Noms propis

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Composer and Teacher

He studied in the music chapel of Girona's Cathedral with Antoni Vidal and Josep Barba. In 1850 he founded a musical school in Girona. Between 1851 and 1860 he was Kapellmeister of Girona's Cathedra before he moved to Barcelona in 1860. There, he was appointed director of the Escola de Cecs and was a member of the Gran Teatre del Liceu Orchestra. Although he moved to France in 1876 he returned to Catalonia in 1880 and was appointed Kapellmeister and organist of the basilica of La Bisbal d'Empordà. In La Bisbal, he not only founded a school where relevant figures of the sardana world would study, but he also contributed to the foundation of La Principal de la Bisbal cobla. He was a bibliophile and among his collections of historical books and musical instruments, he held an anonymous manuscript with the five shortest sardanes ever known. He composed over two thousand works including religious music, sardanes, choir music, zarzuela and opera.

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Composer and Teacher

He studied in the music chapel of Girona's Cathedral with Antoni Vidal and Josep Barba. In 1850 he founded a musical school in Girona. Between 1851 and 1860 he was Kapellmeister of Girona's Cathedra before he moved to Barcelona in 1860. There, he was appointed director of the Escola de Cecs and was a member of the Gran Teatre del Liceu Orchestra. Although he moved to France in 1876 he returned to Catalonia in 1880 and was appointed Kapellmeister and organist of the basilica of La Bisbal d'Empordà. In La Bisbal, he not only founded a school where relevant figures of the sardana world would study, but he also contributed to the foundation of La Principal de la Bisbal cobla. He was a bibliophile and among his collections of historical books and musical instruments, he held an anonymous manuscript with the five shortest sardanes ever known. He composed over two thousand works including religious music, sardanes, choir music, zarzuela and opera.

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Composer and organist

He was admitted at the Escolania de Montserrat in 1736 where he was a pupil of Kapellmeister Benet Esteve and organist Benet Valls. In 1946, at the age of 17, he was appointed Kapellmeister at the cathedral of Lleida and La Seu d'Urgell. In 1752, he moved to the monastery of El Escorial where he joined as a Hieronymite monk. He studied with D. Scarlatti and José de Nebra atthe Madrid court. Highly valued by the royal family, he was the teacher of Antonio and Gabriel, children of Carlos III. Among his output there are over two hundred sonatas for keyboard, six quintets for strings and organ (1776), six concerti for two keyboards, as well as an important number of religious compositions that combine the gallant style with the old polyphonic style and integrate Hispanic popular forms. He composed some music for the stage (to texts by Calderón de la Barca) and wrote the treatise Llave de la modulación y antigüedades de la Música (1762), where he formulated theories about the modulation and acoustics of the then most innovative intervals.

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