Arxiu de la Catedral de Barcelona

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barroc, Felip Olivellas, Josep Pujolar, Aniceto Baylon, Benet Buscarons, Miguel de Ambiela, Francisco Soler

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barroc, Felip Olivellas, Josep Pujolar, Aniceto Baylon, Benet Buscarons, Miguel de Ambiela, Francisco Soler

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Composer and Kapellmeister.

Chorister and Kapellmeister at Lleida’s cathedral from 1668 to 1682, a post he held without taking competitive examination. In 1682 he became Kapellmeister of Barcelona’s cathedral, and in 1696 he left the post (soon to be taken by Francesc Valls) due to health issues. About thirty religious compositions by him have been preserved, mostly in romance language. His music has been considered a continuation of the music of his predecessors with the experimentation  characteristic of the composers of the time.

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Composer and Kapellmeister.

Chorister and Kapellmeister at Lleida’s cathedral from 1668 to 1682, a post he held without taking competitive examination. In 1682 he became Kapellmeister of Barcelona’s cathedral, and in 1696 he left the post (soon to be taken by Francesc Valls) due to health issues. About thirty religious compositions by him have been preserved, mostly in romance language. His music has been considered a continuation of the music of his predecessors with the experimentation  characteristic of the composers of the time.

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Composer and organist

He studied at the chapel Tarragona's Cathedral under Joan C. Ripollès. He was appointed kapellmeister of the collegiate church of Tremp (1723-1739) and later of Sant Esteve d'Olot (1739-1775). His compositional production includes circa 50 liturgical and sacred music following Iberian models of the late Baroque.

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Composer and organist

He studied at the chapel Tarragona's Cathedral under Joan C. Ripollès. He was appointed kapellmeister of the collegiate church of Tremp (1723-1739) and later of Sant Esteve d'Olot (1739-1775). His compositional production includes circa 50 liturgical and sacred music following Iberian models of the late Baroque.

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Composer, Kapellmeister and music theorist. He possibly studied with Miquel Rosquelles at Santa Maria del Mar. He was Kapellmeister in Mataró and Girona and coadjutor to Joan Barter in Barcelona’s cathedral from 1696, due to the latter health issues. He was Kapellmeister of the same cathedral between 1706 to 1726, years in which he composed most of his religious music (636 works have survived). He was member of the Acadèmia dels Desconfiats. He was closely acquainted with Italian musicians such as Giuseppe Porsile (musician of the music chapel of King Carlos III), and have been considered key figures to understand the Italian influence in his music. His output includes the motet O vos omnes and the mass Missa Scala Aretina (1702, and re-instrumented for Carlos III), a piece that unleashed a long debate over Iberian religious music (1715-1730) that was backgrounded by the War of the Spanish Succession. This debate led Valls to write the treatise Mapa Harmonico (1741-1742). He was the teacher of Pere Rabassa, Jaume Casellas and probably Domènec Terradellas.

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Composer, Kapellmeister and music theorist. He possibly studied with Miquel Rosquelles at Santa Maria del Mar. He was Kapellmeister in Mataró and Girona and coadjutor to Joan Barter in Barcelona’s cathedral from 1696, due to the latter health issues. He was Kapellmeister of the same cathedral between 1706 to 1726, years in which he composed most of his religious music (636 works have survived). He was member of the Acadèmia dels Desconfiats. He was closely acquainted with Italian musicians such as Giuseppe Porsile (musician of the music chapel of King Carlos III), and have been considered key figures to understand the Italian influence in his music. His output includes the motet O vos omnes and the mass Missa Scala Aretina (1702, and re-instrumented for Carlos III), a piece that unleashed a long debate over Iberian religious music (1715-1730) that was backgrounded by the War of the Spanish Succession. This debate led Valls to write the treatise Mapa Harmonico (1741-1742). He was the teacher of Pere Rabassa, Jaume Casellas and probably Domènec Terradellas.

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