Palau de la Música Catalana

Historical Theatres and Concert Halls
Palau de la Música Catalana
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Joaquim Nin i Castellanos, Narcís Bonet, Joaquín Rodrigo, Juan José Castro, Alberto Ginastera, Heitor Villa-Lobos, Carlos Guastavino o Jayme Ovalle, ventura Gassol, Arnold Schönberg, Manel Clausells, Maria Teresa Balcells, Maria Canela, Pere Vallribera

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Joaquim Nin i Castellanos, Narcís Bonet, Joaquín Rodrigo, Juan José Castro, Alberto Ginastera, Heitor Villa-Lobos, Carlos Guastavino o Jayme Ovalle, ventura Gassol, Arnold Schönberg, Manel Clausells, Maria Teresa Balcells, Maria Canela, Pere Vallribera

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Soprano and teacher

She studied piano under Granados and Rosa Culmell. She debuted at Palau de la Música in 1913 singing the role of a flower maiden in a concert version of Wagner's Parsifal. From that time on, she developed a great career and got composers such as Granados, Pahissa, Gerhard and Pau Casals to composer for her voice. Between 1915 and 1930, she toured around Europe. Later on between 1938 and 1946, she lived in exile in Brazil and Argentina, where she worked with composers such Villa-Lobos and Falla. After returning to Barcelona, she was appointed professor of the Conservatori Superior and organized singing courses around the world.

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Soprano and teacher

She studied piano under Granados and Rosa Culmell. She debuted at Palau de la Música in 1913 singing the role of a flower maiden in a concert version of Wagner's Parsifal. From that time on, she developed a great career and got composers such as Granados, Pahissa, Gerhard and Pau Casals to composer for her voice. Between 1915 and 1930, she toured around Europe. Later on between 1938 and 1946, she lived in exile in Brazil and Argentina, where she worked with composers such Villa-Lobos and Falla. After returning to Barcelona, she was appointed professor of the Conservatori Superior and organized singing courses around the world.

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Soprano

She debuted with fifteen years of age at Teatre Novetats (Barcelona) in Meyerbeer's L'Africaine. She completed her musical education (violin, piano and singing) in Milan where she debuted in 1900 at Teatro alla Scala. She performed at the most important opera houses in Europe. In 1916, she performed Donizetti's Lucia di Lammermoor at the Metropolitan Opera House in New York. It was at the Teatro Colón in Buenos Aires where he achieved her greatest success singing the entire repertoire for soprano leggero. She performed Lakmé by Delibes at the Gran Teatre del Liceu in 1915, and L'eterna by Enric Granados at Palau de la Música Catalana (dedicated to her by the composer). In 1924, she left the stage to devote herself exclusively to recitals. In 1930, Manuel de Falla chose her to record Siete Canciones Españolas. She was appointed professor of singing at Teatro Colón.

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Soprano

She debuted with fifteen years of age at Teatre Novetats (Barcelona) in Meyerbeer's L'Africaine. She completed her musical education (violin, piano and singing) in Milan where she debuted in 1900 at Teatro alla Scala. She performed at the most important opera houses in Europe. In 1916, she performed Donizetti's Lucia di Lammermoor at the Metropolitan Opera House in New York. It was at the Teatro Colón in Buenos Aires where he achieved her greatest success singing the entire repertoire for soprano leggero. She performed Lakmé by Delibes at the Gran Teatre del Liceu in 1915, and L'eterna by Enric Granados at Palau de la Música Catalana (dedicated to her by the composer). In 1924, she left the stage to devote herself exclusively to recitals. In 1930, Manuel de Falla chose her to record Siete Canciones Españolas. She was appointed professor of singing at Teatro Colón.

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Maria Canals

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Maria Canals

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Composer

He started his musical education with his father, music amateur and founder of Victoria de la Garriga piano rolls, and later with J. Alsius and Joan Lamote de Grignon. In the 1910 and 1920s he transcribed piano rolls for his family business. This background and his friendship with Frederic Mompou directed him towards composition. His first output in the 1920s were mainly songs, small choral pieces and piano pieces such as El parc d'atraccions, premiered by Ricard Viñes in Paris (1924). In the same period, he composed fashionable dances and jazz pieces with Mompou for Hobby piano rolls. From 1930 onwards, he devoted himself to large-scale compositions for chamber, orchestral and choral ensembles. He took part in the Festival SIMC (Barcelona, 1936), where some of his work was premiered. He has been considered one of the most relevant Catalan composers of his century for the singularity of his compositions, which were influenced by the French school and later by classical expressivity. He received many prices and awards.

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Composer

He started his musical education with his father, music amateur and founder of Victoria de la Garriga piano rolls, and later with J. Alsius and Joan Lamote de Grignon. In the 1910 and 1920s he transcribed piano rolls for his family business. This background and his friendship with Frederic Mompou directed him towards composition. His first output in the 1920s were mainly songs, small choral pieces and piano pieces such as El parc d'atraccions, premiered by Ricard Viñes in Paris (1924). In the same period, he composed fashionable dances and jazz pieces with Mompou for Hobby piano rolls. From 1930 onwards, he devoted himself to large-scale compositions for chamber, orchestral and choral ensembles. He took part in the Festival SIMC (Barcelona, 1936), where some of his work was premiered. He has been considered one of the most relevant Catalan composers of his century for the singularity of his compositions, which were influenced by the French school and later by classical expressivity. He received many prices and awards.

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"content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541431358" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(13) "Blancafort de" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(13) "Blancafort de" ["format"]=> NULL ["safe_value"]=> string(13) "Blancafort de" } } } } [3]=> object(stdClass)#230 (7) { ["node_title"]=> string(7) "Narcís" ["nid"]=> string(4) "4184" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(5) "Bonet" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#256 (53) { ["vid"]=> string(4) "4337" ["uid"]=> string(1) "5" ["title"]=> string(7) "Narcís" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4184" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1547542249" ["changed"]=> string(10) "1573653525" ["tnid"]=> string(4) "4183" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1573653525" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1933-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "2019-01-11 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "200" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(2) "22" } [1]=> array(1) { ["target_id"]=> string(2) "26" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(1041) "

Composer and teacher 

Considered a child prodigy, he received his first musical lessons from Joan Massià and Eduard Toldrà, and later with Joaquim Zamacois and Emili Pujol. In 1947, he offered his first concert in public as a pianist-composer at the Palau de la Música Catalana. In 1949, he moved to Paris to study with Nadia Boulanger, who in 1979 he succeeded as director of the Conservatoire Américain de Fontainebleau. He was also an outstanding teacher at the most prestigious centres in Paris: professor at the Conservatory of Paris since 1971, at Schola Cantorum and deputy director of the École Normale de Musique. In parallel, he devoted himself to the composition with outstanding works such as the Concerto for cello and orchestra (1959) and La pell de brau (1967), on the poems by Salvador Espriu. He was awarded several composition awards (Chicago Copley Foundation, Fundación March, Prince Rainier III of Monaco).

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Composer and teacher 

Considered a child prodigy, he received his first musical lessons from Joan Massià and Eduard Toldrà, and later with Joaquim Zamacois and Emili Pujol. In 1947, he offered his first concert in public as a pianist-composer at the Palau de la Música Catalana. In 1949, he moved to Paris to study with Nadia Boulanger, who in 1979 he succeeded as director of the Conservatoire Américain de Fontainebleau. He was also an outstanding teacher at the most prestigious centres in Paris: professor at the Conservatory of Paris since 1971, at Schola Cantorum and deputy director of the École Normale de Musique. In parallel, he devoted himself to the composition with outstanding works such as the Concerto for cello and orchestra (1959) and La pell de brau (1967), on the poems by Salvador Espriu. He was awarded several composition awards (Chicago Copley Foundation, Fundación March, Prince Rainier III of Monaco).

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"3696" } } } ["field_centres_de_documentaci_"]=> array(0) { } ["field_urls_d_interes"]=> array(0) { } ["field_bibliografia"]=> array(0) { } ["field__udios_sense_fitxa"]=> array(0) { } ["field_np_noms_alternatius"]=> array(0) { } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(5) "Bonet" ["format"]=> NULL ["safe_value"]=> string(5) "Bonet" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(8) "Armengol" ["format"]=> NULL ["safe_value"]=> string(8) "Armengol" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" 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["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(5) "Bonet" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(5) "Bonet" ["format"]=> NULL ["safe_value"]=> string(5) "Bonet" } } } } [4]=> object(stdClass)#231 (7) { ["node_title"]=> string(3) "Pau" ["nid"]=> string(4) "3931" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(6) "Casals" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#226 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Cellist, conductor and composer. He studied at Escola Municipal de Barcelona (1888-93), while playing at cafes. Later on, he obtained scholarships and continued his studies in Madrid, Brussels and Paris (1893-96). Back to Barcelona in 1896, he was appointed professor at Escola Municipal and in 1897 he began touring Spain with Granados and Crickboom. Between 1899 and 1903, he toured around Europe, the USA and Latin America. Shortly after, he formed a trio with A. Cortot and J. Thibaud (1906-33) and performed all over the world. In Barcelona, he founded the Pau Casals Orchestra (1919) and the Associació Obrera de Concerts (1926). From 1938, he lived in exile in Prada and in Puerto Rico (1957). As a political protest, he did not perform until 1950, when he resumed the composition of the oratorio El Pessebre. After his performance of Bach's solo cello suites, he has been considered a reformist of the cello technique. He composed 61 works (some orchestrated by his brother Enric) and made numerous transcripts. For his social commitment he received the UN Peace Medal (1971).

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Cellist, conductor and composer. He studied at Escola Municipal de Barcelona (1888-93), while playing at cafes. Later on, he obtained scholarships and continued his studies in Madrid, Brussels and Paris (1893-96). Back to Barcelona in 1896, he was appointed professor at Escola Municipal and in 1897 he began touring Spain with Granados and Crickboom. Between 1899 and 1903, he toured around Europe, the USA and Latin America. Shortly after, he formed a trio with A. Cortot and J. Thibaud (1906-33) and performed all over the world. In Barcelona, he founded the Pau Casals Orchestra (1919) and the Associació Obrera de Concerts (1926). From 1938, he lived in exile in Prada and in Puerto Rico (1957). As a political protest, he did not perform until 1950, when he resumed the composition of the oratorio El Pessebre. After his performance of Bach's solo cello suites, he has been considered a reformist of the cello technique. He composed 61 works (some orchestrated by his brother Enric) and made numerous transcripts. For his social commitment he received the UN Peace Medal (1971).

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Composer

He studied under E. Granados and F. Marshall (piano). Between 1916 and 1921 he studied also musicology and composition under Felip Pedrell. He collected songs of oral tradition for the Ethnography and Folklore Archive of Catalonia. In 1923 he moved to Vienna to study with Arnold Schönberg, with whom he worked until 1928. In 1931, he was appointed professor of music at the Escola Normal. He was part of the group Compositors Independents de Catalunya (Group of the Eight) together with Blancafort, Mompou, Toldrà, Ricard Lamote and Samper. He promoted the International Society for Contemporary Music Festival in Barcelona in 1936. In 1939 he decided to exile and settled at King's College in Cambridge, where he remained for the rest of his life. He composed for the BBC and in 1968 he was appointed honorary doctor by the University of Cambridge. His extensive output offers his own perspective on different styles from neoclassicism to serialism whilst making use of music of oral tradition. He is considered the greatest Catalan composer of the 20th-century.

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Composer

He studied under E. Granados and F. Marshall (piano). Between 1916 and 1921 he studied also musicology and composition under Felip Pedrell. He collected songs of oral tradition for the Ethnography and Folklore Archive of Catalonia. In 1923 he moved to Vienna to study with Arnold Schönberg, with whom he worked until 1928. In 1931, he was appointed professor of music at the Escola Normal. He was part of the group Compositors Independents de Catalunya (Group of the Eight) together with Blancafort, Mompou, Toldrà, Ricard Lamote and Samper. He promoted the International Society for Contemporary Music Festival in Barcelona in 1936. In 1939 he decided to exile and settled at King's College in Cambridge, where he remained for the rest of his life. He composed for the BBC and in 1968 he was appointed honorary doctor by the University of Cambridge. His extensive output offers his own perspective on different styles from neoclassicism to serialism whilst making use of music of oral tradition. He is considered the greatest Catalan composer of the 20th-century.

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Organist and Composer

He studied piano and harmony with C. Martínez Imbert and L. Millet. From 1900, he studied at the Schola Cantorum in Paris, where he was a piano and organ student of Vincent d'Indy and Abel Decaux. When he returned to Barcelona in 1907, he became organ teacher at the Orfeó Català and organist at Pompeia church. In addition, he collaborated with the Pau Casals orchestra. In 1910s and 1920s, he inaugurated ecclesiastical organs. He also devoted his time to music criticism and was a contributor of Revista Musical Catalana and La Vanguardia. He also contributed with translations to Diccionario de la música ilustrado and wrote programme notes for Associació de Música de Cambra. As a composer, he composed sacred and secular vocal music. He took part in the Catalan première of Bach’s St. Matthew Passion with Orfeó Català and of Beethoven’s Missa Solemnis with the Orquestra Pau Casals.

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(984) "

Organist and Composer

He studied piano and harmony with C. Martínez Imbert and L. Millet. From 1900, he studied at the Schola Cantorum in Paris, where he was a piano and organ student of Vincent d'Indy and Abel Decaux. When he returned to Barcelona in 1907, he became organ teacher at the Orfeó Català and organist at Pompeia church. In addition, he collaborated with the Pau Casals orchestra. In 1910s and 1920s, he inaugurated ecclesiastical organs. He also devoted his time to music criticism and was a contributor of Revista Musical Catalana and La Vanguardia. He also contributed with translations to Diccionario de la música ilustrado and wrote programme notes for Associació de Música de Cambra. As a composer, he composed sacred and secular vocal music. He took part in the Catalan première of Bach’s St. Matthew Passion with Orfeó Català and of Beethoven’s Missa Solemnis with the Orquestra Pau Casals.

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Harpsichordist, pianist and pedagogue

He studied at the Escola Municipal de Música de Barcelona under Lluís Millet and Robert Goberna. In 1905, he debuted as a pianist at the Cercle Artístic de Barcelona. In 1920 he moved to Paris, where he studied piano under Isidor Philipp and Alfred Cortot, harpsichord under Wanda Landowska and composition under Vincent d'Indy at the Schola Cantorum. In 1928 he returned to Barcelona, beginning a busy period of piano and harpsichord recitals at the Palau de la Música Catalana, the 1931 Chopin Festival and the 1932 Bach Festival. He founded the organization Compositors Independents de Catalunya (CIC), also known as Grup dels Vuit, which was presented publicly in 1931. From 1939, he devoted himself to harpsichord and piano teaching and in 1947, he gained a position at the Conservatori de Barcelona and created an Early Music professorship. Antoni Besses, Teresa Llacuna, Romà Alís and Maria Empar Ribera were among his students. He worked as a music critic and essayist for Revista Musical Catalana and La Publicitat and composed music for piano, vo

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Harpsichordist, pianist and pedagogue

He studied at the Escola Municipal de Música de Barcelona under Lluís Millet and Robert Goberna. In 1905, he debuted as a pianist at the Cercle Artístic de Barcelona. In 1920 he moved to Paris, where he studied piano under Isidor Philipp and Alfred Cortot, harpsichord under Wanda Landowska and composition under Vincent d'Indy at the Schola Cantorum. In 1928 he returned to Barcelona, beginning a busy period of piano and harpsichord recitals at the Palau de la Música Catalana, the 1931 Chopin Festival and the 1932 Bach Festival. He founded the organization Compositors Independents de Catalunya (CIC), also known as Grup dels Vuit, which was presented publicly in 1931. From 1939, he devoted himself to harpsichord and piano teaching and in 1947, he gained a position at the Conservatori de Barcelona and created an Early Music professorship. Antoni Besses, Teresa Llacuna, Romà Alís and Maria Empar Ribera were among his students. He worked as a music critic and essayist for Revista Musical Catalana and La Publicitat and composed music for piano, vo

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Soprano

Victòria dels Àngels studied at the Superior Conservatory of Music of the Liceu. Member of Ars Musicae, she debuted at the Gran Teatre del Liceu in 1945 singing the role of Countess of Almaviva in Le Nozze di Figaro. This debut was the start of an international career that took her to the most important theaters and festivals around the world, including the Wagner Festival in Bayreuth where, in 1961, she sang the role of Elisabeth in Tannhäuser. She finished her operatic career singing Pélleas et Mélisande by C. Debussy at the Teatro de la Zarzuela in Madrid. From the 1980s, she decided to focus on recitals and singing lieder, a genre in which she was considered exceptional. She made numerous recordings, some of which were highly praised. She was considered one of the greatest sopranos of the second half of the twentieth century.

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Soprano

Victòria dels Àngels studied at the Superior Conservatory of Music of the Liceu. Member of Ars Musicae, she debuted at the Gran Teatre del Liceu in 1945 singing the role of Countess of Almaviva in Le Nozze di Figaro. This debut was the start of an international career that took her to the most important theaters and festivals around the world, including the Wagner Festival in Bayreuth where, in 1961, she sang the role of Elisabeth in Tannhäuser. She finished her operatic career singing Pélleas et Mélisande by C. Debussy at the Teatro de la Zarzuela in Madrid. From the 1980s, she decided to focus on recitals and singing lieder, a genre in which she was considered exceptional. She made numerous recordings, some of which were highly praised. She was considered one of the greatest sopranos of the second half of the twentieth century.

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["format"]=> NULL ["safe_value"]=> string(34) "Creative Commons by Herr uebermann" } } } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "0" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541503958" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(6) "López" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(6) "López" ["format"]=> NULL ["safe_value"]=> string(6) "López" } } } } [9]=> object(stdClass)#236 (7) { ["node_title"]=> string(9) "Francesca" ["nid"]=> string(4) "4029" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(10) "Madriguera" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#249 (53) { ["vid"]=> string(4) "4168" ["uid"]=> string(1) "5" ["title"]=> string(9) "Francesca" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4029" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541512255" ["changed"]=> string(10) "1579821352" ["tnid"]=> string(3) "408" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1579821352" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "102" } } } ["field_fotografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(13) { ["fid"]=> string(2) "29" ["uid"]=> string(1) "3" ["filename"]=> string(18) "135 Madriguera.png" ["uri"]=> string(27) "public://135 Madriguera.png" ["filemime"]=> string(9) "image/png" ["filesize"]=> string(5) "74139" ["status"]=> string(1) "1" ["timestamp"]=> string(10) "1456681396" ["rdf_mapping"]=> array(0) { } ["alt"]=> string(0) "" ["title"]=> string(0) "" ["width"]=> string(3) "202" ["height"]=> string(3) "312" } } } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "405" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1900-09-24 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1965-11-02 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "407" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(1002) "

Pianist

She began her studies with her mother and had her first debut with five years of age. She spent seven years studying with Marshall at the Granados Academy, and studied composition with Mas Serracant. At thirteen years of age she debuted with her own compositions at the Palau de la Música (Barcelona) and at the Ateneo (Madrid) and at fourteen at the Royal Albert Hall in London with the Orfeó Català. Immediately afterwards, she toured the USA, Europe and Latin America. Following her wedding in Montevideo in 1920, she temporarily abandoned her concert pianist career. After her husband's passing she joined the Pau Casals Orchestra in 1933 in Barcelona. Three years later, she married Andrés Segovia. Due to the Civil War she moved to Switzerland, Italy and finally settled in Montevideo (1937). In 1955 she reappeared in Barcelona in a concert with the Orquestra Municipal conducted by Eduard Toldrà. Her compositional output is mainly for piano and voice and piano.

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(998) "

Pianist

She began her studies with her mother and had her first debut with five years of age. She spent seven years studying with Marshall at the Granados Academy, and studied composition with Mas Serracant. At thirteen years of age she debuted with her own compositions at the Palau de la Música (Barcelona) and at the Ateneo (Madrid) and at fourteen at the Royal Albert Hall in London with the Orfeó Català. Immediately afterwards, she toured the USA, Europe and Latin America. Following her wedding in Montevideo in 1920, she temporarily abandoned her concert pianist career. After her husband's passing she joined the Pau Casals Orchestra in 1933 in Barcelona. Three years later, she married Andrés Segovia. Due to the Civil War she moved to Switzerland, Italy and finally settled in Montevideo (1937). In 1955 she reappeared in Barcelona in a concert with the Orquestra Municipal conducted by Eduard Toldrà. Her compositional output is mainly for piano and voice and piano.

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"3667" } } } ["field_noms_propis_relacionats"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "4039" } } } ["field_teatres_i_auditoris_relaci"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3696" } } } ["field_centres_de_documentaci_"]=> array(0) { } ["field_urls_d_interes"]=> array(0) { } ["field_bibliografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3560" } } } ["field__udios_sense_fitxa"]=> array(0) { } ["field_np_noms_alternatius"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(18) "Paquita Madriguera" ["format"]=> NULL ["safe_value"]=> string(18) "Paquita Madriguera" } } } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(10) "Madriguera" ["format"]=> NULL ["safe_value"]=> string(10) "Madriguera" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(5) "Rodon" ["format"]=> NULL ["safe_value"]=> string(5) "Rodon" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541512255" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(10) "Madriguera" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(10) "Madriguera" ["format"]=> NULL ["safe_value"]=> string(10) "Madriguera" } } } } [10]=> object(stdClass)#237 (7) { ["node_title"]=> string(6) "Lluís" ["nid"]=> string(4) "4061" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(6) "Millet" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#250 (53) { ["vid"]=> string(4) "4200" ["uid"]=> string(1) "5" ["title"]=> string(6) "Lluís" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4061" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541518466" ["changed"]=> string(10) "1579824839" ["tnid"]=> string(3) "309" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1579824839" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "275" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1867-04-18 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1941-12-07 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(2) "22" } [1]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(1163) "

Composer and conductor

In 1880 he studied at Conservatori del Liceu with Miquel Font (piano) and Josep Rodoreda (harmony and composition). Later, he studied with Felip Pedrell and Carles G. Vidiella, while collaborating with folklorist Sebastià Farnés. He worked as a pianist at the Cafè Inglés and Café Pelayo, meeting points for figures such as Guimerà, Gaudí or Pitarra. He conducted the choir La Lira of Sant Cugat del Vallès. Together with Amadeu Vives, he founded the Orfeó Català, a key institution for the modernization of choral singing in Catalonia (especially for sacred polyphony, Catalan musical heritage and for new music). He was a professor at the Escola Municipal de Música, founder of the chapel of Sant Felip Neri (1897), Kapellmeister of the choir school of La Mercè (1906) and conductor of the Banda Municipal of Barcelona (1930). He composed outstanding choir music, such as Jovenívola (1892) and El cant de la senyera (1896). He founded the Revista Musical Catalana (1904), and wrote several articles and essays.

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(1144) "

Composer and conductor

In 1880 he studied at Conservatori del Liceu with Miquel Font (piano) and Josep Rodoreda (harmony and composition). Later, he studied with Felip Pedrell and Carles G. Vidiella, while collaborating with folklorist Sebastià Farnés. He worked as a pianist at the Cafè Inglés and Café Pelayo, meeting points for figures such as Guimerà, Gaudí or Pitarra. He conducted the choir La Lira of Sant Cugat del Vallès. Together with Amadeu Vives, he founded the Orfeó Català, a key institution for the modernization of choral singing in Catalonia (especially for sacred polyphony, Catalan musical heritage and for new music). He was a professor at the Escola Municipal de Música, founder of the chapel of Sant Felip Neri (1897), Kapellmeister of the choir school of La Mercè (1906) and conductor of the Banda Municipal of Barcelona (1930). He composed outstanding choir music, such as Jovenívola (1892) and El cant de la senyera (1896). He founded the Revista Musical Catalana (1904), and wrote several articles and essays.

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string(4) "3680" } } } ["field_noms_propis_relacionats"]=> array(1) { ["und"]=> array(5) { [0]=> array(1) { ["target_id"]=> string(4) "4085" } [1]=> array(1) { ["target_id"]=> string(4) "3441" } [2]=> array(1) { ["target_id"]=> string(4) "3860" } [3]=> array(1) { ["target_id"]=> string(4) "3430" } [4]=> array(1) { ["target_id"]=> string(4) "3981" } } } ["field_teatres_i_auditoris_relaci"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3696" } } } ["field_centres_de_documentaci_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3608" } } } ["field_urls_d_interes"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3830" } } } ["field_bibliografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3567" } } } ["field__udios_sense_fitxa"]=> array(1) { ["und"]=> array(3) { [0]=> array(1) { ["target_id"]=> string(4) "5240" } [1]=> array(1) { ["target_id"]=> string(4) "5242" } [2]=> array(1) { ["target_id"]=> string(4) "5244" } } } ["field_np_noms_alternatius"]=> array(0) { } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(6) "Millet" ["format"]=> NULL ["safe_value"]=> string(6) "Millet" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(6) "Pagès" ["format"]=> NULL ["safe_value"]=> string(6) "Pagès" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541518466" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(6) "Millet" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(6) "Millet" ["format"]=> NULL ["safe_value"]=> string(6) "Millet" } } } } [11]=> object(stdClass)#238 (7) { ["node_title"]=> string(4) "Blai" ["nid"]=> string(4) "4075" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(3) "Net" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#251 (53) { ["vid"]=> string(4) "4214" ["uid"]=> string(1) "5" ["title"]=> string(4) "Blai" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4075" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541519039" ["changed"]=> string(10) "1559138888" ["tnid"]=> string(3) "342" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1559138888" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3523" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1887-12-16 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1948-12-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(695) "

Pianist and pedagogue

He studied with Vidiella at the Escola Municipal de Música of Barcelona. He debuted in 1908 at Palau de la Música Catalana and gave concerts in Spain and South America in the 1910s and 1920s. In 1927 he founded an orchestral ensemble bearing his name that accompanied film screenings at the Coliseum cinema. In addition, he was a piano teacher at the Institut Musical Casals and the Escola Municipal de Música of Barcelona. He played duets with, among others, Pau Casals, Gaspar Cassadó, Francesc Costa, Joan Massià and Jacques Thibaud. Among his performances, Beethoven’s complete piano sonatas and trios have been highly regarded.

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Pianist and pedagogue

He studied with Vidiella at the Escola Municipal de Música of Barcelona. He debuted in 1908 at Palau de la Música Catalana and gave concerts in Spain and South America in the 1910s and 1920s. In 1927 he founded an orchestral ensemble bearing his name that accompanied film screenings at the Coliseum cinema. In addition, he was a piano teacher at the Institut Musical Casals and the Escola Municipal de Música of Barcelona. He played duets with, among others, Pau Casals, Gaspar Cassadó, Francesc Costa, Joan Massià and Jacques Thibaud. Among his performances, Beethoven’s complete piano sonatas and trios have been highly regarded.

" } } } ["field_ciutats_relacionades"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_associat_al_fons_del_museu"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_domini_public"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_patrimoni_musical_catal_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_obres"]=> array(0) { } ["field_institucions_i_formacions_"]=> array(0) { } ["field_noms_propis_relacionats"]=> array(1) { ["und"]=> array(3) { [0]=> array(1) { ["target_id"]=> string(4) "3441" } [1]=> array(1) { ["target_id"]=> string(4) "3931" } [2]=> array(1) { ["target_id"]=> string(4) "3937" } } } ["field_teatres_i_auditoris_relaci"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3696" } } } ["field_centres_de_documentaci_"]=> array(0) { } ["field_urls_d_interes"]=> array(0) { } ["field_bibliografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3557" } } } ["field__udios_sense_fitxa"]=> array(0) { } ["field_np_noms_alternatius"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(4) "Blas" ["format"]=> NULL ["safe_value"]=> string(4) "Blas" } } } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(3) "Net" ["format"]=> NULL ["safe_value"]=> string(3) "Net" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(6) "Sunyer" ["format"]=> NULL ["safe_value"]=> string(6) "Sunyer" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541519039" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(3) "Net" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(3) "Net" ["format"]=> NULL ["safe_value"]=> string(3) "Net" } } } } [12]=> object(stdClass)#239 (7) { ["node_title"]=> string(6) "Mercè" ["nid"]=> string(4) "4099" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(8) "Plantada" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#252 (53) { ["vid"]=> string(4) "4238" ["uid"]=> string(1) "5" ["title"]=> string(6) "Mercè" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4099" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541520116" ["changed"]=> string(10) "1579509436" ["tnid"]=> string(3) "377" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1579509436" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "102" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1892-02-04 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1976-05-03 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3514" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(908) "

Soprano 

She studied at the Center of Musical Culture of Barcelona with Antoni Colomé and debuted at the Palau de la Música Catalana with a Lieder recital in the concerts of the Associació de Música Da Camera. In 1924, she participated in the Barcelona premiere of El amor Brujo by Manuel de Falla under the direction of the same composer. She also worked with R. Strauss and I. Stravinsky, who accompanied her to the piano. In addition, she worked with other composers such as Samper, Manén, Montsalvatge, Lamote de Grignón and Toldrà, and premiered the later’s El giravolt de maig. She collaborated with the Orfeó Català and the Wagnerian Association of Barcelona and offered concerts in several European cities. She was a singing teacher at the Conservatori del Liceu.

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Soprano 

She studied at the Center of Musical Culture of Barcelona with Antoni Colomé and debuted at the Palau de la Música Catalana with a Lieder recital in the concerts of the Associació de Música Da Camera. In 1924, she participated in the Barcelona premiere of El amor Brujo by Manuel de Falla under the direction of the same composer. She also worked with R. Strauss and I. Stravinsky, who accompanied her to the piano. In addition, she worked with other composers such as Samper, Manén, Montsalvatge, Lamote de Grignón and Toldrà, and premiered the later’s El giravolt de maig. She collaborated with the Orfeó Català and the Wagnerian Association of Barcelona and offered concerts in several European cities. She was a singing teacher at the Conservatori del Liceu.

" } } } ["field_ciutats_relacionades"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(2) "91" } [1]=> array(1) { ["target_id"]=> string(3) "200" } } } ["field_associat_al_fons_del_museu"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_domini_public"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_patrimoni_musical_catal_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_obres"]=> array(0) { } ["field_institucions_i_formacions_"]=> array(1) { ["und"]=> array(5) { [0]=> array(1) { ["target_id"]=> string(4) "3682" } [1]=> array(1) { ["target_id"]=> string(4) "3675" } [2]=> array(1) { ["target_id"]=> string(4) "3672" } [3]=> array(1) { ["target_id"]=> string(4) "3650" } [4]=> array(1) { ["target_id"]=> string(4) "3671" } } } ["field_noms_propis_relacionats"]=> array(1) { ["und"]=> array(8) { [0]=> array(1) { ["target_id"]=> string(4) "4075" } [1]=> array(1) { ["target_id"]=> string(4) "3937" } [2]=> array(1) { ["target_id"]=> string(4) "4012" } [3]=> array(1) { ["target_id"]=> string(4) "4025" } [4]=> array(1) { ["target_id"]=> string(4) "4068" } [5]=> array(1) { ["target_id"]=> string(4) "4034" } [6]=> array(1) { ["target_id"]=> string(4) "4154" } [7]=> array(1) { ["target_id"]=> string(4) "3452" } } } ["field_teatres_i_auditoris_relaci"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(4) "3693" } [1]=> array(1) { ["target_id"]=> string(4) "3696" } } } ["field_centres_de_documentaci_"]=> array(0) { } ["field_urls_d_interes"]=> array(0) { } ["field_bibliografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3545" } } } ["field__udios_sense_fitxa"]=> array(0) { } ["field_np_noms_alternatius"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(8) "Mercedes" ["format"]=> NULL ["safe_value"]=> string(8) "Mercedes" } } } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(8) "Plantada" ["format"]=> NULL ["safe_value"]=> string(8) "Plantada" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(7) "Vicente" ["format"]=> NULL ["safe_value"]=> string(7) "Vicente" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541520116" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(8) "Plantada" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(8) "Plantada" ["format"]=> NULL ["safe_value"]=> string(8) "Plantada" } } } } [13]=> object(stdClass)#240 (7) { ["node_title"]=> string(8) "Francesc" ["nid"]=> string(4) "4107" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(5) "Pujol" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#253 (53) { ["vid"]=> string(4) "4246" ["uid"]=> string(1) "5" ["title"]=> string(8) "Francesc" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4107" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541582058" ["changed"]=> string(10) "1614768023" ["tnid"]=> string(3) "429" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1614768023" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1878-05-15 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1945-12-24 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(2) "22" } [1]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(952) "

Composer, conductor and musicologist 

He studied piano and solfège at the Conservatori del Liceu with Font i Buyé, and harmony and composition with Millet. In 1897, he joined the Orfeó Català, an institution with which he would be closely associated: he was teacher assistant (1903), administrator of the Palau de la Música (1908), assistant director (1917) and conductor (1941). Among other positions, he was the director of Obra del Cançoner Popular (1921-1936), president of the Barcelona section of the International Society for Contemporary Music (1928) and director of the Associació d'Amics de la Música (1916-1923), an institution in which he premiered music by G. Mahler, R. Strauss and B. Bartók. In addition, he was assistant kapellmeister of the church of Sant Felip Neri in Barcelona. As a composer, he produced choir, symphonic and chamber music, as well as sardana.

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Composer, conductor and musicologist 

He studied piano and solfège at the Conservatori del Liceu with Font i Buyé, and harmony and composition with Millet. In 1897, he joined the Orfeó Català, an institution with which he would be closely associated: he was teacher assistant (1903), administrator of the Palau de la Música (1908), assistant director (1917) and conductor (1941). Among other positions, he was the director of Obra del Cançoner Popular (1921-1936), president of the Barcelona section of the International Society for Contemporary Music (1928) and director of the Associació d'Amics de la Música (1916-1923), an institution in which he premiered music by G. Mahler, R. Strauss and B. Bartók. In addition, he was assistant kapellmeister of the church of Sant Felip Neri in Barcelona. As a composer, he produced choir, symphonic and chamber music, as well as sardana.

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["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541582058" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(5) "Pujol" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(5) "Pujol" ["format"]=> NULL ["safe_value"]=> string(5) "Pujol" } } } } [14]=> object(stdClass)#241 (7) { ["node_title"]=> string(7) "Leopold" ["nid"]=> string(4) "6247" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(6) "Querol" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#257 (53) { ["vid"]=> string(4) "6414" ["uid"]=> string(1) "3" ["title"]=> string(7) "Leopold" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "6247" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1614169044" ["changed"]=> string(10) "1614169044" ["tnid"]=> string(4) "6246" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1614169044" ["revision_uid"]=> string(1) "3" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } 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["value"]=> string(1126) "

Pianist and musicologist

He completed his piano studies at the Conservatori de València under Josep Bellver and graduated in Philosophy. He travelled to Paris, where he expanded his training with Ricard Viñes. He made his debut in 1922 at the Ateneu de Madrid and in 1924 he went on an international tour accompanying Joan Manén. In 1928, after performing at the Palau de la Música Catalana, he gave a successful recital in Paris and stayed there to continue to improve his technique. In 1931 and 1934 he returned to the French capital starring in a series of concerts. In the 1940s he settled in Madrid where, in addition to his concert activity, he took part in the creation of the R.N.E. Orchestra. He never abandoned the international stages: he frequented Parisian stages and toured Portugal, South Africa, the Belgian Congo and the Philippines offering over a thousand recitals. Regarding his musicological interest, he analysed the theoretical works of J. Tinctoris and delved into the study of treatises on mensural notation. In 1927 he obtained his PhD on the Uppsala Songbook.

 

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Pianist and musicologist

He completed his piano studies at the Conservatori de València under Josep Bellver and graduated in Philosophy. He travelled to Paris, where he expanded his training with Ricard Viñes. He made his debut in 1922 at the Ateneu de Madrid and in 1924 he went on an international tour accompanying Joan Manén. In 1928, after performing at the Palau de la Música Catalana, he gave a successful recital in Paris and stayed there to continue to improve his technique. In 1931 and 1934 he returned to the French capital starring in a series of concerts. In the 1940s he settled in Madrid where, in addition to his concert activity, he took part in the creation of the R.N.E. Orchestra. He never abandoned the international stages: he frequented Parisian stages and toured Portugal, South Africa, the Belgian Congo and the Philippines offering over a thousand recitals. Regarding his musicological interest, he analysed the theoretical works of J. Tinctoris and delved into the study of treatises on mensural notation. In 1927 he obtained his PhD on the Uppsala Songbook.

 

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["target_id"]=> string(4) "3696" } } } ["field_centres_de_documentaci_"]=> array(0) { } ["field_urls_d_interes"]=> array(0) { } ["field_bibliografia"]=> array(0) { } ["field__udios_sense_fitxa"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(4) "6244" } [1]=> array(1) { ["target_id"]=> string(4) "6245" } } } ["field_np_noms_alternatius"]=> array(0) { } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(6) "Querol" ["format"]=> NULL ["safe_value"]=> string(6) "Querol" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(4) "Roso" ["format"]=> NULL ["safe_value"]=> string(4) "Roso" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> 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["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1614169044" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "3" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg2" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(6) "Querol" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(6) "Querol" ["format"]=> NULL ["safe_value"]=> string(6) "Querol" } } } } [15]=> object(stdClass)#242 (7) { ["node_title"]=> string(11) "Josep Maria" ["nid"]=> string(4) "4141" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(4) "Roma" 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Composer, organist and conductor 

He started his music studies at the Escolania de Montserrat with Anselm Ferrer and, later at the Granados Academy with Domènec Mas i Serracant and Frank Marshall. From 1924 onwards, he developed his pianistic career and co-founded of the Albéniz Academy. He was organ professor at the Conservatori del Liceu and, between 1950 and 1960, he was organist at the Palau de la Música Catalana. On several occasions he conducted the orchestra of the Gran Teatre del Liceu. His notable works include the opera Nausica, transcriptions for orchestra of music by J. S. Bach, C. Debussy or A. Dvorâk and the orchestration Celos aun del aire matan by Juan Hidalgo.

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(759) "

Composer, organist and conductor 

He started his music studies at the Escolania de Montserrat with Anselm Ferrer and, later at the Granados Academy with Domènec Mas i Serracant and Frank Marshall. From 1924 onwards, he developed his pianistic career and co-founded of the Albéniz Academy. He was organ professor at the Conservatori del Liceu and, between 1950 and 1960, he was organist at the Palau de la Música Catalana. On several occasions he conducted the orchestra of the Gran Teatre del Liceu. His notable works include the opera Nausica, transcriptions for orchestra of music by J. S. Bach, C. Debussy or A. Dvorâk and the orchestration Celos aun del aire matan by Juan Hidalgo.

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Pianist and pedagogue

Daughter of a family with a musical tradition - his father was the conductor Josep Sabater - she studied at the Marshall Academy with Frank Marshall. At the age of thirteen, she debuted at the Palau de la Música with the Orquesta Ibérica de Conciertos (1942) conducted by Hugo Balzer. She specialized in the performance of music by Frederic Mompou and Enric Granados , as well as Albéniz, Falla and Montsalvatge. Professor, from 1977 onwards of the Hochschule für Musik in Freiburg, she combined teaching with an intense concert activity.

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Pianist and pedagogue

Daughter of a family with a musical tradition - his father was the conductor Josep Sabater - she studied at the Marshall Academy with Frank Marshall. At the age of thirteen, she debuted at the Palau de la Música with the Orquesta Ibérica de Conciertos (1942) conducted by Hugo Balzer. She specialized in the performance of music by Frederic Mompou and Enric Granados , as well as Albéniz, Falla and Montsalvatge. Professor, from 1977 onwards of the Hochschule für Musik in Freiburg, she combined teaching with an intense concert activity.

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Composer, conductor and violinist. He began his studies with his father. In 1906 he joined the Municipal Music School of Barcelona, where he studied with Lluís Millet and Antoni Nicolau. In 1912, he founded the Renaissance Quartet (1912-1921) with whom he performed all over Europe. From then until 1934, he performed at the Granja Royal and collaborated with the Pau Casals Orchestra and Orfeó Català. He conducted the Orquestra d’Estudis Simfònics (1924-1935), the Madrid Symphony Orchestra (1933) and the Banda de les Milícies Antifeixistes. In 1944, he created the Barcelona Municipal Orchestra, which he conducted in more than 700 performances. In 1923, he was appointed violin professor at the Municipal Music School and in 1945 professor of Conducting at the Conservatori Municipal. From 1921, he devoted himself to composition and authored pieces such as Vistas al mar (1921), the sardana for orchestra Empúries (1926), the comic opera El giravolt de maig (1928) and the comic opera cycle for voice and piano La rosa als llavis (1936). In 1961 he premiered L'Atlàntida by Falla.

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Composer, conductor and violinist. He began his studies with his father. In 1906 he joined the Municipal Music School of Barcelona, where he studied with Lluís Millet and Antoni Nicolau. In 1912, he founded the Renaissance Quartet (1912-1921) with whom he performed all over Europe. From then until 1934, he performed at the Granja Royal and collaborated with the Pau Casals Orchestra and Orfeó Català. He conducted the Orquestra d’Estudis Simfònics (1924-1935), the Madrid Symphony Orchestra (1933) and the Banda de les Milícies Antifeixistes. In 1944, he created the Barcelona Municipal Orchestra, which he conducted in more than 700 performances. In 1923, he was appointed violin professor at the Municipal Music School and in 1945 professor of Conducting at the Conservatori Municipal. From 1921, he devoted himself to composition and authored pieces such as Vistas al mar (1921), the sardana for orchestra Empúries (1926), the comic opera El giravolt de maig (1928) and the comic opera cycle for voice and piano La rosa als llavis (1936). In 1961 he premiered L'Atlàntida by Falla.

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Pianist and teacher

He studied in his hometown. He was very gifted musically and studied with Josep Barberà and later with Isidor Philipp in Paris. He was appointed professor of piano at the Conservatori Superior de Música del Liceu and taught many subjects. In addition, he was appointed pedagogical director of the same conservatory and carried out an important task. According to the annals, he is the pianist who has most often performed at the Palau de la Música as a soloist and accompanying chamber and orchestra ensembles (it is estimated to have performed on over 250 occasions). He accompanied important figures of the European music scene such as Conxita Badia, Renata Tebaldi, Eduard Toldrà, Montserrat Caballé and Jean Pierre-Rampal, among many others.

He was an important figure in Catalan music of the 20th century. He composed some musical pieces including many sardanes, nadales, goings and songs.

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Pianist and teacher

He studied in his hometown. He was very gifted musically and studied with Josep Barberà and later with Isidor Philipp in Paris. He was appointed professor of piano at the Conservatori Superior de Música del Liceu and taught many subjects. In addition, he was appointed pedagogical director of the same conservatory and carried out an important task. According to the annals, he is the pianist who has most often performed at the Palau de la Música as a soloist and accompanying chamber and orchestra ensembles (it is estimated to have performed on over 250 occasions). He accompanied important figures of the European music scene such as Conxita Badia, Renata Tebaldi, Eduard Toldrà, Montserrat Caballé and Jean Pierre-Rampal, among many others.

He was an important figure in Catalan music of the 20th century. He composed some musical pieces including many sardanes, nadales, goings and songs.

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