Teatre de la Santa Creu

Historical Theatres and Concert Halls
Teatre de la Santa Creu
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Nét de Fidel Bosch i Llonch, mestre de Nicanor Pérez

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Nét de Fidel Bosch i Llonch, mestre de Nicanor Pérez

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Composer, violinist and teacher

He began his music studies in the family environment. Later, the studied violin, piano and composition with J. T. Vilar, J. M. Arteaga, D. Sánchez Deyá and G. Balart. In 1875 and 1880 he was the first violin in the orchestras of the Teatre Principal and the Societat de Concerts (Barcelona). Between 1882 and 1886, he was the first violin in Barbastre, and between 1886 and 1888, he conducted opera companies in several Spanish cities. During the 1890s, he obtained the position of director of the Escola de Música de Sabadell and later also that of the Municipal School of Vic. He also founded the Banda Municipal of Sabadell. Later in his life, he continued composing, conducting choirs and performing at the Escola Municipal de Sord-Muts (Barcelona). He also devoted himself to composition and won many prizes. His output includes music of all genres, such as stage and chamber music and sardanes. He is renowned for his choir and voice compositions, and for setting to music poems by J. Verdaguer and for harmonizing Catalan folk songs

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Composer, violinist and teacher

He began his music studies in the family environment. Later, the studied violin, piano and composition with J. T. Vilar, J. M. Arteaga, D. Sánchez Deyá and G. Balart. In 1875 and 1880 he was the first violin in the orchestras of the Teatre Principal and the Societat de Concerts (Barcelona). Between 1882 and 1886, he was the first violin in Barbastre, and between 1886 and 1888, he conducted opera companies in several Spanish cities. During the 1890s, he obtained the position of director of the Escola de Música de Sabadell and later also that of the Municipal School of Vic. He also founded the Banda Municipal of Sabadell. Later in his life, he continued composing, conducting choirs and performing at the Escola Municipal de Sord-Muts (Barcelona). He also devoted himself to composition and won many prizes. His output includes music of all genres, such as stage and chamber music and sardanes. He is renowned for his choir and voice compositions, and for setting to music poems by J. Verdaguer and for harmonizing Catalan folk songs

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He was choirister in La Seu d'Urgell. In 1806 he moved to Barcelona, studied with Queralt and Baguer and familiarized himself with Italian opera. During the Peninsular War he moved to Mahon, where he met Karl-Ernst Cook. After the war, Carnicer returned to Barcelona and was soon sent to Italy to recruit an opera troupe for Teatre de la Santa Creu (Barcelona) which turned out ot be that of Pietro Generali. In 1818 he took over the direction of the theater himself and programmed operas by Rossini. Rossini did also influence his own style, as can be apreciated in his Don Giovanni Tenorio or his overture on Rossini's Il barbiere di Sviglia (1818). Because of his liberal ideas, he went into exile to Paris (1823) and then to London (1826), where he published Six Spanish Airs and the national anthem of Chile. Back in Barcelona, he was forced to settle in Madrid to succeed Mercadante (1828-1845) in the Court theaters. There, he was appointed founder-professor of composition of the Conservatory and had Barbieri and Saldoni as students. His output includes over 200 works.

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He was choirister in La Seu d'Urgell. In 1806 he moved to Barcelona, studied with Queralt and Baguer and familiarized himself with Italian opera. During the Peninsular War he moved to Mahon, where he met Karl-Ernst Cook. After the war, Carnicer returned to Barcelona and was soon sent to Italy to recruit an opera troupe for Teatre de la Santa Creu (Barcelona) which turned out ot be that of Pietro Generali. In 1818 he took over the direction of the theater himself and programmed operas by Rossini. Rossini did also influence his own style, as can be apreciated in his Don Giovanni Tenorio or his overture on Rossini's Il barbiere di Sviglia (1818). Because of his liberal ideas, he went into exile to Paris (1823) and then to London (1826), where he published Six Spanish Airs and the national anthem of Chile. Back in Barcelona, he was forced to settle in Madrid to succeed Mercadante (1828-1845) in the Court theaters. There, he was appointed founder-professor of composition of the Conservatory and had Barbieri and Saldoni as students. His output includes over 200 works.

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Noms propis: Munné, Joan; Laureano Fuents Matons, Rafael Salcedo de las Cuevas, Peralta (guitarra), Betancourt (guitarra), juan Benedetti, Maria Pacaldi Adela Muñoz del Monte

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Noms propis: Munné, Joan; Laureano Fuents Matons, Rafael Salcedo de las Cuevas, Peralta (guitarra), Betancourt (guitarra), juan Benedetti, Maria Pacaldi Adela Muñoz del Monte

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Composer, director and flautist

He began his musical studies in Mahon, where his family lived during the Peninsular War. He continued his studies in 1815 in Barcelona with Andreví, whilst playing the piccolo in the Band of the Artillery Regiment. In the 1820s, he settled in Paris, where he studied with Pierre Melchor and Eugen Münchs, and became part of the Royal Guard Band. When it dissolved in 1830, he returned to Barcelona and worked as a flautist at the Teatre de la Santa Creu. In 1832 he moved to Santiago de Cuba to conduct the orchestra and military bands. In his time there, he created a music school and a quartet, and composing and transcribing music. In 1850 he moved to Havana and developed the same activities. In 1866, he returned to Barcelona, where he won the composition prize of the Ateneu Barcelonès, created the Societat de Concerts Clàssics, promoted symphonic music and organized the so-called Concerts Casamitjana in various gardens of the city. His compositions are mostly for piano or symphonic orchestra. He enjoyed a great reputation.

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Composer, director and flautist

He began his musical studies in Mahon, where his family lived during the Peninsular War. He continued his studies in 1815 in Barcelona with Andreví, whilst playing the piccolo in the Band of the Artillery Regiment. In the 1820s, he settled in Paris, where he studied with Pierre Melchor and Eugen Münchs, and became part of the Royal Guard Band. When it dissolved in 1830, he returned to Barcelona and worked as a flautist at the Teatre de la Santa Creu. In 1832 he moved to Santiago de Cuba to conduct the orchestra and military bands. In his time there, he created a music school and a quartet, and composing and transcribing music. In 1850 he moved to Havana and developed the same activities. In 1866, he returned to Barcelona, where he won the composition prize of the Ateneu Barcelonès, created the Societat de Concerts Clàssics, promoted symphonic music and organized the so-called Concerts Casamitjana in various gardens of the city. His compositions are mostly for piano or symphonic orchestra. He enjoyed a great reputation.

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Composer

Cuyàs studied piano and lyrical singing in Barcelona with Ramon Vilanova. In 1835 he premiered two symphonies at the Teatre de la Santa Creu and composed several arias and lyrical duos. Two years later, the same theater commissioned a choral work for a gala, but he interrupted the task to write the opera seria La Fattucchiera (1838) in the style of Bellini. The opera enjoyed a great success, it not only was performed 24 times that season, but also some of the choral numbers became part of Clavé's choirs later on. He died of tuberculosis the day of the last performance. Thanks to the opera's success with audiences and critics, it has been considered a cornerstone and symbol of romantic opera in Catalonia.

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Composer

Cuyàs studied piano and lyrical singing in Barcelona with Ramon Vilanova. In 1835 he premiered two symphonies at the Teatre de la Santa Creu and composed several arias and lyrical duos. Two years later, the same theater commissioned a choral work for a gala, but he interrupted the task to write the opera seria La Fattucchiera (1838) in the style of Bellini. The opera enjoyed a great success, it not only was performed 24 times that season, but also some of the choral numbers became part of Clavé's choirs later on. He died of tuberculosis the day of the last performance. Thanks to the opera's success with audiences and critics, it has been considered a cornerstone and symbol of romantic opera in Catalonia.

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classicisme. Alumnes: Antoni Rovira, Antoni Rius (?)

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classicisme. Alumnes: Antoni Rovira, Antoni Rius (?)

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Organist, Kapellmeister and conductor

Son of an artisan, he studied at the cathedral of Barcelona with Queralt (composition) and Baguer (organ). He succeeded Baguer as organist in 1808 and Queralt as a Kapellmeister in 1827, post he held until his dead. At the request of Ramon Carnicer he took the position of director of Teatre de la Santa Creu from 1830. He also founded a music school at his home, considered one of the most prestigious in Barcelona. His output includes a great amount of sacred music, some oratorios, operatic fragments and orchestral music. He obtained a great recognition as an organist (especially for his fugue improvisation skills), composer and teacher.

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Organist, Kapellmeister and conductor

Son of an artisan, he studied at the cathedral of Barcelona with Queralt (composition) and Baguer (organ). He succeeded Baguer as organist in 1808 and Queralt as a Kapellmeister in 1827, post he held until his dead. At the request of Ramon Carnicer he took the position of director of Teatre de la Santa Creu from 1830. He also founded a music school at his home, considered one of the most prestigious in Barcelona. His output includes a great amount of sacred music, some oratorios, operatic fragments and orchestral music. He obtained a great recognition as an organist (especially for his fugue improvisation skills), composer and teacher.

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Soprano
 
She studied in Barcelona with Obiols. In 1839, when he was sixteen, he performed and premiered operas by Donizetti, Mercadante and Pacini at the Liceu Filodramàtic del Montsió (later Gran Teatre del Liceu). Four years later, she performed at Teatre Principal until 1851. That very same season, she debuted at Gran Teatre del Liceu where she performed until 1859. She married Joaquim Ferrer, the businessman who was responsible for the first lyrical season of the Teatre de Girona (inaugurated in 1860). She performed in that theater for the last show of the season and remained there until June 1861. In 1864 she moved to Madrid to perform at Teatro Rossini and achieved a remarkable success. This was the starting point of her performances across the Iberian Peninsula.

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Soprano
 
She studied in Barcelona with Obiols. In 1839, when he was sixteen, he performed and premiered operas by Donizetti, Mercadante and Pacini at the Liceu Filodramàtic del Montsió (later Gran Teatre del Liceu). Four years later, she performed at Teatre Principal until 1851. That very same season, she debuted at Gran Teatre del Liceu where she performed until 1859. She married Joaquim Ferrer, the businessman who was responsible for the first lyrical season of the Teatre de Girona (inaugurated in 1860). She performed in that theater for the last show of the season and remained there until June 1861. In 1864 she moved to Madrid to perform at Teatro Rossini and achieved a remarkable success. This was the starting point of her performances across the Iberian Peninsula.

" } } } ["field_ciutats_relacionades"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(3) "163" } [1]=> array(1) { ["target_id"]=> string(3) "172" } } } ["field_associat_al_fons_del_museu"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_domini_public"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_patrimoni_musical_catal_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_obres"]=> array(0) { } ["field_institucions_i_formacions_"]=> array(0) { } ["field_noms_propis_relacionats"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "4071" } } } ["field_teatres_i_auditoris_relaci"]=> array(1) { ["und"]=> array(4) { [0]=> array(1) { ["target_id"]=> string(4) "3693" } [1]=> array(1) { ["target_id"]=> string(4) "3706" } [2]=> array(1) { ["target_id"]=> string(4) "3741" } [3]=> array(1) { ["target_id"]=> string(4) "3705" } } } ["field_centres_de_documentaci_"]=> array(0) { } ["field_urls_d_interes"]=> array(0) { } ["field_bibliografia"]=> array(0) { } ["field__udios_sense_fitxa"]=> array(0) { } ["field_np_noms_alternatius"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(30) "Joana Baptista Fossa de Ferrer" ["format"]=> NULL ["safe_value"]=> string(30) "Joana Baptista Fossa de Ferrer" } } } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(5) "Fossa" ["format"]=> NULL ["safe_value"]=> string(5) "Fossa" } } } ["field_np_cognom_2"]=> array(0) { } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } 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string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(5) "elena" ["picture"]=> string(1) "0" ["data"]=> NULL } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(5) "Fossa" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(5) "Fossa" ["format"]=> NULL ["safe_value"]=> string(5) "Fossa" } } } } [6]=> object(stdClass)#247 (7) { ["node_title"]=> string(8) "Gaietà " ["nid"]=> string(4) "3984" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(3) "Gil" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#253 (52) { ["vid"]=> string(4) "4123" ["uid"]=> string(1) "5" ["title"]=> string(8) "Gaietà " ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" 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Composer, Flautist and Violinist

He studied solfege and harmony with Andreví, violin with Francisco Berini and flute with Ignacio Cascante. He devoted himself professionally to the performance of both instruments: on the one hand, he was concert violinist and member of various string quartets, on the other hand, he was flutist of the music chapel of Barcelona’s cathedral and first flute of Teatre de la Santa Creu’s orchestra. In addition, he composed learning exercises for the flute. His compositional output includes religious, orchestral and chamber music (particularly for flute).

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Composer, Flautist and Violinist

He studied solfege and harmony with Andreví, violin with Francisco Berini and flute with Ignacio Cascante. He devoted himself professionally to the performance of both instruments: on the one hand, he was concert violinist and member of various string quartets, on the other hand, he was flutist of the music chapel of Barcelona’s cathedral and first flute of Teatre de la Santa Creu’s orchestra. In addition, he composed learning exercises for the flute. His compositional output includes religious, orchestral and chamber music (particularly for flute).

" } } } ["field_ciutats_relacionades"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_associat_al_fons_del_museu"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_domini_public"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_patrimoni_musical_catal_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_obres"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(4) "6132" } [1]=> array(1) { ["target_id"]=> string(4) "4993" } } } ["field_institucions_i_formacions_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3690" } } } ["field_noms_propis_relacionats"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3867" } } } ["field_teatres_i_auditoris_relaci"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3706" } } } ["field_centres_de_documentaci_"]=> array(0) { } ["field_urls_d_interes"]=> array(0) { } ["field_bibliografia"]=> array(0) { } ["field__udios_sense_fitxa"]=> array(0) { } ["field_np_noms_alternatius"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(39) "Cayetano Gillet Gil y Llagostera Boguet" ["format"]=> NULL ["safe_value"]=> string(39) "Cayetano Gillet Gil y Llagostera Boguet" } } } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(3) "Gil" ["format"]=> NULL ["safe_value"]=> string(3) "Gil" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(10) "Llagostera" ["format"]=> NULL ["safe_value"]=> string(10) "Llagostera" } } } ["field_np_alies"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(5) "Gilet" ["format"]=> NULL ["safe_value"]=> string(5) "Gilet" } } } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { 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["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#254 (52) { ["vid"]=> string(4) "4139" ["uid"]=> string(1) "5" ["title"]=> string(5) "Josep" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4000" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541503211" ["changed"]=> string(10) "1579825273" ["tnid"]=> string(3) "884" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1579825273" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1808-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1891-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(2) "22" } [1]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(1135) "

Clarinetist and Composer

He was a tailor's apprentice when at the age of ten, he started to learn flute, clarinet and bassoon from Josep Puig and harmony from Francesc Arbós. At that same age, he started to play in the artillery regiment's band. In the 1820s he befriended musicians from Teatre de la Santa Creu. In the 1830s he performed in orchestres-cobles with Ignasi Ayné and Jaume Planas after becoming again a military musician. During the 1840s, he was teacher and first clarinet of the orchestra of the Liceu, and was director of the so-called "Copla dels gallinaires". Between 1852 and 1856, he was a military major musician in Navarra, before settling again in Barcelona as a clarinetist at the Liceu and as conductor of several civil music bands. In addition, he opened a music store and represented the city in musical conferences. As he recounted in his memoirs, he composed more than 2000 ballables, of which only a hundred have been preserved. His most notable milestone was the premiere of the La Rondeña ballet in the inaugural performance of the Teatre del Liceu in 1848.

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(1127) "

Clarinetist and Composer

He was a tailor's apprentice when at the age of ten, he started to learn flute, clarinet and bassoon from Josep Puig and harmony from Francesc Arbós. At that same age, he started to play in the artillery regiment's band. In the 1820s he befriended musicians from Teatre de la Santa Creu. In the 1830s he performed in orchestres-cobles with Ignasi Ayné and Jaume Planas after becoming again a military musician. During the 1840s, he was teacher and first clarinet of the orchestra of the Liceu, and was director of the so-called "Copla dels gallinaires". Between 1852 and 1856, he was a military major musician in Navarra, before settling again in Barcelona as a clarinetist at the Liceu and as conductor of several civil music bands. In addition, he opened a music store and represented the city in musical conferences. As he recounted in his memoirs, he composed more than 2000 ballables, of which only a hundred have been preserved. His most notable milestone was the premiere of the La Rondeña ballet in the inaugural performance of the Teatre del Liceu in 1848.

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Composer and pedagogue

He was a choirboy at the cathedral of Barcelona, and studied with Mas Serracant and M. Socias (composition, organ and piano), and with Pedrell and Morera at the Escola Municipal. Later, he studied piano with J. Malats. He conducted various bands and choirs, he was organist and Kapellmeister at churches and schools, and conducted symphonic concerts and theatrical seasons at the Teatre Principal, the Teatre Líric Català and Tívoli in Barcelona. From 1910 he collaborated in religious music conferences and from 1930, he worked as a composer, improviser, organist and teacher of the Escola Professional de la Dona de la Diputació. In the 1940s, he directed the Granollers and Barcelona Music Schools and served as music censor at the Barcelona Bishopric. Together with A. Alonso and J. Zamacois, he wrote the well-known Método graduado de solfeo LAZ . He was considered one of the most prominent composers of religious music and received numerous awards.

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Composer and pedagogue

He was a choirboy at the cathedral of Barcelona, and studied with Mas Serracant and M. Socias (composition, organ and piano), and with Pedrell and Morera at the Escola Municipal. Later, he studied piano with J. Malats. He conducted various bands and choirs, he was organist and Kapellmeister at churches and schools, and conducted symphonic concerts and theatrical seasons at the Teatre Principal, the Teatre Líric Català and Tívoli in Barcelona. From 1910 he collaborated in religious music conferences and from 1930, he worked as a composer, improviser, organist and teacher of the Escola Professional de la Dona de la Diputació. In the 1940s, he directed the Granollers and Barcelona Music Schools and served as music censor at the Barcelona Bishopric. Together with A. Alonso and J. Zamacois, he wrote the well-known Método graduado de solfeo LAZ . He was considered one of the most prominent composers of religious music and received numerous awards.

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["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1913-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "22" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(976) "

Kapellmeister, composer and organist

He was a choirboy of the church of Palau de Barcelona and studied music with his father Marraco Xauxas and his uncle Joan Ferrer (violin). He also studied with Francesc Moliner and piano and composition with Bernat Calvó Puig, Mateu Ferrer Vilanova. In the 1850s he was a violinist at the orchestra of Teatre Principal and Teatre del Liceu. In 1864, he was appointed Kapellmeister of Barcelona’s Cathedral succeeding Mateu Ferrer. It is also reported that he was received by Rossini in Paris in 1862. Among its compositions, there are many popular dances of the time and religious music for small and large ensembles. The catalog also includes orchestral music, sometimes of operatic inspiration, and chamber music. Marraco was one of the most renowned composers of his time and considered a great improviser on the organ. Among his output is the Missa de Rèquiem pels morts de la Guerra d’Àfrica (1860).

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Kapellmeister, composer and organist

He was a choirboy of the church of Palau de Barcelona and studied music with his father Marraco Xauxas and his uncle Joan Ferrer (violin). He also studied with Francesc Moliner and piano and composition with Bernat Calvó Puig, Mateu Ferrer Vilanova. In the 1850s he was a violinist at the orchestra of Teatre Principal and Teatre del Liceu. In 1864, he was appointed Kapellmeister of Barcelona’s Cathedral succeeding Mateu Ferrer. It is also reported that he was received by Rossini in Paris in 1862. Among its compositions, there are many popular dances of the time and religious music for small and large ensembles. The catalog also includes orchestral music, sometimes of operatic inspiration, and chamber music. Marraco was one of the most renowned composers of his time and considered a great improviser on the organ. Among his output is the Missa de Rèquiem pels morts de la Guerra d’Àfrica (1860).

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Conductor, tenor, guitarist and composer

He began his studies at the Escolania de la Mercè in Barcelona. Soon after, he started his international career as guitarist. He took the musical direction of Teatre Principal in Barcelona in the 1860-1861 season and later, that of Teatro de los Campos Elíseos in Madrid. He conducted the orchestras of Liceu, Romea and the Circo in Barcelona, and that of the Teatre Principal in Valencia. He composed zarzuelas (e.g. Don Ruperto Culebrinas) and music for guitar and piano.

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Conductor, tenor, guitarist and composer

He began his studies at the Escolania de la Mercè in Barcelona. Soon after, he started his international career as guitarist. He took the musical direction of Teatre Principal in Barcelona in the 1860-1861 season and later, that of Teatro de los Campos Elíseos in Madrid. He conducted the orchestras of Liceu, Romea and the Circo in Barcelona, and that of the Teatre Principal in Valencia. He composed zarzuelas (e.g. Don Ruperto Culebrinas) and music for guitar and piano.

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