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Erato Partitura Digital (Societat Coral Erato)
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Erato Partitura Digital (Societat Coral Erato)
Conductor, promoter and composer.
He learned music from his relatives and studied harmony and composition with Gabriel Balart. He was active as a pianist, teacher and “cafeter”, but he is renowned for his task as a promoter, composer and choir conductor. He founded the choir Societat Coral Barcino, for which Bartomeus organized the choir’s season, offering concerts, sung balls and benefit concerts around Catalonia. In addition, he founded the journal Eco de Barcino and was associated with other choirs. His main output entails male choir compositions (with or without accompaniment), sarsuela and ballables as well as two symphonic pieces. During the 1860s and 1870s, he was at the peak of his career. His professional career was tied to that of A. Clavé, not only for their similarities but also for the rivalry that arose between the two figures.
" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(875) "Conductor, promoter and composer.
He learned music from his relatives and studied harmony and composition with Gabriel Balart. He was active as a pianist, teacher and “cafeter”, but he is renowned for his task as a promoter, composer and choir conductor. He founded the choir Societat Coral Barcino, for which Bartomeus organized the choir’s season, offering concerts, sung balls and benefit concerts around Catalonia. In addition, he founded the journal Eco de Barcino and was associated with other choirs. His main output entails male choir compositions (with or without accompaniment), sarsuela and ballables as well as two symphonic pieces. During the 1860s and 1870s, he was at the peak of his career. His professional career was tied to that of A. Clavé, not only for their similarities but also for the rivalry that arose between the two figures.
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From a wealthy family of craftsmen in decline, he took advantage of his musical knowledge to work as a guitarist in fashionable cafes. There, he got in contact with working people and republicans. After being imprisoned for the revolts of 1843, he realized the power of singing in a community, and in 1845 he founded the La Aurora. In 1850, he founded the society La Fraternidad, a pioneer of the non-religious male voice choir in Catalonia, following the model of the French orphanages. The aim of the choir was to promote values such as mutual support, education, republicanism and pride at work. In 1854 he composed the first song in Catalan "La font del roure". In 1857 he founded the Societat Coral Euterpe which started a movement with thousands of associates. In 1871, when he was already a prominent republican, he was appointed president of the Diputació de Barcelona. Clavé has been considered a prominent figure for creating a new popular culture using songs of romantic-operatic inspiration (both in Catalan and Spanish) to achieve great social impact.
" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(1106) "Composer and conductor
From a wealthy family of craftsmen in decline, he took advantage of his musical knowledge to work as a guitarist in fashionable cafes. There, he got in contact with working people and republicans. After being imprisoned for the revolts of 1843, he realized the power of singing in a community, and in 1845 he founded the La Aurora. In 1850, he founded the society La Fraternidad, a pioneer of the non-religious male voice choir in Catalonia, following the model of the French orphanages. The aim of the choir was to promote values such as mutual support, education, republicanism and pride at work. In 1854 he composed the first song in Catalan "La font del roure". In 1857 he founded the Societat Coral Euterpe which started a movement with thousands of associates. In 1871, when he was already a prominent republican, he was appointed president of the Diputació de Barcelona. Clavé has been considered a prominent figure for creating a new popular culture using songs of romantic-operatic inspiration (both in Catalan and Spanish) to achieve great social impact.
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T. 93 256 36 50
Carrer de Lepant 150, 08013 Barcelona
mail: patrimonimusical@auditori.cat