Teatre Principal

Historical Theatres and Concert Halls
Teatre Principal
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Composer, conductor and pedagogue 

He was a pupil of Nicolau Manent in the choir of the Verge del Remei of Barcelona. In 1875, he was appointed piano accompaniment and solfège teacher at the Liceu Conservatory, where he worked until 1883. In 1876, he was appointed director of Societat Coral Euterpe and in 1883 he was appointed conductor of the music academy of the Casa de la Caritat. From 1886 onwards, he was the conductor of the Municipal Band of Barcelona and conductor of the Municipal School of Music of Barcelona. In 1896, he moved to Donostia to conduct the band and the music school and in 1906 he settled in Buenos Aires, where he was the director of the Thibaud-Piazzini Conservatory. He composed almost 300 compositions, such as Primavera (1883) for orchestra, the dramatic idyll La nit al bosc (1883) by Apel·les Mestres and the oratorio Les set paraules (1875). He is best known as the composer of Virolai, hymn to the Virgin of Montserrat with the text by Jacint Verdaguer, and for being part of the Catalan delegation of the Board of the Bayreuth Festival.

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Composer, conductor and pedagogue 

He was a pupil of Nicolau Manent in the choir of the Verge del Remei of Barcelona. In 1875, he was appointed piano accompaniment and solfège teacher at the Liceu Conservatory, where he worked until 1883. In 1876, he was appointed director of Societat Coral Euterpe and in 1883 he was appointed conductor of the music academy of the Casa de la Caritat. From 1886 onwards, he was the conductor of the Municipal Band of Barcelona and conductor of the Municipal School of Music of Barcelona. In 1896, he moved to Donostia to conduct the band and the music school and in 1906 he settled in Buenos Aires, where he was the director of the Thibaud-Piazzini Conservatory. He composed almost 300 compositions, such as Primavera (1883) for orchestra, the dramatic idyll La nit al bosc (1883) by Apel·les Mestres and the oratorio Les set paraules (1875). He is best known as the composer of Virolai, hymn to the Virgin of Montserrat with the text by Jacint Verdaguer, and for being part of the Catalan delegation of the Board of the Bayreuth Festival.

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Pianist and pedagogue

At the age of eight she began her musical studies at the Conservatori del Liceu under Vicent Costa i Nogueras and Francesc de Paula Sánchez i Gavagnach. She obtained her Music and Piano Diploma in 1903. In January 1907, she made her concert debut at the Salle Érard in Paris and in March of that year she performed before Barcelona audiences at Teatre Principal.

In 1905 she obtained a position as a piano teacher at the Escoles Franceses in Barcelona. In 1933 she obtained a position to teach elementary piano at the Conservatori del Liceu, an institution where she taught until 1961.

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Pianist and pedagogue

At the age of eight she began her musical studies at the Conservatori del Liceu under Vicent Costa i Nogueras and Francesc de Paula Sánchez i Gavagnach. She obtained her Music and Piano Diploma in 1903. In January 1907, she made her concert debut at the Salle Érard in Paris and in March of that year she performed before Barcelona audiences at Teatre Principal.

In 1905 she obtained a position as a piano teacher at the Escoles Franceses in Barcelona. In 1933 she obtained a position to teach elementary piano at the Conservatori del Liceu, an institution where she taught until 1961.

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Pianist and pedagogue. He studied in Barcelona with Joan Baptista Pujol. He continued his studies in Paris with Antoine François Marmontel in 1878 and in 1879, he made his debut at the Universal Exhibition of the same city. After his return to Barcelona, he began his career as concert pianist with a repertoire that he embraced from Scarlatti to the Romantic Germans and Chopin, as well as music by Catalan composers such as Albéniz, Alió and Rodríguez Alcántara. In his teaching career, he had Joaquim Nin and Robert Goberna as his students. In addition, he founded the Escola Musical Vidiella, where Lluís Millet and Enric Morera studied. He was a member of the Musical Association of Barcelona and president of the Society of Concerts of Barcelona. He also composed sporadically some music, such as Romança (1906) for piano. He is considered one of the founders of the modern piano school in Barcelona.

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Pianist and pedagogue. He studied in Barcelona with Joan Baptista Pujol. He continued his studies in Paris with Antoine François Marmontel in 1878 and in 1879, he made his debut at the Universal Exhibition of the same city. After his return to Barcelona, he began his career as concert pianist with a repertoire that he embraced from Scarlatti to the Romantic Germans and Chopin, as well as music by Catalan composers such as Albéniz, Alió and Rodríguez Alcántara. In his teaching career, he had Joaquim Nin and Robert Goberna as his students. In addition, he founded the Escola Musical Vidiella, where Lluís Millet and Enric Morera studied. He was a member of the Musical Association of Barcelona and president of the Society of Concerts of Barcelona. He also composed sporadically some music, such as Romança (1906) for piano. He is considered one of the founders of the modern piano school in Barcelona.

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Conductor, tenor, guitarist and composer

He began his studies at the Escolania de la Mercè in Barcelona. Soon after, he started his international career as guitarist. He took the musical direction of Teatre Principal in Barcelona in the 1860-1861 season and later, that of Teatro de los Campos Elíseos in Madrid. He conducted the orchestras of Liceu, Romea and the Circo in Barcelona, and that of the Teatre Principal in Valencia. He composed zarzuelas (e.g. Don Ruperto Culebrinas) and music for guitar and piano.

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Conductor, tenor, guitarist and composer

He began his studies at the Escolania de la Mercè in Barcelona. Soon after, he started his international career as guitarist. He took the musical direction of Teatre Principal in Barcelona in the 1860-1861 season and later, that of Teatro de los Campos Elíseos in Madrid. He conducted the orchestras of Liceu, Romea and the Circo in Barcelona, and that of the Teatre Principal in Valencia. He composed zarzuelas (e.g. Don Ruperto Culebrinas) and music for guitar and piano.

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