Gran Teatre del Liceu

Historical Theatres and Concert Halls
Gran Teatre del Liceu
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Pianist and Composer

He started piano lessons with Narcís Oliveras. At about four years of age he debuted at Teatre Romea. In 1879, thanks to count Guillermo Morphy (secretary to King Alfonso XII), he obtained a royal grant to attend the Royal Conservatory of Brussels where he was awarded the first prize. He toured around Europe emulating F. Liszt and returned to Barcelona in 1883, where he studied composition under F. Pedrell. From 1890 to 1909 he travelled between Barcelona, London and Paris. During this period, he briefly taught at the Schola Cantorum (Paris, 1898-1900) where he was in contact with composers such as V. D’Indy, P. Dukas and G. Fauré, and had Déodat de Severac as a student.

Although he composed significant lyrical works (The magic Opal, 1893, Henry Clifford,1895, Pepita Jiménez, 1896, and Merlin, 1902) he is well known for his piano music and particularly for Iberia (1900), which is considered a central piece of the pianistic repertoire

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Pianist and Composer

He started piano lessons with Narcís Oliveras. At about four years of age he debuted at Teatre Romea. In 1879, thanks to count Guillermo Morphy (secretary to King Alfonso XII), he obtained a royal grant to attend the Royal Conservatory of Brussels where he was awarded the first prize. He toured around Europe emulating F. Liszt and returned to Barcelona in 1883, where he studied composition under F. Pedrell. From 1890 to 1909 he travelled between Barcelona, London and Paris. During this period, he briefly taught at the Schola Cantorum (Paris, 1898-1900) where he was in contact with composers such as V. D’Indy, P. Dukas and G. Fauré, and had Déodat de Severac as a student.

Although he composed significant lyrical works (The magic Opal, 1893, Henry Clifford,1895, Pepita Jiménez, 1896, and Merlin, 1902) he is well known for his piano music and particularly for Iberia (1900), which is considered a central piece of the pianistic repertoire

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Singer and Composer

He studied singing in Barcelona under Goula, who encouraged him to become a baritone and later a tenor. After studying singing in Paris, he debuted as a baritone at Liceu with Donizetti and took the stage name Angelo Angioletti (sometimes subject to small variations). His performances won acclaim at the Politeama Genovese, Teatro Real of Madrid and Liceu, singing in operas by Wagner, Bizet and Thomas. His career was established when he covered for the tenor Francesc Viñas in wagnerian roles at Carlo Felice theatre (Genoa) and La Scala (Milan). By the end of his career he premiered Acté by Manén and Emporium by Morera. He also composed accompanied vocal pieces and the opera Aurèlia, premiered at Eldorado theatre (Barcelona). A collection of the singer's materials is held at the Biblioteca de Catalunya. 

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Singer and Composer

He studied singing in Barcelona under Goula, who encouraged him to become a baritone and later a tenor. After studying singing in Paris, he debuted as a baritone at Liceu with Donizetti and took the stage name Angelo Angioletti (sometimes subject to small variations). His performances won acclaim at the Politeama Genovese, Teatro Real of Madrid and Liceu, singing in operas by Wagner, Bizet and Thomas. His career was established when he covered for the tenor Francesc Viñas in wagnerian roles at Carlo Felice theatre (Genoa) and La Scala (Milan). By the end of his career he premiered Acté by Manén and Emporium by Morera. He also composed accompanied vocal pieces and the opera Aurèlia, premiered at Eldorado theatre (Barcelona). A collection of the singer's materials is held at the Biblioteca de Catalunya. 

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Hi ha un problema de noms: a les enciclopèdies apareix el nom de Gabriel Balart Sobrevals, però a una web força completa del rebesnét, hi indica (també a la viquipedia), que aquest és el fill del compositior, que es diu en realitat Gabriel Balart Crehuet. Noms propis: Francesc Sala i Antoni Passarell, Antonio Nogués (violinista), Jean-Delphin Alard, Victor Dourlen, Michele Caraffa, Mariano Soriano Fuertes, Joaquim Lladó, Ceferí Tresserra, Marcial Busquets, Adolf Blanch, Antoni Rius, Antoni Gordon, Francesc de Paula Sánchez Gabanyach (1845-1918), Teobaldo Power y Lugo-Viña (1848-1884), Francesc Rialp, Vicent Costa i Nogueras (1852-1919), Vicent Negrevernis, Francisco García Vilamala, Joaquim Maria Vehils i Fuchs (1857-1934), Domingo Sánchez, Luis Bressonnier, Manuel Salvat, Juan Elías, Francesc Camaló, Luis Quintana, Vicente Petri, Ricardo Giménez, Francesc Rodó, Joaquim Sala, Avel.lí Abreu, Pere Viladevall, Llorenç Sampera, Llorenç Bau, Mario Calado, José Fornelio, Salvador Furés, Joan Gumbert, Josep M. Comella (1865-1938), Miquel Domènech i Español.

" ["summary"]=> string(0) "" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(1098) "

Hi ha un problema de noms: a les enciclopèdies apareix el nom de Gabriel Balart Sobrevals, però a una web força completa del rebesnét, hi indica (també a la viquipedia), que aquest és el fill del compositior, que es diu en realitat Gabriel Balart Crehuet. Noms propis: Francesc Sala i Antoni Passarell, Antonio Nogués (violinista), Jean-Delphin Alard, Victor Dourlen, Michele Caraffa, Mariano Soriano Fuertes, Joaquim Lladó, Ceferí Tresserra, Marcial Busquets, Adolf Blanch, Antoni Rius, Antoni Gordon, Francesc de Paula Sánchez Gabanyach (1845-1918), Teobaldo Power y Lugo-Viña (1848-1884), Francesc Rialp, Vicent Costa i Nogueras (1852-1919), Vicent Negrevernis, Francisco García Vilamala, Joaquim Maria Vehils i Fuchs (1857-1934), Domingo Sánchez, Luis Bressonnier, Manuel Salvat, Juan Elías, Francesc Camaló, Luis Quintana, Vicente Petri, Ricardo Giménez, Francesc Rodó, Joaquim Sala, Avel.lí Abreu, Pere Viladevall, Llorenç Sampera, Llorenç Bau, Mario Calado, José Fornelio, Salvador Furés, Joan Gumbert, Josep M. Comella (1865-1938), Miquel Domènech i Español.

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Composer, conductor and violinist

He studied composition in Barcelona under Francesc Sala and Antoni Passarell. In the 1840s, after holding the position of first violin of the Orquestra del Montsió, he completed his violin and harmony studies in Paris, Alard, Dourlen and Carafa. In 1849 he moved to Milan to pursue his career as a lyrical composer, and accepted a position as orchestral conductor of Teatro Re. Five years later, he was appointed conductor of Liceu's orchestra in Barcelona and held that position until 1874. During this period, he also offered with concerts in Barcelona and Madrid. By the end of the 1860s he devoted himself to music education and was appointed Professor of Harmony and Composition at Conservatori del Liceu. Some of his students became relevant composers of the early 20th century. He was awarded honorary master (mestre honorary) by the Societat de Concerts of Barcelona. Among his output, symphonies and sarsueles are highly regarded.

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(989) "

Composer, conductor and violinist

He studied composition in Barcelona under Francesc Sala and Antoni Passarell. In the 1840s, after holding the position of first violin of the Orquestra del Montsió, he completed his violin and harmony studies in Paris, Alard, Dourlen and Carafa. In 1849 he moved to Milan to pursue his career as a lyrical composer, and accepted a position as orchestral conductor of Teatro Re. Five years later, he was appointed conductor of Liceu's orchestra in Barcelona and held that position until 1874. During this period, he also offered with concerts in Barcelona and Madrid. By the end of the 1860s he devoted himself to music education and was appointed Professor of Harmony and Composition at Conservatori del Liceu. Some of his students became relevant composers of the early 20th century. He was awarded honorary master (mestre honorary) by the Societat de Concerts of Barcelona. Among his output, symphonies and sarsueles are highly regarded.

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["target_id"]=> string(4) "4052" } [11]=> array(1) { ["target_id"]=> string(4) "4166" } } } ["field_teatres_i_auditoris_relaci"]=> array(1) { ["und"]=> array(4) { [0]=> array(1) { ["target_id"]=> string(4) "3693" } [1]=> array(1) { ["target_id"]=> string(4) "3739" } [2]=> array(1) { ["target_id"]=> string(4) "3740" } [3]=> array(1) { ["target_id"]=> string(4) "3736" } } } ["field_centres_de_documentaci_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3622" } } } ["field_urls_d_interes"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3855" } } } ["field_bibliografia"]=> array(0) { } ["field__udios_sense_fitxa"]=> array(0) { } ["field_np_noms_alternatius"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(24) "Gabriel Balart Sobrevals" ["format"]=> NULL ["safe_value"]=> string(24) "Gabriel Balart Sobrevals" } } } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(6) "Balart" ["format"]=> NULL ["safe_value"]=> string(6) "Balart" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(7) "Crehuet" ["format"]=> NULL ["safe_value"]=> string(7) "Crehuet" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541430232" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(5) "elena" ["picture"]=> string(1) "0" ["data"]=> NULL } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(6) "Balart" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(6) "Balart" ["format"]=> NULL ["safe_value"]=> string(6) "Balart" } } } } [3]=> object(stdClass)#231 (7) { ["node_title"]=> string(5) "Maria" ["nid"]=> string(4) "3883" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(10) "Barrientos" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#274 (52) { ["vid"]=> string(4) "4022" ["uid"]=> string(1) "5" ["title"]=> string(5) "Maria" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "3883" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541430746" ["changed"]=> string(10) "1579856552" ["tnid"]=> string(4) "3338" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1579856552" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "102" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1883-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1946-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3882" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(973) "

Soprano

She debuted with fifteen years of age at Teatre Novetats (Barcelona) in Meyerbeer's L'Africaine. She completed her musical education (violin, piano and singing) in Milan where she debuted in 1900 at Teatro alla Scala. She performed at the most important opera houses in Europe. In 1916, she performed Donizetti's Lucia di Lammermoor at the Metropolitan Opera House in New York. It was at the Teatro Colón in Buenos Aires where he achieved her greatest success singing the entire repertoire for soprano leggero. She performed Lakmé by Delibes at the Gran Teatre del Liceu in 1915, and L'eterna by Enric Granados at Palau de la Música Catalana (dedicated to her by the composer). In 1924, she left the stage to devote herself exclusively to recitals. In 1930, Manuel de Falla chose her to record Siete Canciones Españolas. She was appointed professor of singing at Teatro Colón.

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(949) "

Soprano

She debuted with fifteen years of age at Teatre Novetats (Barcelona) in Meyerbeer's L'Africaine. She completed her musical education (violin, piano and singing) in Milan where she debuted in 1900 at Teatro alla Scala. She performed at the most important opera houses in Europe. In 1916, she performed Donizetti's Lucia di Lammermoor at the Metropolitan Opera House in New York. It was at the Teatro Colón in Buenos Aires where he achieved her greatest success singing the entire repertoire for soprano leggero. She performed Lakmé by Delibes at the Gran Teatre del Liceu in 1915, and L'eterna by Enric Granados at Palau de la Música Catalana (dedicated to her by the composer). In 1924, she left the stage to devote herself exclusively to recitals. In 1930, Manuel de Falla chose her to record Siete Canciones Españolas. She was appointed professor of singing at Teatro Colón.

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Ruffo Mancinelli Panizza

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Ruffo Mancinelli Panizza

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Soprano

Daughter of the musician Llorenç Bau and the soprano singer Carme Bonaplata, she studied singing with them. After her first debut at 16 years of age, he performed at La Scala (Milan), Colón (Buenos Aires) and Teatro Real (Madrid) between 1910 and 1912, operas by Boito, Verdi, Puccini and Massenet. Her musical career includes performances at the main opera houses of Portuga, Argentina, Cuba and Italy, in addition to Liceu (Barcelona). She worked with renowned conductors such as Toscanini and performers such as Schipa, Fleta or Lázaro.  Her repertoire included mainly Italian opera, but also La Dolores by Bretón, premieres of La Princesa Margarida by Jaume Pahissa, (1927-1928), El estudiante de Salamanca by Joan Gaig (1935) and the revival of María del Carmen by Granados (1933).

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Soprano

Daughter of the musician Llorenç Bau and the soprano singer Carme Bonaplata, she studied singing with them. After her first debut at 16 years of age, he performed at La Scala (Milan), Colón (Buenos Aires) and Teatro Real (Madrid) between 1910 and 1912, operas by Boito, Verdi, Puccini and Massenet. Her musical career includes performances at the main opera houses of Portuga, Argentina, Cuba and Italy, in addition to Liceu (Barcelona). She worked with renowned conductors such as Toscanini and performers such as Schipa, Fleta or Lázaro.  Her repertoire included mainly Italian opera, but also La Dolores by Bretón, premieres of La Princesa Margarida by Jaume Pahissa, (1927-1928), El estudiante de Salamanca by Joan Gaig (1935) and the revival of María del Carmen by Granados (1933).

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Fernando Guerín, Antoni Bosom (professors), Ernest Xançó, Robert Plaja i Josep Rodríguez de la Fuente (Quartet de Barcelona)

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Fernando Guerín, Antoni Bosom (professors), Ernest Xançó, Robert Plaja i Josep Rodríguez de la Fuente (Quartet de Barcelona)

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Composer, violinist and teacher

He studied music at the Conservatori del Liceu: violin under Fernando Guerín, and harmony and composition with Barberà, Massana, Lamote and Bosom. He was a renowned violin soloist and was part of Orquestra Municipal de Barcelona and that of Liceu. In 1942, he founded the Quartet de Corda de Barcelona. In 1952 he moved to Quito, where he founded the Cuarteto Nacional Ecuatoriano and the National Symphony Orchestra. In addition, he was professor of the conservatory of the same city and was involved in music divulgation activities. In 1959 he moved to Birmingham (Alabama), where he joined the Birmingham Symphony Orchestra. There, he also obtained his PhD and was appointed professor of the Alabama College, Montevallo University and the Brevard Music Center. Among his output, he composed music for string ensembles and other chamber music (such as Poema, 1953, for string orchestra), as well as symphonic music and songs for piano and voice. His personal collection is held at the music library of the University of Montevallo, which was named after him.

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Composer, violinist and teacher

He studied music at the Conservatori del Liceu: violin under Fernando Guerín, and harmony and composition with Barberà, Massana, Lamote and Bosom. He was a renowned violin soloist and was part of Orquestra Municipal de Barcelona and that of Liceu. In 1942, he founded the Quartet de Corda de Barcelona. In 1952 he moved to Quito, where he founded the Cuarteto Nacional Ecuatoriano and the National Symphony Orchestra. In addition, he was professor of the conservatory of the same city and was involved in music divulgation activities. In 1959 he moved to Birmingham (Alabama), where he joined the Birmingham Symphony Orchestra. There, he also obtained his PhD and was appointed professor of the Alabama College, Montevallo University and the Brevard Music Center. Among his output, he composed music for string ensembles and other chamber music (such as Poema, 1953, for string orchestra), as well as symphonic music and songs for piano and voice. His personal collection is held at the music library of the University of Montevallo, which was named after him.

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Composer

In addition to studying law, he studied piano and composition under Pere Tintorer, Francesc Brunet and Domènec Mas i Serracant. He is known for his work as critic in periodicals such as El Correo Catalán, where he worked for over fifty years. He was acquitted to the cultural circle of the Renaixença, and made collaborations with Apel·les Mestres and Jacint Verdaguer setting his poems to music. Examples of this collaboration can be found in "La cançó de maig" and "Voreta la mar", which were popularized at Liceu and Orfeó Català. He composed vocal, piano, chamber and stage music.

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Composer

In addition to studying law, he studied piano and composition under Pere Tintorer, Francesc Brunet and Domènec Mas i Serracant. He is known for his work as critic in periodicals such as El Correo Catalán, where he worked for over fifty years. He was acquitted to the cultural circle of the Renaixença, and made collaborations with Apel·les Mestres and Jacint Verdaguer setting his poems to music. Examples of this collaboration can be found in "La cançó de maig" and "Voreta la mar", which were popularized at Liceu and Orfeó Català. He composed vocal, piano, chamber and stage music.

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Francesc de Paula Sánchez Gabagnach, Giovannina Bardelli, Agustí Torelló, Amadeu Vives Emilia Pardo Bazán

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Francesc de Paula Sánchez Gabagnach, Giovannina Bardelli, Agustí Torelló, Amadeu Vives Emilia Pardo Bazán

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Composer

She studied composition under F. Sánchez Gavagnach in addition to singing a and violin. At the age of eighteen she composed the opera Schiava e Regina, which was awarded at the Universal Exhibition of Chicago in 1893. Due to the anarchist attack of 1893 at Gran Teatre del Liceu the opera was not premiered, but it was partially performed at the Royal Palace of Madrid in 1894. The score was considered lost for many years but was finally found in 2017. She also composed other operas such as I briganti, symphonic music such as Twilight (1893), and over a hundred lieder. Her marriage to Enrique de Sorarrain Milans when she was 21 made her disappear from public life, and little is known about her life and creative activity after that.

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Composer

She studied composition under F. Sánchez Gavagnach in addition to singing a and violin. At the age of eighteen she composed the opera Schiava e Regina, which was awarded at the Universal Exhibition of Chicago in 1893. Due to the anarchist attack of 1893 at Gran Teatre del Liceu the opera was not premiered, but it was partially performed at the Royal Palace of Madrid in 1894. The score was considered lost for many years but was finally found in 2017. She also composed other operas such as I briganti, symphonic music such as Twilight (1893), and over a hundred lieder. Her marriage to Enrique de Sorarrain Milans when she was 21 made her disappear from public life, and little is known about her life and creative activity after that.

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Cellist, conductor and composer. He studied at Escola Municipal de Barcelona (1888-93), while playing at cafes. Later on, he obtained scholarships and continued his studies in Madrid, Brussels and Paris (1893-96). Back to Barcelona in 1896, he was appointed professor at Escola Municipal and in 1897 he began touring Spain with Granados and Crickboom. Between 1899 and 1903, he toured around Europe, the USA and Latin America. Shortly after, he formed a trio with A. Cortot and J. Thibaud (1906-33) and performed all over the world. In Barcelona, he founded the Pau Casals Orchestra (1919) and the Associació Obrera de Concerts (1926). From 1938, he lived in exile in Prada and in Puerto Rico (1957). As a political protest, he did not perform until 1950, when he resumed the composition of the oratorio El Pessebre. After his performance of Bach's solo cello suites, he has been considered a reformist of the cello technique. He composed 61 works (some orchestrated by his brother Enric) and made numerous transcripts. For his social commitment he received the UN Peace Medal (1971).

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Cellist, conductor and composer. He studied at Escola Municipal de Barcelona (1888-93), while playing at cafes. Later on, he obtained scholarships and continued his studies in Madrid, Brussels and Paris (1893-96). Back to Barcelona in 1896, he was appointed professor at Escola Municipal and in 1897 he began touring Spain with Granados and Crickboom. Between 1899 and 1903, he toured around Europe, the USA and Latin America. Shortly after, he formed a trio with A. Cortot and J. Thibaud (1906-33) and performed all over the world. In Barcelona, he founded the Pau Casals Orchestra (1919) and the Associació Obrera de Concerts (1926). From 1938, he lived in exile in Prada and in Puerto Rico (1957). As a political protest, he did not perform until 1950, when he resumed the composition of the oratorio El Pessebre. After his performance of Bach's solo cello suites, he has been considered a reformist of the cello technique. He composed 61 works (some orchestrated by his brother Enric) and made numerous transcripts. For his social commitment he received the UN Peace Medal (1971).

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Violinist, conductor and composer

He studied violin with B. Gàlvez in Barcelona and with M. Crickboom and J. Jongen in Brussels. He was a concertino at the Oquestra Simfònica de Barcelona (1912-14), the Kuror-Sinfonic of Saint Petersburg, the Pau Casals Orchestra (where he served as assistant conductor), and the Gran Teatre del Liceu Orchestra (1924-35). In the 1920s he founded the Quartet de Corda Casals, which toured around Europe. He later founded and conducted the Institut Musical Casals, and conducted the Oquestra Ibèrica de Concerts (1941) and Orquestra Professional de Cambra. He was also the director of the Pau Casals Festival in Prada.

His production includes some works for chamber orchestra and symphony orchestra, and numerous sardanas. Much of his professional activity focused on collaborating and supporting the activity of his brother Pau, with whom he had a close relationship.

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Violinist, conductor and composer

He studied violin with B. Gàlvez in Barcelona and with M. Crickboom and J. Jongen in Brussels. He was a concertino at the Oquestra Simfònica de Barcelona (1912-14), the Kuror-Sinfonic of Saint Petersburg, the Pau Casals Orchestra (where he served as assistant conductor), and the Gran Teatre del Liceu Orchestra (1924-35). In the 1920s he founded the Quartet de Corda Casals, which toured around Europe. He later founded and conducted the Institut Musical Casals, and conducted the Oquestra Ibèrica de Concerts (1941) and Orquestra Professional de Cambra. He was also the director of the Pau Casals Festival in Prada.

His production includes some works for chamber orchestra and symphony orchestra, and numerous sardanas. Much of his professional activity focused on collaborating and supporting the activity of his brother Pau, with whom he had a close relationship.

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Manuel Blanch i Puig, Agustí Cassadó, Trio Cassadó

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Manuel Blanch i Puig, Agustí Cassadó, Trio Cassadó

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Composer and pianist

He studied with Manuel Blanch in the church of Santa Maria (Mataró) and later with Julià Vilaseca and Bonaventura Frígola in the basilica of La Mercè (Barcelona). From 1900 to 1903, he created and conducted the Associació Capella Catalana, devoted to the renewal of Catholic liturgical music. In 1907 he moved to Paris for the musical education of his children. He formed a trio with his children Agusí (violin), Gaspar (cello) and himself. At the beginning of World War I, he returned to Barcelona, where he devoted himself to composition (sacred music, symphonic and stage music, lieder and sardana), education and conducting. He premiered at the Gran Teatre del Liceu El monjo negre (1920) and his piece Hispania for piano and orchestra was awarded a prize in Paris in 1911.

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Composer and pianist

He studied with Manuel Blanch in the church of Santa Maria (Mataró) and later with Julià Vilaseca and Bonaventura Frígola in the basilica of La Mercè (Barcelona). From 1900 to 1903, he created and conducted the Associació Capella Catalana, devoted to the renewal of Catholic liturgical music. In 1907 he moved to Paris for the musical education of his children. He formed a trio with his children Agusí (violin), Gaspar (cello) and himself. At the beginning of World War I, he returned to Barcelona, where he devoted himself to composition (sacred music, symphonic and stage music, lieder and sardana), education and conducting. He premiered at the Gran Teatre del Liceu El monjo negre (1920) and his piece Hispania for piano and orchestra was awarded a prize in Paris in 1911.

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Violoncellist

After his early music education in El Vendrell, he studied cello, harmony, counterpoint and piano at the Conservatori de Barcelona under Garcia Robles, Rodoreda and Costa Nogueras. Between 1898 and 1909, he was the first cello at Liceu Orchestra and cello professor at the Conservatory of the same institution. He offered numerous concerts throughout the year, some of them within the Wagnerian Association (including cycles devoted to Beethoven) and some others within the Associació Musical. He was part of renowned chamber music groups together with Granados, Malats or Crickboom. Between 1909 and 1920, he lived in Milan, where he worked at the opera house and offered concerts that enjoyed great success. Back in Barcelona in 1920, he was the first cello at the Pau Casals Orchestra, was engaged in private teaching and was part of film orchestras. In addition, he also developed his skills as tenor, even performing Beethoven's Ninth Symphony of as a soloist.

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Violoncellist

After his early music education in El Vendrell, he studied cello, harmony, counterpoint and piano at the Conservatori de Barcelona under Garcia Robles, Rodoreda and Costa Nogueras. Between 1898 and 1909, he was the first cello at Liceu Orchestra and cello professor at the Conservatory of the same institution. He offered numerous concerts throughout the year, some of them within the Wagnerian Association (including cycles devoted to Beethoven) and some others within the Associació Musical. He was part of renowned chamber music groups together with Granados, Malats or Crickboom. Between 1909 and 1920, he lived in Milan, where he worked at the opera house and offered concerts that enjoyed great success. Back in Barcelona in 1920, he was the first cello at the Pau Casals Orchestra, was engaged in private teaching and was part of film orchestras. In addition, he also developed his skills as tenor, even performing Beethoven's Ninth Symphony of as a soloist.

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Probablement alumnes de Gabriel Balart i mestre d'Eusebi Bosch

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Probablement alumnes de Gabriel Balart i mestre d'Eusebi Bosch

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Flautist and composer

He was flautist in several orchestras in Barcelona, including Gran Teatre del Liceu, and from 1886 he was part of newly created Banda Municipal de Barcelona. He founded Orquestra Escalas (1867) and achieved success in Catalonia. In addition to private teaching, he taught at the Conservatori del Liceu and the Escola Municipal de Barcelona. Although he composed some symphonic and chamber music, and pieces for wind band, he was renowned for his ballables, which make up most of his production and was partly published within music collections.

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Flautist and composer

He was flautist in several orchestras in Barcelona, including Gran Teatre del Liceu, and from 1886 he was part of newly created Banda Municipal de Barcelona. He founded Orquestra Escalas (1867) and achieved success in Catalonia. In addition to private teaching, he taught at the Conservatori del Liceu and the Escola Municipal de Barcelona. Although he composed some symphonic and chamber music, and pieces for wind band, he was renowned for his ballables, which make up most of his production and was partly published within music collections.

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Violinist and Composer

He was the first violinist at Teatre del Liceu and at the chapel of Barcelona's Cathedral. He was also teacher of solfeo at Conservatori del Liceu. He composed mainly religious music, such as the Missa sobre el Tantum Ergo for the chapter of the Barcelona’s Cathedral, and a Hymn that received an honorary mention at the musical event organized to commemorate the Millennial of the Monastery of Montserrat. His output also includes one symphonic piece and one chamber music piece, as well as some arrangements.

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Violinist and Composer

He was the first violinist at Teatre del Liceu and at the chapel of Barcelona's Cathedral. He was also teacher of solfeo at Conservatori del Liceu. He composed mainly religious music, such as the Missa sobre el Tantum Ergo for the chapter of the Barcelona’s Cathedral, and a Hymn that received an honorary mention at the musical event organized to commemorate the Millennial of the Monastery of Montserrat. His output also includes one symphonic piece and one chamber music piece, as well as some arrangements.

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"dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541500301" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(5) "elena" ["picture"]=> string(1) "0" ["data"]=> NULL } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(5) "Forns" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(5) "Forns" ["format"]=> NULL ["safe_value"]=> string(5) "Forns" } } } } [14]=> object(stdClass)#242 (7) { ["node_title"]=> string(5) "Joana" ["nid"]=> string(4) "3965" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(5) "Fossa" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#283 (52) { ["vid"]=> string(4) "4104" ["uid"]=> string(1) "5" ["title"]=> string(5) "Joana" 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["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1873-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(810) "

Soprano
 
She studied in Barcelona with Obiols. In 1839, when he was sixteen, he performed and premiered operas by Donizetti, Mercadante and Pacini at the Liceu Filodramàtic del Montsió (later Gran Teatre del Liceu). Four years later, she performed at Teatre Principal until 1851. That very same season, she debuted at Gran Teatre del Liceu where she performed until 1859. She married Joaquim Ferrer, the businessman who was responsible for the first lyrical season of the Teatre de Girona (inaugurated in 1860). She performed in that theater for the last show of the season and remained there until June 1861. In 1864 she moved to Madrid to perform at Teatro Rossini and achieved a remarkable success. This was the starting point of her performances across the Iberian Peninsula.

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Soprano
 
She studied in Barcelona with Obiols. In 1839, when he was sixteen, he performed and premiered operas by Donizetti, Mercadante and Pacini at the Liceu Filodramàtic del Montsió (later Gran Teatre del Liceu). Four years later, she performed at Teatre Principal until 1851. That very same season, she debuted at Gran Teatre del Liceu where she performed until 1859. She married Joaquim Ferrer, the businessman who was responsible for the first lyrical season of the Teatre de Girona (inaugurated in 1860). She performed in that theater for the last show of the season and remained there until June 1861. In 1864 she moved to Madrid to perform at Teatro Rossini and achieved a remarkable success. This was the starting point of her performances across the Iberian Peninsula.

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Bonaventura Frigola i Fajula, Narcís Frigola i Fajula, 

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Bonaventura Frigola i Fajula, Narcís Frigola i Fajula, 

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Composer, violinist and conductor

He began violin in his family circle and with Jaume Lleys. In 1847 he moved to Barcelona where he worked as a second violin at the Gran Teatre del Liceu and became concertino in 1848. Three years later, he moved to Paris to lead the Bartorello ballet company and studied at the conservatory, where he won the second composition award (1851). In Paris, he worked as a violinist and conductor at several theaters. He was temporarily Kapellmeister at Sant Esteve in Banyoles and, from 1854 to 1858, in Castelló d'Empúries. After some time in Le Havre (1868) and Paris (1880), in 1881 he returned to Barcelona, where he founded (together with Joan B. Pujol) a symphonic orchestra of 120 musicians. He conducted the inaugural concerts of the Lyric Theater-Sala Beethoven and was elected Kapellmeister of Basilica of La Mercè. He composed orchestral and religious music, as well as sardanes.

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Composer, violinist and conductor

He began violin in his family circle and with Jaume Lleys. In 1847 he moved to Barcelona where he worked as a second violin at the Gran Teatre del Liceu and became concertino in 1848. Three years later, he moved to Paris to lead the Bartorello ballet company and studied at the conservatory, where he won the second composition award (1851). In Paris, he worked as a violinist and conductor at several theaters. He was temporarily Kapellmeister at Sant Esteve in Banyoles and, from 1854 to 1858, in Castelló d'Empúries. After some time in Le Havre (1868) and Paris (1880), in 1881 he returned to Barcelona, where he founded (together with Joan B. Pujol) a symphonic orchestra of 120 musicians. He conducted the inaugural concerts of the Lyric Theater-Sala Beethoven and was elected Kapellmeister of Basilica of La Mercè. He composed orchestral and religious music, as well as sardanes.

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"date_iso8601" } } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541500394" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(5) "elena" ["picture"]=> string(1) "0" ["data"]=> NULL } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(8) "Frígola" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(8) "Frígola" ["format"]=> NULL ["safe_value"]=> string(8) "Frígola" } } } } [16]=> object(stdClass)#244 (7) { ["node_title"]=> string(6) "Robert" ["nid"]=> string(4) "3982" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(7) "Gerhard" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#287 (53) { ["vid"]=> string(4) "4121" ["uid"]=> string(1) "5" 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Composer

He studied under E. Granados and F. Marshall (piano). Between 1916 and 1921 he studied also musicology and composition under Felip Pedrell. He collected songs of oral tradition for the Ethnography and Folklore Archive of Catalonia. In 1923 he moved to Vienna to study with Arnold Schönberg, with whom he worked until 1928. In 1931, he was appointed professor of music at the Escola Normal. He was part of the group Compositors Independents de Catalunya (Group of the Eight) together with Blancafort, Mompou, Toldrà, Ricard Lamote and Samper. He promoted the International Society for Contemporary Music Festival in Barcelona in 1936. In 1939 he decided to exile and settled at King's College in Cambridge, where he remained for the rest of his life. He composed for the BBC and in 1968 he was appointed honorary doctor by the University of Cambridge. His extensive output offers his own perspective on different styles from neoclassicism to serialism whilst making use of music of oral tradition. He is considered the greatest Catalan composer of the 20th-century.

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Composer

He studied under E. Granados and F. Marshall (piano). Between 1916 and 1921 he studied also musicology and composition under Felip Pedrell. He collected songs of oral tradition for the Ethnography and Folklore Archive of Catalonia. In 1923 he moved to Vienna to study with Arnold Schönberg, with whom he worked until 1928. In 1931, he was appointed professor of music at the Escola Normal. He was part of the group Compositors Independents de Catalunya (Group of the Eight) together with Blancafort, Mompou, Toldrà, Ricard Lamote and Samper. He promoted the International Society for Contemporary Music Festival in Barcelona in 1936. In 1939 he decided to exile and settled at King's College in Cambridge, where he remained for the rest of his life. He composed for the BBC and in 1968 he was appointed honorary doctor by the University of Cambridge. His extensive output offers his own perspective on different styles from neoclassicism to serialism whilst making use of music of oral tradition. He is considered the greatest Catalan composer of the 20th-century.

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Dionisia Fité de Goula (dona, cantant), Joan Goula FIté (fill): cantant d'òpera i empresari, que dirigí una temporada al tívoli (1905-06), Societat Clavé

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Dionisia Fité de Goula (dona, cantant), Joan Goula FIté (fill): cantant d'òpera i empresari, que dirigí una temporada al tívoli (1905-06), Societat Clavé

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Composer and Conductor

He studied in Barcelona with Nicolau Manent. In 1866, he moved to Palma to conduct the orchestra of the Teatre Principal. He founded the Orfeó Republicà Balear (1867), with which he disseminated the work of Clavé. In the 1870s, after his success at the Moscow Imperial Theater and the opera of St. Petersburg, he began a tour of several German theaters. He returned to Barcelona in 1875 to conduct the first performance of Verqui's Requiem at Liceu and, between 1881 and 1884, he was appointed director of the Teatro Real in Madrid. Later, he moved to Buenos Aires to conduct a Spanish compañía lírica, but the project failed. There, he was appointed professor at the Thibaud Piazzini conservatory and conducted popular concerts. His output includes stage music (one of them dedicated to Alexandre II of Russia), ballets, choral music and sacred music. He is remembered for his association with Claverian societies –he was an honorary member of the Associació Claveriana– and for his contribution to the dissemination of Spanish zarzuelas and operas.

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Composer and Conductor

He studied in Barcelona with Nicolau Manent. In 1866, he moved to Palma to conduct the orchestra of the Teatre Principal. He founded the Orfeó Republicà Balear (1867), with which he disseminated the work of Clavé. In the 1870s, after his success at the Moscow Imperial Theater and the opera of St. Petersburg, he began a tour of several German theaters. He returned to Barcelona in 1875 to conduct the first performance of Verqui's Requiem at Liceu and, between 1881 and 1884, he was appointed director of the Teatro Real in Madrid. Later, he moved to Buenos Aires to conduct a Spanish compañía lírica, but the project failed. There, he was appointed professor at the Thibaud Piazzini conservatory and conducted popular concerts. His output includes stage music (one of them dedicated to Alexandre II of Russia), ballets, choral music and sacred music. He is remembered for his association with Claverian societies –he was an honorary member of the Associació Claveriana– and for his contribution to the dissemination of Spanish zarzuelas and operas.

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Composer, pianist and conductor

He studied at Conservatori del Liceu, at the École Normale de Musique in Paris and later with Cristòfor Taltabull. Although he started a brief but intense career as a pianist, from 1960 he focused on orchestral conducting and composition. In 1962 he returned to Paris to study composition at Schola Cantorum. In 1964 he founded, together with Juli Panyella the Diabolus in Musica ensemble, with which he released and disseminated avant-garde music, particulary that by Catalan composers. From 1986, he devoted himself exclusively to composition. His output included over a hundred of works that have been awarded international distinctions, such as Commandeur des Arts et des Lettres, the Tomás Luis de Victoria Award and the Creu de Sant Jordi. In 2004 he premiered his opera Gaudí at the Gran Teatre del Liceu.

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Composer, pianist and conductor

He studied at Conservatori del Liceu, at the École Normale de Musique in Paris and later with Cristòfor Taltabull. Although he started a brief but intense career as a pianist, from 1960 he focused on orchestral conducting and composition. In 1962 he returned to Paris to study composition at Schola Cantorum. In 1964 he founded, together with Juli Panyella the Diabolus in Musica ensemble, with which he released and disseminated avant-garde music, particulary that by Catalan composers. From 1986, he devoted himself exclusively to composition. His output included over a hundred of works that have been awarded international distinctions, such as Commandeur des Arts et des Lettres, the Tomás Luis de Victoria Award and the Creu de Sant Jordi. In 2004 he premiered his opera Gaudí at the Gran Teatre del Liceu.

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Clarinetist and Composer

He was a tailor's apprentice when at the age of ten, he started to learn flute, clarinet and bassoon from Josep Puig and harmony from Francesc Arbós. At that same age, he started to play in the artillery regiment's band. In the 1820s he befriended musicians from Teatre de la Santa Creu. In the 1830s he performed in orchestres-cobles with Ignasi Ayné and Jaume Planas after becoming again a military musician. During the 1840s, he was teacher and first clarinet of the orchestra of the Liceu, and was director of the so-called "Copla dels gallinaires". Between 1852 and 1856, he was a military major musician in Navarra, before settling again in Barcelona as a clarinetist at the Liceu and as conductor of several civil music bands. In addition, he opened a music store and represented the city in musical conferences. As he recounted in his memoirs, he composed more than 2000 ballables, of which only a hundred have been preserved. His most notable milestone was the premiere of the La Rondeña ballet in the inaugural performance of the Teatre del Liceu in 1848.

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Clarinetist and Composer

He was a tailor's apprentice when at the age of ten, he started to learn flute, clarinet and bassoon from Josep Puig and harmony from Francesc Arbós. At that same age, he started to play in the artillery regiment's band. In the 1820s he befriended musicians from Teatre de la Santa Creu. In the 1830s he performed in orchestres-cobles with Ignasi Ayné and Jaume Planas after becoming again a military musician. During the 1840s, he was teacher and first clarinet of the orchestra of the Liceu, and was director of the so-called "Copla dels gallinaires". Between 1852 and 1856, he was a military major musician in Navarra, before settling again in Barcelona as a clarinetist at the Liceu and as conductor of several civil music bands. In addition, he opened a music store and represented the city in musical conferences. As he recounted in his memoirs, he composed more than 2000 ballables, of which only a hundred have been preserved. His most notable milestone was the premiere of the La Rondeña ballet in the inaugural performance of the Teatre del Liceu in 1848.

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agustí grau, joan gibert camins

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agustí grau, joan gibert camins

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In addition to studying with his father, he studied piano with J. Pellicer and F. Marshall and composition with J. Rabentós and B. Gàlvez. In the 1920s he was a performer of the Orquestra Simfònica de Barcelona, musical director of a piano roll company (1922-25) and percussionist at the Banda Municipal of Barcelona (1926). In 1930 he was appointed conductor of the Orquestra Simfònica de Girona and in 1932, assistant conductor of the Banda Municipal. He was member of the Independent Composers of Catalonia and took part in the International Festival of Contemporary Music (1936). In 1939 he was exiled to Valencia, where he served as assistant conductor of the Orquestra Municipal (1943-47). In 1950 he was able to return to Barcelona, and worked first in Ràdio Barcelona and in 1956 as assistant conductor of the Orquestra Municipal next to Toldrà. As a composer he had a varied catalogue including band transcriptions and soundtracks, in addition to compositions such as Simfonia catalana (1950) and the opera La cabeza del dragón (1939) premiered at Liceu. He also wrote pedagogical works.

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In addition to studying with his father, he studied piano with J. Pellicer and F. Marshall and composition with J. Rabentós and B. Gàlvez. In the 1920s he was a performer of the Orquestra Simfònica de Barcelona, musical director of a piano roll company (1922-25) and percussionist at the Banda Municipal of Barcelona (1926). In 1930 he was appointed conductor of the Orquestra Simfònica de Girona and in 1932, assistant conductor of the Banda Municipal. He was member of the Independent Composers of Catalonia and took part in the International Festival of Contemporary Music (1936). In 1939 he was exiled to Valencia, where he served as assistant conductor of the Orquestra Municipal (1943-47). In 1950 he was able to return to Barcelona, and worked first in Ràdio Barcelona and in 1956 as assistant conductor of the Orquestra Municipal next to Toldrà. As a composer he had a varied catalogue including band transcriptions and soundtracks, in addition to compositions such as Simfonia catalana (1950) and the opera La cabeza del dragón (1939) premiered at Liceu. He also wrote pedagogical works.

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["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(17) "Lamote de Grignon" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(17) "Lamote de Grignon" ["format"]=> NULL ["safe_value"]=> string(17) "Lamote de Grignon" } } } } [21]=> object(stdClass)#249 (7) { ["node_title"]=> string(8) "Hipòlit" ["nid"]=> string(4) "4018" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(7) "Lázaro" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#292 (53) { ["vid"]=> string(4) "4157" ["uid"]=> string(1) "5" ["title"]=> string(8) "Hipòlit" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4018" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) 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Tenor

He studied music whilst working as a labourer and cart driver. In 1906 he debuted in Olot with Marina by E. Arrieta and in 1910 at the Teatre Novetats with La favorita by G. Donizetti. He moved to Milan where he continued his studies. After a short stay in England where he sang under the stage name of Antonio Manuele, he was engaged by Pietro Mascagni to perform at his opera Isabeau at the Teatro Alla Scala (1913). The same year he debuted at the Liceu, in 1918 at the Metropolitan of New York (where he was a rival to Caruso) and in 1922 at the Teatro Real in Madrid. He became one of the greatest voices of his time, highly valued for his timbre and vocal range. He premiered works by composers such as Mascagni (Il piccolo Marat, 1921), Giordano (El cena delle beffe, 1924) or Jordi Gaig (El estudiante de Salamanca, 1935). From 1944 onwards, he occasionally took on the artistic direction of the Gran Teatre del Liceu until he retired from the stage in 1950 and moved to Havana. In 1947 he published his memoires (Memorias) and a singing handbook (Mi método de canto).

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Tenor

He studied music whilst working as a labourer and cart driver. In 1906 he debuted in Olot with Marina by E. Arrieta and in 1910 at the Teatre Novetats with La favorita by G. Donizetti. He moved to Milan where he continued his studies. After a short stay in England where he sang under the stage name of Antonio Manuele, he was engaged by Pietro Mascagni to perform at his opera Isabeau at the Teatro Alla Scala (1913). The same year he debuted at the Liceu, in 1918 at the Metropolitan of New York (where he was a rival to Caruso) and in 1922 at the Teatro Real in Madrid. He became one of the greatest voices of his time, highly valued for his timbre and vocal range. He premiered works by composers such as Mascagni (Il piccolo Marat, 1921), Giordano (El cena delle beffe, 1924) or Jordi Gaig (El estudiante de Salamanca, 1935). From 1944 onwards, he occasionally took on the artistic direction of the Gran Teatre del Liceu until he retired from the stage in 1950 and moved to Havana. In 1947 he published his memoires (Memorias) and a singing handbook (Mi método de canto).

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} ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "0" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541504388" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(5) "elena" ["picture"]=> string(1) "0" ["data"]=> NULL } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(7) "Lázaro" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(7) "Lázaro" ["format"]=> NULL ["safe_value"]=> string(7) "Lázaro" } } } } [22]=> object(stdClass)#250 (7) { ["node_title"]=> string(5) "Jaume" ["nid"]=> string(4) "4017" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(6) "Llecha" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#291 (53) { ["vid"]=> string(4) "4156" ["uid"]=> string(1) "5" ["title"]=> string(5) "Jaume" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4017" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541504214" ["changed"]=> string(10) "1547803613" ["tnid"]=> string(3) "397" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1547803613" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> 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Violinist

He studied at the Escola Municipal de Música of Barcelona with Ll. Millet and A. Argelaga (solfeig and music theory), E. Morera (harmony), and M. Viscasillas and J. Massià (violin), finishing his studies with the extraordinary prize in 1933 for his performance of Concerto in B minor by Paganini-Manén. After the Spanish Civil War he was appointed teacher at the Escolania de Montserrat, concertino of the Orquestra Municipal of Barcelona and the orchestra of the Gran Teatre del Liceu. He was part of the Quartet de Corda de Barcelona and the Quartet d'Instruments d'Arc, with whom he performed the first complete performance of the Beethoven quartets in Barcelona in 1948. In 1951 he received the Joan Manén prize.

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Violinist

He studied at the Escola Municipal de Música of Barcelona with Ll. Millet and A. Argelaga (solfeig and music theory), E. Morera (harmony), and M. Viscasillas and J. Massià (violin), finishing his studies with the extraordinary prize in 1933 for his performance of Concerto in B minor by Paganini-Manén. After the Spanish Civil War he was appointed teacher at the Escolania de Montserrat, concertino of the Orquestra Municipal of Barcelona and the orchestra of the Gran Teatre del Liceu. He was part of the Quartet de Corda de Barcelona and the Quartet d'Instruments d'Arc, with whom he performed the first complete performance of the Beethoven quartets in Barcelona in 1948. In 1951 he received the Joan Manén prize.

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Soprano

Victòria dels Àngels studied at the Superior Conservatory of Music of the Liceu. Member of Ars Musicae, she debuted at the Gran Teatre del Liceu in 1945 singing the role of Countess of Almaviva in Le Nozze di Figaro. This debut was the start of an international career that took her to the most important theaters and festivals around the world, including the Wagner Festival in Bayreuth where, in 1961, she sang the role of Elisabeth in Tannhäuser. She finished her operatic career singing Pélleas et Mélisande by C. Debussy at the Teatro de la Zarzuela in Madrid. From the 1980s, she decided to focus on recitals and singing lieder, a genre in which she was considered exceptional. She made numerous recordings, some of which were highly praised. She was considered one of the greatest sopranos of the second half of the twentieth century.

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Soprano

Victòria dels Àngels studied at the Superior Conservatory of Music of the Liceu. Member of Ars Musicae, she debuted at the Gran Teatre del Liceu in 1945 singing the role of Countess of Almaviva in Le Nozze di Figaro. This debut was the start of an international career that took her to the most important theaters and festivals around the world, including the Wagner Festival in Bayreuth where, in 1961, she sang the role of Elisabeth in Tannhäuser. She finished her operatic career singing Pélleas et Mélisande by C. Debussy at the Teatro de la Zarzuela in Madrid. From the 1980s, she decided to focus on recitals and singing lieder, a genre in which she was considered exceptional. She made numerous recordings, some of which were highly praised. She was considered one of the greatest sopranos of the second half of the twentieth century.

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Composer, violinist and director

Considered a child prodigy, he offered his first recital in Barcelona at seven years of age, having studied with Clemente Ibarguren and Frederic Balart. He toured America with ten years and soon became an internationally renowned performer. In addition to performing duets with the most important musicians of the time, such as Enric Granados, Pau Casals, Antonin Dvorák and Richard Strauss, he was also conductor, music promoter and a music journalist. He was also spured the creation of an auditorium in Barcelona, which never finalized due to financial difficulties. He composed powerful works, especially opera, chamber and symphonic music, as well as sardanes and transcripts for violin. His compositions are post-romantic in style and with Richard Strauss as a reference. As a violinist, he was acclaimed for his technique, and as a conductor, for the orchestras and audiences for which he performed. He was also acclaimed for essays such as Mis experiencas (1944) and El violín (1958).

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Composer, violinist and director

Considered a child prodigy, he offered his first recital in Barcelona at seven years of age, having studied with Clemente Ibarguren and Frederic Balart. He toured America with ten years and soon became an internationally renowned performer. In addition to performing duets with the most important musicians of the time, such as Enric Granados, Pau Casals, Antonin Dvorák and Richard Strauss, he was also conductor, music promoter and a music journalist. He was also spured the creation of an auditorium in Barcelona, which never finalized due to financial difficulties. He composed powerful works, especially opera, chamber and symphonic music, as well as sardanes and transcripts for violin. His compositions are post-romantic in style and with Richard Strauss as a reference. As a violinist, he was acclaimed for his technique, and as a conductor, for the orchestras and audiences for which he performed. He was also acclaimed for essays such as Mis experiencas (1944) and El violín (1958).

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Kapellmeister, composer and organist

He was a choirboy of the church of Palau de Barcelona and studied music with his father Marraco Xauxas and his uncle Joan Ferrer (violin). He also studied with Francesc Moliner and piano and composition with Bernat Calvó Puig, Mateu Ferrer Vilanova. In the 1850s he was a violinist at the orchestra of Teatre Principal and Teatre del Liceu. In 1864, he was appointed Kapellmeister of Barcelona’s Cathedral succeeding Mateu Ferrer. It is also reported that he was received by Rossini in Paris in 1862. Among its compositions, there are many popular dances of the time and religious music for small and large ensembles. The catalog also includes orchestral music, sometimes of operatic inspiration, and chamber music. Marraco was one of the most renowned composers of his time and considered a great improviser on the organ. Among his output is the Missa de Rèquiem pels morts de la Guerra d’Àfrica (1860).

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(972) "

Kapellmeister, composer and organist

He was a choirboy of the church of Palau de Barcelona and studied music with his father Marraco Xauxas and his uncle Joan Ferrer (violin). He also studied with Francesc Moliner and piano and composition with Bernat Calvó Puig, Mateu Ferrer Vilanova. In the 1850s he was a violinist at the orchestra of Teatre Principal and Teatre del Liceu. In 1864, he was appointed Kapellmeister of Barcelona’s Cathedral succeeding Mateu Ferrer. It is also reported that he was received by Rossini in Paris in 1862. Among its compositions, there are many popular dances of the time and religious music for small and large ensembles. The catalog also includes orchestral music, sometimes of operatic inspiration, and chamber music. Marraco was one of the most renowned composers of his time and considered a great improviser on the organ. Among his output is the Missa de Rèquiem pels morts de la Guerra d’Àfrica (1860).

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Organist and composer

He studied solfège with Mas Serracant, piano with Granados and Marshall, harmony with Pedrell, composition with Taltabull and counterpoint with Morera. He graduated at the Pontificio Istituto di Musica Sacra in Rome, where he studied with Casimiri and Dagnino. He later studied in Munich with Max Reger and at Solesmes Abbey. In addition to music, he also studied theology: he was ordained a priest (1922) and entered the Society of Jesus. Since then and until 1936 he was Kappelmeister, organist and teacher in Barcelona and obtained the Patxot Prize for the oratorio Montserrat (1933). During the Civil War he moved to Rome and returned to Barcelona. Between 1949 and 1963 he visited South America. In 1953 he won the National Music Prize for Canigó. He is considered a neo-Romantic composer that avoided contemporary trends and was influenced by R. Wagner, R. Strauss and C. Debussy. He composed religious music, songs and operas, such as Canigó (1934, with text by Josep Carner) premiered at Liceu in 1953.

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(1071) "

Organist and composer

He studied solfège with Mas Serracant, piano with Granados and Marshall, harmony with Pedrell, composition with Taltabull and counterpoint with Morera. He graduated at the Pontificio Istituto di Musica Sacra in Rome, where he studied with Casimiri and Dagnino. He later studied in Munich with Max Reger and at Solesmes Abbey. In addition to music, he also studied theology: he was ordained a priest (1922) and entered the Society of Jesus. Since then and until 1936 he was Kappelmeister, organist and teacher in Barcelona and obtained the Patxot Prize for the oratorio Montserrat (1933). During the Civil War he moved to Rome and returned to Barcelona. Between 1949 and 1963 he visited South America. In 1953 he won the National Music Prize for Canigó. He is considered a neo-Romantic composer that avoided contemporary trends and was influenced by R. Wagner, R. Strauss and C. Debussy. He composed religious music, songs and operas, such as Canigó (1934, with text by Josep Carner) premiered at Liceu in 1953.

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NULL ["safe_value"]=> string(7) "Bertran" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> 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Composer and conductor. He started as a self-taught musician while visiting Argentina. After returning to Barcelona, he studied with Pedrell, Tolosa and Vidiella, and later in Brussels with Philippe Fiévez (1885-1890). In 1890 he joined the orchestra of Gran Teatre del Liceu. In 1893 he premiered Dansa dels Gnoms and Introducció a l’Atlàntida at the Societat Catalana de Concerts. In 1895 he founded the Catalunya Nova choral society, giving a new impetus to the Clavé movement. He composed the opera La fada (1897) and the incidental music for Rusiñol’s L’alegria que passa (1898). In 1901, together with Gay and Granados, he organized the first Catalan teatre líric season. He offered El Comte Arnau (1905), La Santa Espina (1907), Emporium (1906) and Bruniselda (1906) at Liceu. In 1911 he was appointed Deputy Director of the Municipal Music School, where he influenced composers such as Pahissa and Montsalvatge. He composed some of the most frequently performed sardanas: Empordà, La sardana de les monges and La Santa Espina. He is considered a central figure of Catalan modernisme.

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Composer and conductor. He started as a self-taught musician while visiting Argentina. After returning to Barcelona, he studied with Pedrell, Tolosa and Vidiella, and later in Brussels with Philippe Fiévez (1885-1890). In 1890 he joined the orchestra of Gran Teatre del Liceu. In 1893 he premiered Dansa dels Gnoms and Introducció a l’Atlàntida at the Societat Catalana de Concerts. In 1895 he founded the Catalunya Nova choral society, giving a new impetus to the Clavé movement. He composed the opera La fada (1897) and the incidental music for Rusiñol’s L’alegria que passa (1898). In 1901, together with Gay and Granados, he organized the first Catalan teatre líric season. He offered El Comte Arnau (1905), La Santa Espina (1907), Emporium (1906) and Bruniselda (1906) at Liceu. In 1911 he was appointed Deputy Director of the Municipal Music School, where he influenced composers such as Pahissa and Montsalvatge. He composed some of the most frequently performed sardanas: Empordà, La sardana de les monges and La Santa Espina. He is considered a central figure of Catalan modernisme.

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Composer, conductor and pedagogue. He studied piano with Joan B. Pujol and harmony and composition with Gabriel Balart. In 1876, at the age of 17, he composed the Athalia symphony and premiered it at the Gran Teatre del Liceu. Two years later, he premiered La tempestat and fragments of his opera Constanza at the same theatre. Between 1878 and 1885, he lived in Paris where he premiered the symphonic poem El triomf de Venus (1882) with remarkable critical success. In 1886 and 1900 he conducted Liceu's Lenten concerts featuring compositions by Berlioz, Wagner and Beethoven. In addition, he invited Richard Strauss to his concerts and collaborated with Orfeó Català. He promoted the works of Catalan composers such as Pedrell, Albéniz, Granados and Millet. In 1892 he founded the Societat Societat Catalana de Concerts and the Concerts Nicolau and, between 1896 and 1930, he was the director of Barcelona’s Escola Municipal de Música. His compositional activity focused mainly on choir music with compositions as successful as La mort de l'escolà (1900), with lyrics by Jacint Verdaguer.

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Composer, conductor and pedagogue. He studied piano with Joan B. Pujol and harmony and composition with Gabriel Balart. In 1876, at the age of 17, he composed the Athalia symphony and premiered it at the Gran Teatre del Liceu. Two years later, he premiered La tempestat and fragments of his opera Constanza at the same theatre. Between 1878 and 1885, he lived in Paris where he premiered the symphonic poem El triomf de Venus (1882) with remarkable critical success. In 1886 and 1900 he conducted Liceu's Lenten concerts featuring compositions by Berlioz, Wagner and Beethoven. In addition, he invited Richard Strauss to his concerts and collaborated with Orfeó Català. He promoted the works of Catalan composers such as Pedrell, Albéniz, Granados and Millet. In 1892 he founded the Societat Societat Catalana de Concerts and the Concerts Nicolau and, between 1896 and 1930, he was the director of Barcelona’s Escola Municipal de Música. His compositional activity focused mainly on choir music with compositions as successful as La mort de l'escolà (1900), with lyrics by Jacint Verdaguer.

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He studied violin with J. Vilanova, harmony and counterpoint with Arbós and Saldoni and later composition with Ramon Vilanova. His first compositions include sacred music such as the kyries of the Missa Pastoril of Vilanova. In 1831 he moved to Milan to study with Mercadante. He travelled across Europe with him and met composers such as Rossini, Donizetti, Meyerbeer, Auber, Boildieu and Caraffa. His first opera Odio e Amore was premiered in 1837 at La Scala in Milan and was performed in other Italian cities. 

In Barcelona he was professor of composition, singing teacher, director of the Liceu Conservatory and conductor of the Gran Teatre del Liceu orchestra. He wrote handbooks of solfège and piano. His cantata Il regio imeneo was performed for the inauguration of the new Liceu building in 1847, and the opera Editta di Belcourt achieved great success in its premiere in 1874.

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He studied violin with J. Vilanova, harmony and counterpoint with Arbós and Saldoni and later composition with Ramon Vilanova. His first compositions include sacred music such as the kyries of the Missa Pastoril of Vilanova. In 1831 he moved to Milan to study with Mercadante. He travelled across Europe with him and met composers such as Rossini, Donizetti, Meyerbeer, Auber, Boildieu and Caraffa. His first opera Odio e Amore was premiered in 1837 at La Scala in Milan and was performed in other Italian cities. 

In Barcelona he was professor of composition, singing teacher, director of the Liceu Conservatory and conductor of the Gran Teatre del Liceu orchestra. He wrote handbooks of solfège and piano. His cantata Il regio imeneo was performed for the inauguration of the new Liceu building in 1847, and the opera Editta di Belcourt achieved great success in its premiere in 1874.

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[0]=> array(3) { ["value"]=> string(6) "Obiols" ["format"]=> NULL ["safe_value"]=> string(6) "Obiols" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(9) "Tramullas" ["format"]=> NULL ["safe_value"]=> string(9) "Tramullas" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541518934" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(5) "elena" ["picture"]=> string(1) "0" ["data"]=> NULL } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(6) "Obiols" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(6) "Obiols" ["format"]=> NULL ["safe_value"]=> string(6) "Obiols" } } } } [30]=> object(stdClass)#258 (7) { ["node_title"]=> string(5) "Jaume" ["nid"]=> string(4) "4079" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(7) "Pahissa" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#300 (53) { ["vid"]=> string(4) "4218" ["uid"]=> string(1) "5" ["title"]=> string(5) "Jaume" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4079" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541519149" ["changed"]=> string(10) "1579527455" ["tnid"]=> string(3) "781" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1579527455" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(0) { } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1880-10-07 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1969-10-27 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(0) { } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(2) "22" } [1]=> array(1) { ["target_id"]=> string(2) "25" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(1253) "

After withdrawing from an architecture degree, he began studying music under Francesc Laporta (piano) and later under Enric Morera (composition). Thanks to the incidental music of La presó de Lleida (1906), with Adrià Gual's text, he was introduced to artistic circles of modernistes. He premiered La Morisca (1919), Marianela (1923) and La princesa Margarida (1928) at the Gran Teatre del Liceu. He is known for his Suite Intertonal (1926), where he experimented with polytonaity and atonalism. In the 1930s he developed his teaching career: he became a teacher at the Liceu Conservatory and the Escola Municipal of Music (replacing Morera) and wrote pedagogical works. In 1937, he went into exile in Buenos Aires, where he devoted himself to teaching, musicology and orchestral conducting. He composed the Cantata a la tumba de Federico García Lorca, arranged Catalan folk music and premiered the opera Marianela at Teatro Colón (1946). He wrote Los grandes problemas de la música (1945) and the first biography of Falla (1947).

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After withdrawing from an architecture degree, he began studying music under Francesc Laporta (piano) and later under Enric Morera (composition). Thanks to the incidental music of La presó de Lleida (1906), with Adrià Gual's text, he was introduced to artistic circles of modernistes. He premiered La Morisca (1919), Marianela (1923) and La princesa Margarida (1928) at the Gran Teatre del Liceu. He is known for his Suite Intertonal (1926), where he experimented with polytonaity and atonalism. In the 1930s he developed his teaching career: he became a teacher at the Liceu Conservatory and the Escola Municipal of Music (replacing Morera) and wrote pedagogical works. In 1937, he went into exile in Buenos Aires, where he devoted himself to teaching, musicology and orchestral conducting. He composed the Cantata a la tumba de Federico García Lorca, arranged Catalan folk music and premiered the opera Marianela at Teatro Colón (1946). He wrote Los grandes problemas de la música (1945) and the first biography of Falla (1947).

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["target_id"]=> string(4) "3715" } } } ["field_centres_de_documentaci_"]=> array(0) { } ["field_urls_d_interes"]=> array(1) { ["und"]=> array(3) { [0]=> array(1) { ["target_id"]=> string(4) "3812" } [1]=> array(1) { ["target_id"]=> string(4) "3811" } [2]=> array(1) { ["target_id"]=> string(4) "3813" } } } ["field_bibliografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3547" } } } ["field__udios_sense_fitxa"]=> array(0) { } ["field_np_noms_alternatius"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(5) "Jaime" ["format"]=> NULL ["safe_value"]=> string(5) "Jaime" } } } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(7) "Pahissa" ["format"]=> NULL ["safe_value"]=> string(7) "Pahissa" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(2) "Jo" ["format"]=> NULL ["safe_value"]=> string(2) "Jo" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541519149" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(5) "elena" ["picture"]=> string(1) "0" ["data"]=> NULL } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(7) "Pahissa" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(7) "Pahissa" ["format"]=> NULL ["safe_value"]=> string(7) "Pahissa" } } } } [31]=> object(stdClass)#259 (7) { ["node_title"]=> string(9) "Engràcia" ["nid"]=> string(4) "4082" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(6) "Pareto" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#301 (53) { ["vid"]=> string(4) "4221" ["uid"]=> string(1) "5" ["title"]=> string(9) "Engràcia" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4082" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541519247" ["changed"]=> string(10) "1561975247" ["tnid"]=> string(3) "351" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1561975247" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "102" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1889-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1973-10-10 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "145" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(784) "

Soprano 

She initially studied with her mother, also soprano, and later with Caritat Hernàndez and Melcior Vidal in Milan. In 1906, she debuted at the Gran Teatre del Liceu in the role of Micaela in Carmen. This was the starting point of her career, in which she performanced in the most important theatres, such as La Scala (Milan), the Covent Garden (London) or La Fenice (Venice), and in cities such as Chicago, Buenos Aires and Saint Petersburg. She finished her career at the Salzburg Festival in 1931. She was a soprano leggero and was considered one of the best sopranos of the first third of the twentieth century. She was especially appreciated singing the role of Ofelia in the Abroise Thomas’s Hamlet.

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Soprano 

She initially studied with her mother, also soprano, and later with Caritat Hernàndez and Melcior Vidal in Milan. In 1906, she debuted at the Gran Teatre del Liceu in the role of Micaela in Carmen. This was the starting point of her career, in which she performanced in the most important theatres, such as La Scala (Milan), the Covent Garden (London) or La Fenice (Venice), and in cities such as Chicago, Buenos Aires and Saint Petersburg. She finished her career at the Salzburg Festival in 1931. She was a soprano leggero and was considered one of the best sopranos of the first third of the twentieth century. She was especially appreciated singing the role of Ofelia in the Abroise Thomas’s Hamlet.

" } } } ["field_ciutats_relacionades"]=> array(1) { ["und"]=> array(7) { [0]=> array(1) { ["target_id"]=> string(2) "91" } [1]=> array(1) { ["target_id"]=> string(3) "196" } [2]=> array(1) { ["target_id"]=> string(4) "3484" } [3]=> array(1) { ["target_id"]=> string(3) "163" } [4]=> array(1) { ["target_id"]=> string(3) "200" } [5]=> array(1) { ["target_id"]=> string(2) "94" } [6]=> array(1) { ["target_id"]=> string(3) "145" } } } ["field_associat_al_fons_del_museu"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_domini_public"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_patrimoni_musical_catal_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_obres"]=> array(0) { } ["field_institucions_i_formacions_"]=> array(0) { } ["field_noms_propis_relacionats"]=> array(0) { } ["field_teatres_i_auditoris_relaci"]=> array(1) { ["und"]=> array(3) { [0]=> array(1) { ["target_id"]=> string(4) "3693" } [1]=> array(1) { ["target_id"]=> string(4) "1793" } [2]=> array(1) { ["target_id"]=> string(4) "3740" } } } ["field_centres_de_documentaci_"]=> array(0) { } ["field_urls_d_interes"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "4081" } } } ["field_bibliografia"]=> array(0) { } ["field__udios_sense_fitxa"]=> array(0) { } ["field_np_noms_alternatius"]=> array(1) { ["und"]=> array(2) { [0]=> array(3) { ["value"]=> string(9) "Graziella" ["format"]=> NULL ["safe_value"]=> string(9) "Graziella" } [1]=> array(3) { ["value"]=> string(8) "Engracia" ["format"]=> NULL ["safe_value"]=> string(8) "Engracia" } } } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(6) "Pareto" ["format"]=> NULL ["safe_value"]=> string(6) "Pareto" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(4) "Homs" ["format"]=> NULL ["safe_value"]=> string(4) "Homs" } } } ["field_np_alies"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(9) "Graziella" ["format"]=> NULL ["safe_value"]=> string(9) "Graziella" } } } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> 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["node_title"]=> string(5) "Felip" ["nid"]=> string(4) "4085" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(7) "Pedrell" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#302 (53) { ["vid"]=> string(4) "4224" ["uid"]=> string(1) "5" ["title"]=> string(5) "Felip" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4085" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541519428" ["changed"]=> string(10) "1579824164" ["tnid"]=> string(3) "355" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1579824164" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> 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00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(2) "22" } [1]=> array(1) { ["target_id"]=> string(2) "25" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(1279) "

Composer and musicologist

He was a choirboy at the music chapel of Tortosa’s cathedral. There he studied with J. A. Nin Serra. Based in Barcelona, he premiered L'ultimo abenzeraggio (1874) and Quasimodo (1875) at the Gran Teatre del Liceu. He obtained a scholarship to study in Italy and France (1876-1878) and studied musicology and devoted himself to composition. He composed the opera Els Pirineus (1891), and Porh nuestra música (1891) which has been considered the first manifesto of the Hispanic musical nationalism. From 1894 onwards, he was a professor at the Conservatory of Madrid and at the Ateneo, where he premiered La Celestina (1902). In 1904, he returned to Barcelona and composed El Compte Arnau, with text by Joan Maragall. He was highly-regarded for his musicological research, thanks his articles and music editions such as Hispaniae Schola Musica Sacra (1894-1896) and Opera Omnia by T. L. Victoria (commissioned by Breitkopf & Härtel) (1902-1913). He was the teacher of figures such as I. Albéniz, E. Granados, R. Gerhard, H. Anglès or M. de Falla.

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(1275) "

Composer and musicologist

He was a choirboy at the music chapel of Tortosa’s cathedral. There he studied with J. A. Nin Serra. Based in Barcelona, he premiered L'ultimo abenzeraggio (1874) and Quasimodo (1875) at the Gran Teatre del Liceu. He obtained a scholarship to study in Italy and France (1876-1878) and studied musicology and devoted himself to composition. He composed the opera Els Pirineus (1891), and Porh nuestra música (1891) which has been considered the first manifesto of the Hispanic musical nationalism. From 1894 onwards, he was a professor at the Conservatory of Madrid and at the Ateneo, where he premiered La Celestina (1902). In 1904, he returned to Barcelona and composed El Compte Arnau, with text by Joan Maragall. He was highly-regarded for his musicological research, thanks his articles and music editions such as Hispaniae Schola Musica Sacra (1894-1896) and Opera Omnia by T. L. Victoria (commissioned by Breitkopf & Härtel) (1902-1913). He was the teacher of figures such as I. Albéniz, E. Granados, R. Gerhard, H. Anglès or M. de Falla.

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string(4) "3769" } [1]=> array(1) { ["target_id"]=> string(4) "3751" } [2]=> array(1) { ["target_id"]=> string(4) "4084" } } } ["field_bibliografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3537" } } } ["field__udios_sense_fitxa"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(4) "5278" } [1]=> array(1) { ["target_id"]=> string(4) "5358" } } } ["field_np_noms_alternatius"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(6) "Felipe" ["format"]=> NULL ["safe_value"]=> string(6) "Felipe" } } } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(7) "Pedrell" ["format"]=> NULL ["safe_value"]=> string(7) "Pedrell" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(7) "Sabaté" ["format"]=> NULL ["safe_value"]=> string(7) "Sabaté" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541519428" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(5) "elena" ["picture"]=> string(1) "0" ["data"]=> NULL } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(7) "Pedrell" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(7) "Pedrell" ["format"]=> NULL ["safe_value"]=> string(7) "Pedrell" } } } } [33]=> object(stdClass)#261 (7) { ["node_title"]=> string(7) "Joaquim" ["nid"]=> string(4) "4089" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(4) "Pena" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#303 (53) { ["vid"]=> string(4) "4228" ["uid"]=> string(1) "5" ["title"]=> string(7) "Joaquim" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4089" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541519577" ["changed"]=> string(10) "1579509761" ["tnid"]=> string(3) "357" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1579509761" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1873-03-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1944-06-25 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "25" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(1077) "

Crític musical. Va estudiar dret civil tot i que sempre es va dedicar a la crítica musical.

La seva tasca va centrar-se en la difusió i enaltiment de la figura i música de Wagner, i la fidelitat en la representació de les seves òperes. Va col·laborar amb múltiples diaris i revistes com Correo Catalán (1899) i Hispania però sobretot a La Setmana Catalanista i a La Publicidad (a partir de 1916). A més, va ser secretari de l’Ordeó Català i de l’Orquestra Pau Casals, va fundar el setmanari Joventut, pel que va deixar de col·laborar per dedicar-se a la direcció de l’Associació Wagneriana (1901). En l’àmbit musical, va arranjar bona part de les òperes de Wagner per veu i piano i va publicar Cançoner Selecte amb obres de compositors com Bach, Beethoven, Schubert o Fauré. Més enllà de la seva devoció per Wagner, destaquen en la seva tasca les conferències divulgatives sobre Lied i les traduccions d’òperes estrangeres, oratoris i Lieder entre d’altres.

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(1065) "

Crític musical. Va estudiar dret civil tot i que sempre es va dedicar a la crítica musical.

La seva tasca va centrar-se en la difusió i enaltiment de la figura i música de Wagner, i la fidelitat en la representació de les seves òperes. Va col·laborar amb múltiples diaris i revistes com Correo Catalán (1899) i Hispania però sobretot a La Setmana Catalanista i a La Publicidad (a partir de 1916). A més, va ser secretari de l’Ordeó Català i de l’Orquestra Pau Casals, va fundar el setmanari Joventut, pel que va deixar de col·laborar per dedicar-se a la direcció de l’Associació Wagneriana (1901). En l’àmbit musical, va arranjar bona part de les òperes de Wagner per veu i piano i va publicar Cançoner Selecte amb obres de compositors com Bach, Beethoven, Schubert o Fauré. Més enllà de la seva devoció per Wagner, destaquen en la seva tasca les conferències divulgatives sobre Lied i les traduccions d’òperes estrangeres, oratoris i Lieder entre d’altres.

" } } } ["field_ciutats_relacionades"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_associat_al_fons_del_museu"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_domini_public"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_patrimoni_musical_catal_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_obres"]=> array(0) { } ["field_institucions_i_formacions_"]=> array(1) { ["und"]=> array(3) { [0]=> array(1) { ["target_id"]=> string(4) "3675" } [1]=> array(1) { ["target_id"]=> string(4) "3685" } [2]=> array(1) { ["target_id"]=> string(4) "3650" } } } ["field_noms_propis_relacionats"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(4) "3931" } [1]=> array(1) { ["target_id"]=> string(4) "4070" } } } ["field_teatres_i_auditoris_relaci"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3693" } } } ["field_centres_de_documentaci_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3606" } } } ["field_urls_d_interes"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "4088" } } } ["field_bibliografia"]=> array(0) { } ["field__udios_sense_fitxa"]=> array(0) { } ["field_np_noms_alternatius"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(19) "Joaquín Pena Costa" ["format"]=> NULL ["safe_value"]=> string(19) "Joaquín Pena Costa" } } } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(4) "Pena" ["format"]=> NULL ["safe_value"]=> string(4) "Pena" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(5) "Costa" ["format"]=> NULL ["safe_value"]=> string(5) "Costa" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541519577" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(5) "elena" ["picture"]=> string(1) "0" ["data"]=> NULL } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(4) "Pena" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(4) "Pena" ["format"]=> NULL ["safe_value"]=> string(4) "Pena" } } } } [34]=> object(stdClass)#262 (7) { ["node_title"]=> string(6) "Mercè" ["nid"]=> string(4) "4099" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(8) "Plantada" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#304 (53) { ["vid"]=> string(4) "4238" ["uid"]=> string(1) "5" ["title"]=> string(6) "Mercè" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4099" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541520116" ["changed"]=> string(10) "1579509436" ["tnid"]=> string(3) "377" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1579509436" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "102" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1892-02-04 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1976-05-03 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3514" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(908) "

Soprano 

She studied at the Center of Musical Culture of Barcelona with Antoni Colomé and debuted at the Palau de la Música Catalana with a Lieder recital in the concerts of the Associació de Música Da Camera. In 1924, she participated in the Barcelona premiere of El amor Brujo by Manuel de Falla under the direction of the same composer. She also worked with R. Strauss and I. Stravinsky, who accompanied her to the piano. In addition, she worked with other composers such as Samper, Manén, Montsalvatge, Lamote de Grignón and Toldrà, and premiered the later’s El giravolt de maig. She collaborated with the Orfeó Català and the Wagnerian Association of Barcelona and offered concerts in several European cities. She was a singing teacher at the Conservatori del Liceu.

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Soprano 

She studied at the Center of Musical Culture of Barcelona with Antoni Colomé and debuted at the Palau de la Música Catalana with a Lieder recital in the concerts of the Associació de Música Da Camera. In 1924, she participated in the Barcelona premiere of El amor Brujo by Manuel de Falla under the direction of the same composer. She also worked with R. Strauss and I. Stravinsky, who accompanied her to the piano. In addition, she worked with other composers such as Samper, Manén, Montsalvatge, Lamote de Grignón and Toldrà, and premiered the later’s El giravolt de maig. She collaborated with the Orfeó Català and the Wagnerian Association of Barcelona and offered concerts in several European cities. She was a singing teacher at the Conservatori del Liceu.

" } } } ["field_ciutats_relacionades"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(2) "91" } [1]=> array(1) { ["target_id"]=> string(3) "200" } } } ["field_associat_al_fons_del_museu"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_domini_public"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_patrimoni_musical_catal_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_obres"]=> array(0) { } ["field_institucions_i_formacions_"]=> array(1) { ["und"]=> array(5) { [0]=> array(1) { ["target_id"]=> string(4) "3682" } [1]=> array(1) { ["target_id"]=> string(4) "3675" } [2]=> array(1) { ["target_id"]=> string(4) "3672" } [3]=> array(1) { ["target_id"]=> string(4) "3650" } [4]=> array(1) { ["target_id"]=> string(4) "3671" } } } ["field_noms_propis_relacionats"]=> array(1) { ["und"]=> array(8) { [0]=> array(1) { ["target_id"]=> string(4) "4075" } [1]=> array(1) { ["target_id"]=> string(4) "3937" } [2]=> array(1) { ["target_id"]=> string(4) "4012" } [3]=> array(1) { ["target_id"]=> string(4) "4025" } [4]=> array(1) { ["target_id"]=> string(4) "4068" } [5]=> array(1) { ["target_id"]=> string(4) "4034" } [6]=> array(1) { ["target_id"]=> string(4) "4154" } [7]=> array(1) { ["target_id"]=> string(4) "3452" } } } ["field_teatres_i_auditoris_relaci"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(4) "3693" } [1]=> array(1) { ["target_id"]=> string(4) "3696" } } } ["field_centres_de_documentaci_"]=> array(0) { } ["field_urls_d_interes"]=> array(0) { } ["field_bibliografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3545" } } } ["field__udios_sense_fitxa"]=> array(0) { } ["field_np_noms_alternatius"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(8) "Mercedes" ["format"]=> NULL ["safe_value"]=> string(8) "Mercedes" } } } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(8) "Plantada" ["format"]=> NULL ["safe_value"]=> string(8) "Plantada" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(7) "Vicente" ["format"]=> NULL ["safe_value"]=> string(7) "Vicente" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541520116" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(5) "elena" ["picture"]=> string(1) "0" ["data"]=> NULL } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(8) "Plantada" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(8) "Plantada" ["format"]=> NULL ["safe_value"]=> string(8) "Plantada" } } } } [35]=> object(stdClass)#263 (7) { ["node_title"]=> string(8) "Francesc" ["nid"]=> string(4) "4100" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(7) "Porcell" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#305 (53) { ["vid"]=> string(4) "4239" ["uid"]=> string(1) "5" ["title"]=> string(8) "Francesc" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4100" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541520133" ["changed"]=> string(10) "1562578660" ["tnid"]=> string(3) "424" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1562578660" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "184" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1813-04-02 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1890-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(0) { } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(2) "22" } [1]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(835) "

Tenor and Composer 

He started his musical education in the chapel of Torredembarra with Isidor Hernández Recasens, with whom he learned harmony, counterpoint and solfège. He studied philosophy and medicine and, in 1832, he began vocal studies with Joan Goula. In 1836, he debuted (together with his wife Catalina Mas) at the Teatre de Palma with V. Bellini’s Norma. He performed in several theaters of the Iberian Peninsula. In 1842, he lost his voice due to an illness and decided to devote himself to conducting and composition. From 1853 onwards, he conducted the choir of the Gran Teatre del Liceu. His output includes El Trovador (1843) and Missa de Glòria (1866), premiered in the church of Santa Maria del Pi.

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(793) "

Tenor and Composer 

He started his musical education in the chapel of Torredembarra with Isidor Hernández Recasens, with whom he learned harmony, counterpoint and solfège. He studied philosophy and medicine and, in 1832, he began vocal studies with Joan Goula. In 1836, he debuted (together with his wife Catalina Mas) at the Teatre de Palma with V. Bellini’s Norma. He performed in several theaters of the Iberian Peninsula. In 1842, he lost his voice due to an illness and decided to devote himself to conducting and composition. From 1853 onwards, he conducted the choir of the Gran Teatre del Liceu. His output includes El Trovador (1843) and Missa de Glòria (1866), premiered in the church of Santa Maria del Pi.

" } } } ["field_ciutats_relacionades"]=> array(1) { ["und"]=> array(4) { [0]=> array(1) { ["target_id"]=> string(2) "91" } [1]=> array(1) { ["target_id"]=> string(3) "184" } [2]=> array(1) { ["target_id"]=> string(3) "316" } [3]=> array(1) { ["target_id"]=> string(4) "3480" } } } ["field_associat_al_fons_del_museu"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_domini_public"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_patrimoni_musical_catal_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_obres"]=> array(0) { } ["field_institucions_i_formacions_"]=> array(0) { } ["field_noms_propis_relacionats"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "4112" } } } ["field_teatres_i_auditoris_relaci"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3693" } } } ["field_centres_de_documentaci_"]=> array(0) { } ["field_urls_d_interes"]=> array(0) { } ["field_bibliografia"]=> array(0) { } ["field__udios_sense_fitxa"]=> array(0) { } ["field_np_noms_alternatius"]=> array(1) { ["und"]=> array(2) { [0]=> array(3) { ["value"]=> string(7) "Guardis" ["format"]=> NULL ["safe_value"]=> string(7) "Guardis" } [1]=> array(3) { ["value"]=> string(7) "Guardia" ["format"]=> NULL ["safe_value"]=> string(7) "Guardia" } } } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(7) "Porcell" ["format"]=> NULL ["safe_value"]=> string(7) "Porcell" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(8) "Guàrdia" ["format"]=> NULL ["safe_value"]=> string(8) "Guàrdia" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541520133" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(5) "elena" ["picture"]=> string(1) "0" ["data"]=> NULL } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(7) "Porcell" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(7) "Porcell" ["format"]=> NULL ["safe_value"]=> string(7) "Porcell" } } } } [36]=> object(stdClass)#264 (7) { ["node_title"]=> string(6) "Marcos" ["nid"]=> string(4) "4127" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(7) "Redondo" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#306 (53) { ["vid"]=> string(4) "4266" ["uid"]=> string(1) "5" ["title"]=> string(6) "Marcos" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4127" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541691198" ["changed"]=> string(10) "1573140246" ["tnid"]=> string(4) "1205" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1573140246" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "1204" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1893-11-24 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1976-07-17 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(794) "

Baritone of Andalusian origin that established himself in Catalonia in the 1920s. He studied in Madrid and Milan, and debuted at the Gran Teatro de Madrid as Germont in Verdi’s La Traviata. Between 1920 and 1922 he spent a short time in Italy and toured America. After his return to Barcelona in 1923, he debuted at the Gran Teatre del Liceu. With the support of the businessman Josep Gibert, he left the operatic world and became probably the most popular baritone of zarzuela of all time. He premiered important titles of this genre, such as La parranda by Francisco Alonso or La tabernera del puerto by Pablo Sorozábal. From the 1940s onwards, he devoted himself to singing recitals and performed in symphonic and oratorio concerts. He retired in 1957.

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Baritone of Andalusian origin that established himself in Catalonia in the 1920s. He studied in Madrid and Milan, and debuted at the Gran Teatro de Madrid as Germont in Verdi’s La Traviata. Between 1920 and 1922 he spent a short time in Italy and toured America. After his return to Barcelona in 1923, he debuted at the Gran Teatre del Liceu. With the support of the businessman Josep Gibert, he left the operatic world and became probably the most popular baritone of zarzuela of all time. He premiered important titles of this genre, such as La parranda by Francisco Alonso or La tabernera del puerto by Pablo Sorozábal. From the 1940s onwards, he devoted himself to singing recitals and performed in symphonic and oratorio concerts. He retired in 1957.

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http://www.revistamusical.cat/el-palau-de-la-musica-homenatja-gaieta-renom-tenor-solista-i-cantaire-de-lorfeo-catala/

http://www.gaietarenom.cat/gaieta-renom

http://www.dismarc.org/index.php?form=display&oaiid=PCP%2F884385713423&db=0

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http://www.revistamusical.cat/el-palau-de-la-musica-homenatja-gaieta-ren...

http://www.gaietarenom.cat/gaieta-renom

http://www.dismarc.org/index.php?form=display&oaiid=PCP%2F884385713423&db=0

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Tenor

He attended the escolania of Sant Felip Neri of Gràcia and received lessons from Pérez Moya, Millet and Toldrà. In 1933 he joined the Orfeó Català and was singer and soloist of the institution for over fifty years. He was a member of the Orpheus vocal quartet, which, following the American model of Barbershop Harmony, was focused on popular music and jazz in Catalan and Spanish, as well as religious music. With Orpheus he made several recordings of popular songs and sardanes. Renom's vocal ability allowed him to perform soloist parts in oratorios such as the Mendelssohn’s Elijah, the St. Matthew Passion by J. S. Bach, El Pessebre by Pau Casals or El giravolt de maig by Toldrà (performed at the Liceu in 1948).

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Tenor

He attended the escolania of Sant Felip Neri of Gràcia and received lessons from Pérez Moya, Millet and Toldrà. In 1933 he joined the Orfeó Català and was singer and soloist of the institution for over fifty years. He was a member of the Orpheus vocal quartet, which, following the American model of Barbershop Harmony, was focused on popular music and jazz in Catalan and Spanish, as well as religious music. With Orpheus he made several recordings of popular songs and sardanes. Renom's vocal ability allowed him to perform soloist parts in oratorios such as the Mendelssohn’s Elijah, the St. Matthew Passion by J. S. Bach, El Pessebre by Pau Casals or El giravolt de maig by Toldrà (performed at the Liceu in 1948).

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By 1856, he moved to Barcelona where he studied piano with his brother Josep and violin with Josep Marraco Balart. He was also was singer of the cathedral´s music chapel, where he studied composition with Mateu Ferrer. 

In 1862 he joined the Teatre del Circ as a violinist and familiarized himself with the lyrical music of Madrid. He became an important director of lyric theatre companies: in the 1866-67 season he was conductor at the Teatre de Figueres and the following year at the Teatre de Lleida. Between 1873 and 1876 he was conductor of the Teatre Principal, and that year he began conducting at the Gran Teatre del Liceu. There, he premiered the Faust de Ch. Gounod, as well as in Palma and Valencia. In 1885, he was appointed lecturer at the Conservatory of the Liceu and he was later organist and Kapellmeister in Albi and in other churches of Lleida. Notable works include his zarzuelas in Catalan such as Lo metge dels gegants, La manescala and L’esparver. He also composed religious, symphonic and chamber music.

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By 1856, he moved to Barcelona where he studied piano with his brother Josep and violin with Josep Marraco Balart. He was also was singer of the cathedral´s music chapel, where he studied composition with Mateu Ferrer. 

In 1862 he joined the Teatre del Circ as a violinist and familiarized himself with the lyrical music of Madrid. He became an important director of lyric theatre companies: in the 1866-67 season he was conductor at the Teatre de Figueres and the following year at the Teatre de Lleida. Between 1873 and 1876 he was conductor of the Teatre Principal, and that year he began conducting at the Gran Teatre del Liceu. There, he premiered the Faust de Ch. Gounod, as well as in Palma and Valencia. In 1885, he was appointed lecturer at the Conservatory of the Liceu and he was later organist and Kapellmeister in Albi and in other churches of Lleida. Notable works include his zarzuelas in Catalan such as Lo metge dels gegants, La manescala and L’esparver. He also composed religious, symphonic and chamber music.

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["width"]=> string(3) "487" ["height"]=> string(3) "590" } } } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1930-08-09 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "2001-02-15 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(911) "

She studied singing with Concepció Callao and early music with Safford Cape. In 1960, she debuted at the Gran Teatre del Liceu with Gounod’s Faust and Humperdinck’s Hänsel und Gretel. Nevertheless, she directed her career path towards specialized repertoires such as contemporary music, early music and Sephardic music. She premiered an important number of music by Catalan composers such as J. M. Mestres Quadreny, Joan Guinjoan or Carles Santos, while performing first auditions in Catalonia of music by composers such as John Cage, Pierre Boulez or Luciano Berio. She was interested in music theater and performed works such as Suite Bufa (1966) by Mestres Quadreny and Joan Brossa. She recorded contemporary music albums for several record labels, as well as many radio recordings of music by over fifty composers.

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She studied singing with Concepció Callao and early music with Safford Cape. In 1960, she debuted at the Gran Teatre del Liceu with Gounod’s Faust and Humperdinck’s Hänsel und Gretel. Nevertheless, she directed her career path towards specialized repertoires such as contemporary music, early music and Sephardic music. She premiered an important number of music by Catalan composers such as J. M. Mestres Quadreny, Joan Guinjoan or Carles Santos, while performing first auditions in Catalonia of music by composers such as John Cage, Pierre Boulez or Luciano Berio. She was interested in music theater and performed works such as Suite Bufa (1966) by Mestres Quadreny and Joan Brossa. She recorded contemporary music albums for several record labels, as well as many radio recordings of music by over fifty composers.

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CRDI (Fons El Punt – Autor desconegut)" } } } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541691395" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(5) "elena" ["picture"]=> string(1) "0" ["data"]=> NULL } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(5) "Ricci" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(5) "Ricci" ["format"]=> NULL ["safe_value"]=> string(5) "Ricci" } } } } [40]=> object(stdClass)#268 (7) { ["node_title"]=> string(5) "Canut" ["nid"]=> string(4) "4146" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(6) "Sàbat" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#310 (53) { ["vid"]=> string(4) "4285" ["uid"]=> string(1) "5" ["title"]=> string(5) "Canut" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4146" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541692207" ["changed"]=> string(10) "1565007501" ["tnid"]=> string(3) "798" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1565007501" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3483" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1893-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1973-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(623) "

Bass singer

Pupil of Joaquim Vidal Nunell from 1912. In 1915, he made his debut at the Teatre del Bosc with Donizetti’s La Favorita and at the Gran Teatre del Liceu with Ponchielli’s La Gioconda. He moved to Italy and developed much of his artistic career in the cities of Naples, Bologna, Genoa, Rome and Milan, where he debuted at La Scala theater in 1929 with La fuerza del destino. In those years he also sang in Buenos Aires and Sao Paulo. After the Spanish Civil War, he returned to Catalonia and sung during the 1940s and 1950s at the Gran Teatre del Liceu.

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Bass singer

Pupil of Joaquim Vidal Nunell from 1912. In 1915, he made his debut at the Teatre del Bosc with Donizetti’s La Favorita and at the Gran Teatre del Liceu with Ponchielli’s La Gioconda. He moved to Italy and developed much of his artistic career in the cities of Naples, Bologna, Genoa, Rome and Milan, where he debuted at La Scala theater in 1929 with La fuerza del destino. In those years he also sang in Buenos Aires and Sao Paulo. After the Spanish Civil War, he returned to Catalonia and sung during the 1940s and 1950s at the Gran Teatre del Liceu.

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Vicente Garcés Ricardo Olmos Luis Sánchez Grup dels Joves Emilio Valdés

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Vicente Garcés Ricardo Olmos Luis Sánchez Grup dels Joves Emilio Valdés

" ["safe_summary"]=> string(0) "" } } } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "102" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "411" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1918-03-23 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "2007-10-05 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "231" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "22" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(684) "

Composer and pianist

She began her music education with her aunt. Later, she studied at the Conservatory of Valencia with Vicent Asencio (harmony, composition), who would become her husband in 1943. From 1974 to 1989 she taught at Conservatory of Valencia and devoted herself also to glass painting. As a composer, she composed chamber, vocal and scenic music. She premiered her opera Vinatea at the Gran Teatre del Liceu, and was renowned for songs, such as Planys, cançons i una Nadala (1945-1964) or Cervantinas (1975). She is considered one of the leading figures of Valencian music of the second half of the 20th century.

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Composer and pianist

She began her music education with her aunt. Later, she studied at the Conservatory of Valencia with Vicent Asencio (harmony, composition), who would become her husband in 1943. From 1974 to 1989 she taught at Conservatory of Valencia and devoted herself also to glass painting. As a composer, she composed chamber, vocal and scenic music. She premiered her opera Vinatea at the Gran Teatre del Liceu, and was renowned for songs, such as Planys, cançons i una Nadala (1945-1964) or Cervantinas (1975). She is considered one of the leading figures of Valencian music of the second half of the 20th century.

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Composer, conductor and violinist. He began his studies with his father. In 1906 he joined the Municipal Music School of Barcelona, where he studied with Lluís Millet and Antoni Nicolau. In 1912, he founded the Renaissance Quartet (1912-1921) with whom he performed all over Europe. From then until 1934, he performed at the Granja Royal and collaborated with the Pau Casals Orchestra and Orfeó Català. He conducted the Orquestra d’Estudis Simfònics (1924-1935), the Madrid Symphony Orchestra (1933) and the Banda de les Milícies Antifeixistes. In 1944, he created the Barcelona Municipal Orchestra, which he conducted in more than 700 performances. In 1923, he was appointed violin professor at the Municipal Music School and in 1945 professor of Conducting at the Conservatori Municipal. From 1921, he devoted himself to composition and authored pieces such as Vistas al mar (1921), the sardana for orchestra Empúries (1926), the comic opera El giravolt de maig (1928) and the comic opera cycle for voice and piano La rosa als llavis (1936). In 1961 he premiered L'Atlàntida by Falla.

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Composer, conductor and violinist. He began his studies with his father. In 1906 he joined the Municipal Music School of Barcelona, where he studied with Lluís Millet and Antoni Nicolau. In 1912, he founded the Renaissance Quartet (1912-1921) with whom he performed all over Europe. From then until 1934, he performed at the Granja Royal and collaborated with the Pau Casals Orchestra and Orfeó Català. He conducted the Orquestra d’Estudis Simfònics (1924-1935), the Madrid Symphony Orchestra (1933) and the Banda de les Milícies Antifeixistes. In 1944, he created the Barcelona Municipal Orchestra, which he conducted in more than 700 performances. In 1923, he was appointed violin professor at the Municipal Music School and in 1945 professor of Conducting at the Conservatori Municipal. From 1921, he devoted himself to composition and authored pieces such as Vistas al mar (1921), the sardana for orchestra Empúries (1926), the comic opera El giravolt de maig (1928) and the comic opera cycle for voice and piano La rosa als llavis (1936). In 1961 he premiered L'Atlàntida by Falla.

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Conductor, tenor, guitarist and composer

He began his studies at the Escolania de la Mercè in Barcelona. Soon after, he started his international career as guitarist. He took the musical direction of Teatre Principal in Barcelona in the 1860-1861 season and later, that of Teatro de los Campos Elíseos in Madrid. He conducted the orchestras of Liceu, Romea and the Circo in Barcelona, and that of the Teatre Principal in Valencia. He composed zarzuelas (e.g. Don Ruperto Culebrinas) and music for guitar and piano.

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Conductor, tenor, guitarist and composer

He began his studies at the Escolania de la Mercè in Barcelona. Soon after, he started his international career as guitarist. He took the musical direction of Teatre Principal in Barcelona in the 1860-1861 season and later, that of Teatro de los Campos Elíseos in Madrid. He conducted the orchestras of Liceu, Romea and the Circo in Barcelona, and that of the Teatre Principal in Valencia. He composed zarzuelas (e.g. Don Ruperto Culebrinas) and music for guitar and piano.

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Tenor

He studied with Gonçal Tintorer at the Conservatori del Liceu in Barcelona. In 1888, thanks to the support of Joan Goula, he made his debut at the Gran Teatre del Liceu in the role of Lohengrin. That debut was the starting point of a successful international career that brought him to the most important opera houses in the world and allowed him to specialize in the Wagnerian roles. On December 31st 1913 at Liceu, he took part in the first performance of Parsifal beyond Bayreuth. He also performed Italian opera. He retired in 1916 after performing Tannhäuser in Madrid, although he later performed Acté by Joan Manén at the Palau de la Música Catalana. In his later years, he devoted himself to journalism, teaching and publishing articles such as Leyendas del Santo Graal and Parsifal (1934). In 1963, the International Singing Contest Francesc Viñas was established.

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Tenor

He studied with Gonçal Tintorer at the Conservatori del Liceu in Barcelona. In 1888, thanks to the support of Joan Goula, he made his debut at the Gran Teatre del Liceu in the role of Lohengrin. That debut was the starting point of a successful international career that brought him to the most important opera houses in the world and allowed him to specialize in the Wagnerian roles. On December 31st 1913 at Liceu, he took part in the first performance of Parsifal beyond Bayreuth. He also performed Italian opera. He retired in 1916 after performing Tannhäuser in Madrid, although he later performed Acté by Joan Manén at the Palau de la Música Catalana. In his later years, he devoted himself to journalism, teaching and publishing articles such as Leyendas del Santo Graal and Parsifal (1934). In 1963, the International Singing Contest Francesc Viñas was established.

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