked in orchestras of the Parallel and founded ISMO publishing house. He composed sardanes for cobla ensemble such as A l’enamorada (1918), chamber music (Trio for strings in G minor), as well as choral and symphonic music.

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["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(13) { ["fid"]=> string(2) "86" ["uid"]=> string(1) "5" ["filename"]=> string(19) "Frederic_Mompou.jpg" ["uri"]=> string(28) "public://Frederic_Mompou.jpg" ["filemime"]=> string(10) "image/jpeg" ["filesize"]=> string(6) "202482" ["status"]=> string(1) "1" ["timestamp"]=> string(10) "1531296585" ["rdf_mapping"]=> array(0) { } ["alt"]=> string(0) "" ["title"]=> string(0) "" ["width"]=> string(4) "1082" ["height"]=> string(4) "1462" } } } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1893-04-16 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } 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Composer and pianist. He studied at the Conservatori del Liceu with Pere Serra and debuted as a pianist in 1908 at the Orfeó Barcelonès. Encouraged by Granados, he settled in Paris between 1911 and 1914, where he studied piano with Motte-Lacroix and harmony with Samuel-Rousseau. In that period, he began the composition with Impressions íntimes and in 1916 Escenes d'infants and Pessebres. He established a great friendship with Manuel Blancafort. In 1921, again in Paris, he won international renown thanks to the performance of his music at Salle Érard by his piano teacher. In 1941 he returned definitively to Barcelona and continued to compose music influenced both by impressionism and Catalan music. In 1950 he travelled to London where he made a record, offered a concert and was commissioned the ballet House of Birds. Most of his output is for piano, such as Cançons i danses, Charmes and Música Callada. He also composed songs for voice and piano (Combat del somni) or Impromperis for choir and orchestra, which are close to the aesthetics of F. Poulenc’s sacred music.

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["last_comment_timestamp"]=> string(10) "1541518682" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(6) "Mompou" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(6) "Mompou" ["format"]=> NULL ["safe_value"]=> string(6) "Mompou" } } } ["field_field_np_cognom_2"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(9) "Dencausse" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(9) "Dencausse" ["format"]=> NULL ["safe_value"]=> string(9) "Dencausse" } } } } [56]=> object(stdClass)#284 (9) { 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Composer and conductor. He started as a self-taught musician while visiting Argentina. After returning to Barcelona, he studied with Pedrell, Tolosa and Vidiella, and later in Brussels with Philippe Fiévez (1885-1890). In 1890 he joined the orchestra of Gran Teatre del Liceu. In 1893 he premiered Dansa dels Gnoms and Introducció a l’Atlàntida at the Societat Catalana de Concerts. In 1895 he founded the Catalunya Nova choral society, giving a new impetus to the Clavé movement. He composed the opera La fada (1897) and the incidental music for Rusiñol’s L’alegria que passa (1898). In 1901, together with Gay and Granados, he organized the first Catalan teatre líric season. He offered El Comte Arnau (1905), La Santa Espina (1907), Emporium (1906) and Bruniselda (1906) at Liceu. In 1911 he was appointed Deputy Director of the Municipal Music School, where he influenced composers such as Pahissa and Montsalvatge. He composed some of the most frequently performed sardanas: Empordà, La sardana de les monges and La Santa Espina. He is considered a central figure of Catalan modernisme.

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["field_centres_de_documentaci_"]=> array(1) { ["und"]=> array(3) { [0]=> array(1) { ["target_id"]=> string(4) "3606" } [1]=> array(1) { ["target_id"]=> string(3) "530" } [2]=> array(1) { ["target_id"]=> string(4) "3622" } } } ["field_urls_d_interes"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3802" } } } ["field_bibliografia"]=> array(0) { } ["field__udios_sense_fitxa"]=> array(1) { ["und"]=> array(4) { [0]=> array(1) { ["target_id"]=> string(4) "5166" } [1]=> array(1) { ["target_id"]=> string(4) "5169" } [2]=> array(1) { ["target_id"]=> string(4) "5170" } [3]=> array(1) { ["target_id"]=> string(4) "5173" } } } ["field_np_noms_alternatius"]=> array(0) { } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(6) "Morera" ["format"]=> NULL ["safe_value"]=> string(6) "Morera" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(5) "Viura" ["format"]=> NULL ["safe_value"]=> string(5) "Viura" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541518806" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(6) "Morera" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(6) "Morera" ["format"]=> NULL ["safe_value"]=> string(6) "Morera" } } } ["field_field_np_cognom_2"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(5) "Viura" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(5) "Viura" ["format"]=> NULL ["safe_value"]=> string(5) "Viura" } } } } [57]=> object(stdClass)#285 (9) { ["node_title"]=> string(7) "Joaquim" ["nid"]=> string(4) "4077" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(11) "Nin-Culmell" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["field_data_field_np_cognom_2_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#384 (53) { ["vid"]=> string(4) "4216" ["uid"]=> string(1) "5" ["title"]=> string(7) "Joaquim" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4077" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541519091" ["changed"]=> string(10) "1573657677" ["tnid"]=> string(3) "345" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1573657677" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(13) { ["fid"]=> string(3) "188" ["uid"]=> string(1) "5" ["filename"]=> string(22) "0.NinCulmell_CEDOC.jpg" ["uri"]=> string(33) "public://0.NinCulmell_CEDOC_0.jpg" ["filemime"]=> string(10) "image/jpeg" ["filesize"]=> string(5) "52184" ["status"]=> string(1) "1" ["timestamp"]=> string(10) "1559639878" ["rdf_mapping"]=> array(0) { } ["alt"]=> string(0) "" ["title"]=> string(0) "" ["width"]=> string(3) "195" ["height"]=> string(3) "235" } } } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3522" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1908-09-05 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "2004-01-14 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3521" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(3) { [0]=> array(1) { ["target_id"]=> string(2) "22" } [1]=> array(1) { ["target_id"]=> string(2) "24" } [2]=> array(1) { ["target_id"]=> string(2) "26" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(865) " " ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(846) "

Composer and pianist

He studied piano with Conxita Badia and later at the Granados Academy. After a stay in New York, in 1924 he moved to Paris to study at the Schola Cantorum with Paul Braud and Ricard Viñes. Later on, he studied composition with Paul Dukas at the National Conservatory of Music, where he graduated in 1935. During the summers of 1930, 1932 and 1934 he studied with Manuel de Falla. In 1938 he moved to the United States, where he was a professor at Williams College (1940-1950) and the University of California, Berkeley (1950-1974). He extensive output shows an evident influence of popular music and models directly linked to his teachers. Among his output, Concert for piano and orchestra in C Major (1946) and the opera La Celestina (1965) are highly regarded. He published several research papers.

" } } } ["field_ciutats_relacionades"]=> array(1) { ["und"]=> array(5) { [0]=> array(1) { ["target_id"]=> string(2) "91" } [1]=> array(1) { ["target_id"]=> string(4) "3522" } [2]=> array(1) { ["target_id"]=> string(4) "3473" } [3]=> array(1) { ["target_id"]=> string(2) "95" } [4]=> array(1) { ["target_id"]=> string(3) "200" } } } ["field_associat_al_fons_del_museu"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_domini_public"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_patrimoni_musical_catal_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_obres"]=> array(0) { } ["field_institucions_i_formacions_"]=> array(0) { } ["field_noms_propis_relacionats"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(4) "3433" } [1]=> array(1) { ["target_id"]=> string(4) "3991" } } } ["field_teatres_i_auditoris_relaci"]=> array(0) { } ["field_centres_de_documentaci_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3606" } } } ["field_urls_d_interes"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(4) "3819" } [1]=> array(1) { ["target_id"]=> string(4) "3818" } } } ["field_bibliografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3554" } } } ["field__udios_sense_fitxa"]=> array(1) { ["und"]=> array(3) { [0]=> array(1) { ["target_id"]=> string(4) "5259" } [1]=> array(1) { ["target_id"]=> string(4) "5261" } [2]=> array(1) { ["target_id"]=> string(4) "5263" } } } ["field_np_noms_alternatius"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(26) "Joaquín Maria Nin Culmell" ["format"]=> NULL ["safe_value"]=> string(26) "Joaquín Maria Nin Culmell" } } } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(11) "Nin-Culmell" ["format"]=> NULL ["safe_value"]=> string(11) "Nin-Culmell" } } } ["field_np_cognom_2"]=> array(0) { } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(5) "CEDOC" ["format"]=> NULL ["safe_value"]=> string(5) "CEDOC" } } } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541519091" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(11) "Nin-Culmell" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(11) "Nin-Culmell" ["format"]=> NULL ["safe_value"]=> string(11) "Nin-Culmell" } } } ["field_field_np_cognom_2"]=> array(0) { } } [58]=> object(stdClass)#286 (9) { ["node_title"]=> string(4) "Joan" ["nid"]=> string(4) "6217" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(7) "Nogués" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["field_data_field_np_cognom_2_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#413 (53) { ["vid"]=> string(4) "6384" ["uid"]=> string(1) "3" ["title"]=> string(4) "Joan" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "6217" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1614081238" ["changed"]=> string(10) "1614081238" ["tnid"]=> string(4) "6216" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1614081238" ["revision_uid"]=> string(1) "3" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(0) { } ["field_data_naixement"]=> array(0) { } ["field_data_mort"]=> array(0) { } ["field_lloc_mort"]=> array(0) { } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(2) "22" } [1]=> array(1) { ["target_id"]=> string(2) "26" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(728) "

Kapellmeister and composer

In 1761 he was interim Kapellmeister of Sants Just i Pastor church in Barcelona, due to the death of the Tomàs Milans i Campús. In 1763 he officially went into public competition for the position, competing with Picanyol, Caselles, Forto and Ordeig. Nogués was chosen as the new Kapellmeister, although the books of determinations did not include his nomination until 1767.

The selection of this candidate did not happen without controversy, as indicated by his composition exercise. The decision-making body pointed to some alleged imperfections and mistakes made by the composer, allegations that were refuted by the Kapellmeister years later in an apologetic letter.

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(721) "

Kapellmeister and composer

In 1761 he was interim Kapellmeister of Sants Just i Pastor church in Barcelona, due to the death of the Tomàs Milans i Campús. In 1763 he officially went into public competition for the position, competing with Picanyol, Caselles, Forto and Ordeig. Nogués was chosen as the new Kapellmeister, although the books of determinations did not include his nomination until 1767.

The selection of this candidate did not happen without controversy, as indicated by his composition exercise. The decision-making body pointed to some alleged imperfections and mistakes made by the composer, allegations that were refuted by the Kapellmeister years later in an apologetic letter.

" } } } ["field_ciutats_relacionades"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_associat_al_fons_del_museu"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_domini_public"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_patrimoni_musical_catal_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_obres"]=> array(0) { } ["field_institucions_i_formacions_"]=> array(0) { } ["field_noms_propis_relacionats"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(4) "3935" } [1]=> array(1) { ["target_id"]=> string(4) "4093" } } } ["field_teatres_i_auditoris_relaci"]=> array(0) { } ["field_centres_de_documentaci_"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(4) "6117" } [1]=> array(1) { ["target_id"]=> string(4) "3606" } } } ["field_urls_d_interes"]=> array(0) { } ["field_bibliografia"]=> array(0) { } ["field__udios_sense_fitxa"]=> array(0) { } ["field_np_noms_alternatius"]=> array(0) { } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(7) "Nogués" ["format"]=> NULL ["safe_value"]=> string(7) "Nogués" } } } ["field_np_cognom_2"]=> array(0) { } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1614081238" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "3" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg2" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(7) "Nogués" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(7) "Nogués" ["format"]=> NULL ["safe_value"]=> string(7) "Nogués" } } } ["field_field_np_cognom_2"]=> array(0) { } } [59]=> object(stdClass)#287 (9) { ["node_title"]=> string(6) "Marià" ["nid"]=> string(4) "4071" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(6) "Obiols" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["field_data_field_np_cognom_2_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#382 (53) { ["vid"]=> string(4) "4210" 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He studied violin with J. Vilanova, harmony and counterpoint with Arbós and Saldoni and later composition with Ramon Vilanova. His first compositions include sacred music such as the kyries of the Missa Pastoril of Vilanova. In 1831 he moved to Milan to study with Mercadante. He travelled across Europe with him and met composers such as Rossini, Donizetti, Meyerbeer, Auber, Boildieu and Caraffa. His first opera Odio e Amore was premiered in 1837 at La Scala in Milan and was performed in other Italian cities. 

In Barcelona he was professor of composition, singing teacher, director of the Liceu Conservatory and conductor of the Gran Teatre del Liceu orchestra. He wrote handbooks of solfège and piano. His cantata Il regio imeneo was performed for the inauguration of the new Liceu building in 1847, and the opera Editta di Belcourt achieved great success in its premiere in 1874.

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"a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(6) "Obiols" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(6) "Obiols" ["format"]=> NULL ["safe_value"]=> string(6) "Obiols" } } } ["field_field_np_cognom_2"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(9) "Tramullas" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(9) "Tramullas" ["format"]=> NULL ["safe_value"]=> string(9) "Tramullas" } } } } [60]=> object(stdClass)#288 (9) { ["node_title"]=> string(6) "Àngel" ["nid"]=> string(4) "6221" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(6) "Obiols" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" 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Composer and organist

He began his musical studies at the age of eight, but had to abandon them to access the seminary. Nevertheless, he continued to learn on his own and became organist of the church of Sant Vicenç of Sarrià in 1911. He later studied piano with father Molera and harmony and composition with Vicenç M. Gibert.

In 1917 he founded the Orfeó Sarrianenc, a choir he conducted until 1954. He also contributed to the resumption of the Christmas performance of the lyrical drama L'Estel de Nazaret, which he organized in Sarrià between 1940 and 1961, and the direction of the Rosari Pastoril by Francesc Forns for Saint Vincent’s day.

Obiols stood out as a composer of sardanes, an activity that gave him public recognition and some awards. Between 1912 and 1966 he composed about 30 sardanes, some of them choral. Some examples are Flor nadalenca, Aubada de festa, Girona invicta and Mercè. He also harmonized folk dances and composed masses, caramelles, carols, songs and stage music.

 

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Composer and organist

He began his musical studies at the age of eight, but had to abandon them to access the seminary. Nevertheless, he continued to learn on his own and became organist of the church of Sant Vicenç of Sarrià in 1911. He later studied piano with father Molera and harmony and composition with Vicenç M. Gibert.

In 1917 he founded the Orfeó Sarrianenc, a choir he conducted until 1954. He also contributed to the resumption of the Christmas performance of the lyrical drama L'Estel de Nazaret, which he organized in Sarrià between 1940 and 1961, and the direction of the Rosari Pastoril by Francesc Forns for Saint Vincent’s day.

Obiols stood out as a composer of sardanes, an activity that gave him public recognition and some awards. Between 1912 and 1966 he composed about 30 sardanes, some of them choral. Some examples are Flor nadalenca, Aubada de festa, Girona invicta and Mercè. He also harmonized folk dances and composed masses, caramelles, carols, songs and stage music.

 

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"a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(6) "Obiols" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(6) "Obiols" ["format"]=> NULL ["safe_value"]=> string(6) "Obiols" } } } ["field_field_np_cognom_2"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(5) "Palau" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(5) "Palau" ["format"]=> NULL ["safe_value"]=> string(5) "Palau" } } } } [61]=> object(stdClass)#289 (9) { ["node_title"]=> string(5) "Felip" ["nid"]=> string(4) "6527" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(9) "Olivelles" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" 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Kapellmeister and composer

Musician active during the second half of the 17^th century. He began his musical studies probably with the help of his father, who was also a musician. He was a choirboy in the cathedral of Barcelona and a disciple of Lluís Vicenç Gargallo. In 1677, he was appointed Kapellmeister of the cathedral of Tarragona. In 1679 he held the same position in the Palau de la Comtessa in Barcelona, where he remained until 1700. During this time, he had the brothers Carles and Tomàs Milans among his disciples, and from 1699 Gabriel Argany was listed as his assistant. He was required by the cathedral of Girona in 1690, but he declined the offer due to health issues.

Olivelles’s output is preserved in the archives of the Biblioteca de Catalunya, Canet de Mar and Girona Cathedral. His most remarkable liturgical music includes a Magnificat for 5 voices, a Stabat Mater for 8 voices (1701) and a Mass for 9 voices and instrumentalists (ministrils). In addition, 20 tonos and villancets written in romance have also been preserved.

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(1130) "

Kapellmeister and composer

Musician active during the second half of the 17th century. He began his musical studies probably with the help of his father, who was also a musician. He was a choirboy in the cathedral of Barcelona and a disciple of Lluís Vicenç Gargallo. In 1677, he was appointed Kapellmeister of the cathedral of Tarragona. In 1679 he held the same position in the Palau de la Comtessa in Barcelona, where he remained until 1700. During this time, he had the brothers Carles and Tomàs Milans among his disciples, and from 1699 Gabriel Argany was listed as his assistant. He was required by the cathedral of Girona in 1690, but he declined the offer due to health issues.

Olivelles’s output is preserved in the archives of the Biblioteca de Catalunya, Canet de Mar and Girona Cathedral. His most remarkable liturgical music includes a Magnificat for 5 voices, a Stabat Mater for 8 voices (1701) and a Mass for 9 voices and instrumentalists (ministrils). In addition, 20 tonos and villancets written in romance have also been preserved.

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{ ["vid"]=> string(4) "4213" ["uid"]=> string(1) "5" ["title"]=> string(13) "Antoni Teodor" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4074" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541519009" ["changed"]=> string(10) "1579824898" ["tnid"]=> string(3) "779" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1579824898" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(0) { } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1650-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } 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Composer

Native of Aragon, he became a choirboy of the Reial Col·legi del Corpus Christi, also called Col·legi del Patriarca (Valencia), in 1657. There, he studied with M. Pérez and J. Hinojosa. Between 1669 and 1673, he was the Kapellmeister of the Cathedral of Albarracín, and between 1674 and 1677 he had the same post at Col·legi del Patriarca. In 1677, he became Kapellmeister of the cathedral of Valencia, a post that he kept until the end of his life. He composed in the polychoral style of Joan Baptista Comes. Among his output, his three oratorios (only El hombre moribundo, 1706, is preserved), were probably the first oratorios of the Iberian Peninsula.

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["last_comment_timestamp"]=> string(10) "1541519009" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(7) "Ortells" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(7) "Ortells" ["format"]=> NULL ["safe_value"]=> string(7) "Ortells" } } } ["field_field_np_cognom_2"]=> array(0) { } } [63]=> object(stdClass)#291 (9) { ["node_title"]=> string(5) "Ramon" ["nid"]=> string(4) "4083" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(8) "Parramon" ["field_data_field_np_cognom_1_node_entity_type"]=> 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"3519" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1884-09-10 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1961-01-06 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "27" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(973) " " ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(913) "

Instrument maker

He studied music in Barcelona, city where he opened a music shop in in 1897. Although during the first year he sold music accessories, from the following year onwards, he sold also musical instruments. 

In 1920, he began his collaboration with Jacinto Pinto in the construction of bowed string instruments, and created viola-tenor. In addition, he promoted the study of string instruments by founding the Parramon Prize (1924) and by publishing the journal Hermes (1928-36), specializing in pedagogy, and the opuscule Guía del violinista. He composed sardanes and symphonic music such as his Symphony in D minor, premiered in 1955 by the Mallorca Symphony Orchestra. The heirs of his collaborator Jacinto Pinto are owners of Casa Parramon currently located at Carrer del Carme in Barcelona.

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["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1922-08-20 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(2) "22" } [1]=> array(1) { ["target_id"]=> string(2) "25" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(1279) "

Composer and musicologist

He was a choirboy at the music chapel of Tortosa’s cathedral. There he studied with J. A. Nin Serra. Based in Barcelona, he premiered L'ultimo abenzeraggio (1874) and Quasimodo (1875) at the Gran Teatre del Liceu. He obtained a scholarship to study in Italy and France (1876-1878) and studied musicology and devoted himself to composition. He composed the opera Els Pirineus (1891), and Porh nuestra música (1891) which has been considered the first manifesto of the Hispanic musical nationalism. From 1894 onwards, he was a professor at the Conservatory of Madrid and at the Ateneo, where he premiered La Celestina (1902). In 1904, he returned to Barcelona and composed El Compte Arnau, with text by Joan Maragall. He was highly-regarded for his musicological research, thanks his articles and music editions such as Hispaniae Schola Musica Sacra (1894-1896) and Opera Omnia by T. L. Victoria (commissioned by Breitkopf & Härtel) (1902-1913). He was the teacher of figures such as I. Albéniz, E. Granados, R. Gerhard, H. Anglès or M. de Falla.

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(1275) "

Composer and musicologist

He was a choirboy at the music chapel of Tortosa’s cathedral. There he studied with J. A. Nin Serra. Based in Barcelona, he premiered L'ultimo abenzeraggio (1874) and Quasimodo (1875) at the Gran Teatre del Liceu. He obtained a scholarship to study in Italy and France (1876-1878) and studied musicology and devoted himself to composition. He composed the opera Els Pirineus (1891), and Porh nuestra música (1891) which has been considered the first manifesto of the Hispanic musical nationalism. From 1894 onwards, he was a professor at the Conservatory of Madrid and at the Ateneo, where he premiered La Celestina (1902). In 1904, he returned to Barcelona and composed El Compte Arnau, with text by Joan Maragall. He was highly-regarded for his musicological research, thanks his articles and music editions such as Hispaniae Schola Musica Sacra (1894-1896) and Opera Omnia by T. L. Victoria (commissioned by Breitkopf & Härtel) (1902-1913). He was the teacher of figures such as I. Albéniz, E. Granados, R. Gerhard, H. Anglès or M. de Falla.

" } } } ["field_ciutats_relacionades"]=> array(1) { ["und"]=> array(5) { [0]=> array(1) { ["target_id"]=> string(2) "91" } [1]=> array(1) { ["target_id"]=> string(3) "163" } [2]=> array(1) { ["target_id"]=> string(3) "145" } [3]=> array(1) { ["target_id"]=> string(3) "200" } [4]=> array(1) { ["target_id"]=> string(4) "3518" } } } ["field_associat_al_fons_del_museu"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_domini_public"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_patrimoni_musical_catal_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_obres"]=> array(1) { ["und"]=> array(4) { [0]=> array(1) { ["target_id"]=> string(4) "4702" } [1]=> array(1) { ["target_id"]=> string(4) "4704" } [2]=> array(1) { ["target_id"]=> string(4) "4706" } [3]=> array(1) { ["target_id"]=> string(4) "4703" } } } ["field_institucions_i_formacions_"]=> array(1) { ["und"]=> 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string(4) "3769" } [1]=> array(1) { ["target_id"]=> string(4) "3751" } [2]=> array(1) { ["target_id"]=> string(4) "4084" } } } ["field_bibliografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3537" } } } ["field__udios_sense_fitxa"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(4) "5278" } [1]=> array(1) { ["target_id"]=> string(4) "5358" } } } ["field_np_noms_alternatius"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(6) "Felipe" ["format"]=> NULL ["safe_value"]=> string(6) "Felipe" } } } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(7) "Pedrell" ["format"]=> NULL ["safe_value"]=> string(7) "Pedrell" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(7) "Sabaté" ["format"]=> NULL ["safe_value"]=> string(7) "Sabaté" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541519428" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(7) "Pedrell" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(7) "Pedrell" ["format"]=> NULL ["safe_value"]=> string(7) "Pedrell" } } } ["field_field_np_cognom_2"]=> array(1) { 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string(2) "en" ["created"]=> string(10) "1541519512" ["changed"]=> string(10) "1561988633" ["tnid"]=> string(3) "356" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1561988633" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "102" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1907-03-04 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1995-03-18 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "22" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(466) " " ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(409) "

Composer 

Although he studied music as a child, he dropped her studies until his later years. Then, he studied with Josep Soler and Carles Guinovart, who put her in contact with the musical language of the Second Viennese School. Among others, he composed Herodes und Marianne (1979) and the Tres peces per a orquestra (1977) with which he won the Ciutat de Barcelona Prize.

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["field_np_noms_alternatius"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(31) "María Teresa Pelegrí Marimón" ["format"]=> NULL ["safe_value"]=> string(31) "María Teresa Pelegrí Marimón" } } } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(8) "Pelegrí" ["format"]=> NULL ["safe_value"]=> string(8) "Pelegrí" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(7) "Marimon" ["format"]=> NULL ["safe_value"]=> string(7) "Marimon" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541519512" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(8) "Pelegrí" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(8) "Pelegrí" ["format"]=> NULL ["safe_value"]=> string(8) "Pelegrí" } } } ["field_field_np_cognom_2"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(7) "Marimon" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(7) "Marimon" ["format"]=> NULL ["safe_value"]=> string(7) "Marimon" } } } } [66]=> object(stdClass)#294 (9) { ["node_title"]=> string(7) "Joaquim" ["nid"]=> string(4) "4089" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(4) "Pena" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["field_data_field_np_cognom_2_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#388 (53) { ["vid"]=> string(4) "4228" ["uid"]=> string(1) "5" ["title"]=> string(7) "Joaquim" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4089" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541519577" ["changed"]=> string(10) "1579509761" ["tnid"]=> string(3) "357" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1579509761" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1873-03-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1944-06-25 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "25" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(1077) "

Crític musical. Va estudiar dret civil tot i que sempre es va dedicar a la crítica musical.

La seva tasca va centrar-se en la difusió i enaltiment de la figura i música de Wagner, i la fidelitat en la representació de les seves òperes. Va col·laborar amb múltiples diaris i revistes com Correo Catalán (1899) i Hispania però sobretot a La Setmana Catalanista i a La Publicidad (a partir de 1916). A més, va ser secretari de l’Ordeó Català i de l’Orquestra Pau Casals, va fundar el setmanari Joventut, pel que va deixar de col·laborar per dedicar-se a la direcció de l’Associació Wagneriana (1901). En l’àmbit musical, va arranjar bona part de les òperes de Wagner per veu i piano i va publicar Cançoner Selecte amb obres de compositors com Bach, Beethoven, Schubert o Fauré. Més enllà de la seva devoció per Wagner, destaquen en la seva tasca les conferències divulgatives sobre Lied i les traduccions d’òperes estrangeres, oratoris i Lieder entre d’altres.

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(1065) "

Crític musical. Va estudiar dret civil tot i que sempre es va dedicar a la crítica musical.

La seva tasca va centrar-se en la difusió i enaltiment de la figura i música de Wagner, i la fidelitat en la representació de les seves òperes. Va col·laborar amb múltiples diaris i revistes com Correo Catalán (1899) i Hispania però sobretot a La Setmana Catalanista i a La Publicidad (a partir de 1916). A més, va ser secretari de l’Ordeó Català i de l’Orquestra Pau Casals, va fundar el setmanari Joventut, pel que va deixar de col·laborar per dedicar-se a la direcció de l’Associació Wagneriana (1901). En l’àmbit musical, va arranjar bona part de les òperes de Wagner per veu i piano i va publicar Cançoner Selecte amb obres de compositors com Bach, Beethoven, Schubert o Fauré. Més enllà de la seva devoció per Wagner, destaquen en la seva tasca les conferències divulgatives sobre Lied i les traduccions d’òperes estrangeres, oratoris i Lieder entre d’altres.

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array(1) { [0]=> array(1) { ["target_id"]=> string(3) "231" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "22" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(1181) "

Composer and musical director

He was admitted to the Escola Municipal de Música in Valencia and studied under Manuel Penella i Raga, Robert Segura and Salvador Giner. After a brief stint as a pianist in the city’s cafés, in 1880 he focused on teaching while actively participating in the Valencian Renaixença Cultural, collaborating with Lo Rat Penat.

In 1884 he moved to Madrid and joined the company of the Teatro de la Zarzuela as its musical director. With this company, he toured the main theatres of the Iberian Peninsula for ten years. In 1896 he returned to Valencia and joined the company of Teatre de la Princesa, where he was able to achieve his goal of creating a specifically Valencian lyrical theatre. From 1905 to 1915 he directed the Russafa Theater and in 1916 he returned to the Princesa, leaving the theatre altogether in 1917.

He composed over 80 zarzuelas, sainetes and revues, often writing also their libretti. Some examples are La Chent de Tró (1898), Les Barraques (1899) and Las Carceleras (1901). He also composed some songs and Quinze estudis per a piano.

 

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Composer and musical director

He was admitted to the Escola Municipal de Música in Valencia and studied under Manuel Penella i Raga, Robert Segura and Salvador Giner. After a brief stint as a pianist in the city’s cafés, in 1880 he focused on teaching while actively participating in the Valencian Renaixença Cultural, collaborating with Lo Rat Penat.

In 1884 he moved to Madrid and joined the company of the Teatro de la Zarzuela as its musical director. With this company, he toured the main theatres of the Iberian Peninsula for ten years. In 1896 he returned to Valencia and joined the company of Teatre de la Princesa, where he was able to achieve his goal of creating a specifically Valencian lyrical theatre. From 1905 to 1915 he directed the Russafa Theater and in 1916 he returned to the Princesa, leaving the theatre altogether in 1917.

He composed over 80 zarzuelas, sainetes and revues, often writing also their libretti. Some examples are La Chent de Tró (1898), Les Barraques (1899) and Las Carceleras (1901). He also composed some songs and Quinze estudis per a piano.

 

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["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1617784440" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(7) "Peydró" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(7) "Peydró" ["format"]=> NULL ["safe_value"]=> string(7) "Peydró" } } } ["field_field_np_cognom_2"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(5) "Díez" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(5) "Díez" ["format"]=> NULL ["safe_value"]=> string(5) "Díez" } } } } [68]=> 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Kapellmeister and composer 

Possibly pupil of Francesc Valls in the cathedral of Barcelona, he was appointed Kapellmeister of the same institution. After moving to Madrid, he became the Kapellmeister of the monastery of Las Descalzas Reales between 1736 and 1747. Scholars have pointed out his sacred music exemplifies the transition from the late Baroque period to the gallant style. He composed twenty oratorios, eight of which were the first performed in the Church of Sant Felip Neri. His output includes Traslación de la arca del Testamento (1729), El triunfo del pecado (1730) and El sacramento del amor. Some of his music was known in Mexico, where they are preserved in the archives of the cathedrals of Mexico City and Puebla.

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array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(4) "3606" } [1]=> array(1) { ["target_id"]=> string(3) "530" } } } ["field_urls_d_interes"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(4) "3836" } [1]=> array(1) { ["target_id"]=> string(4) "4092" } } } ["field_bibliografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3572" } } } ["field__udios_sense_fitxa"]=> array(0) { } ["field_np_noms_alternatius"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(8) "Picañol" ["format"]=> NULL ["safe_value"]=> string(8) "Picañol" } } } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(8) "Picanyol" ["format"]=> NULL ["safe_value"]=> string(8) "Picanyol" } } } ["field_np_cognom_2"]=> array(0) { } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) 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Composer and cellist 

He began his musical education with his father and continued at the Municipal Music School of Barcelona with Ll. Millet, J. Soler and Nicolau. Between 1911 and 1921, he was cellist of the Renaissance Quartet (together with Toldrà, Recasens and Sànchez) with which he travelled to several European capitals. From 1921 onwards, he developed his task as a composer, mainly composing music for orchestra and voice and sardanes influenced by Enric Morera and the French Impressionism.

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