Biblioteca de Montserrat

Archives and Libraries
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Composer and organist

He studied at the Escolania de Montserrat, with Benet Juli, Josep Martí (composition) and Benet Valls (organ). In 1763 he joined the monastery as a monk and was appointed later organist, an activity in which he showed his abilities as an improviser and his deep knowledge of the gallant style. Among others, he had Josep Vinyals as his student. Sixty-five pieces for keyboard have survived, mostly monothematic sonatas in two parts, in addition to sixty-three liturgical pieces in Latin, with and without accompaniment (especially responsories of Easter and Christmas, psalms, magnificats, masses and salves), composed from 1784. His compositions show great knowledge of the Montserratian tradition and, at the same time, of the Italian musical style.

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Composer and organist

He studied at the Escolania de Montserrat, with Benet Juli, Josep Martí (composition) and Benet Valls (organ). In 1763 he joined the monastery as a monk and was appointed later organist, an activity in which he showed his abilities as an improviser and his deep knowledge of the gallant style. Among others, he had Josep Vinyals as his student. Sixty-five pieces for keyboard have survived, mostly monothematic sonatas in two parts, in addition to sixty-three liturgical pieces in Latin, with and without accompaniment (especially responsories of Easter and Christmas, psalms, magnificats, masses and salves), composed from 1784. His compositions show great knowledge of the Montserratian tradition and, at the same time, of the Italian musical style.

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Composer

Native of Aragon, he became a choirboy of the Reial Col·legi del Corpus Christi, also called Col·legi del Patriarca (Valencia), in 1657. There, he studied with M. Pérez and J. Hinojosa. Between 1669 and 1673, he was the Kapellmeister of the Cathedral of Albarracín, and between 1674 and 1677 he had the same post at Col·legi del Patriarca. In 1677, he became Kapellmeister of the cathedral of Valencia, a post that he kept until the end of his life. He composed in the polychoral style of Joan Baptista Comes. Among his output, his three oratorios (only El hombre moribundo, 1706, is preserved), were probably the first oratorios of the Iberian Peninsula.

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Composer

Native of Aragon, he became a choirboy of the Reial Col·legi del Corpus Christi, also called Col·legi del Patriarca (Valencia), in 1657. There, he studied with M. Pérez and J. Hinojosa. Between 1669 and 1673, he was the Kapellmeister of the Cathedral of Albarracín, and between 1674 and 1677 he had the same post at Col·legi del Patriarca. In 1677, he became Kapellmeister of the cathedral of Valencia, a post that he kept until the end of his life. He composed in the polychoral style of Joan Baptista Comes. Among his output, his three oratorios (only El hombre moribundo, 1706, is preserved), were probably the first oratorios of the Iberian Peninsula.

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Kapellmeister and Composer 

It is probably he started his music education in Mataró. The first documented information about him is from 1593, when he was coadjutor of Julià Andreu Vilanova, Kapellmeister of the cathedral of Barcelona. That year he was appointed Kapellmeister of the cathedral of Tarragona and in 1595 he obtained the same position in the basilica of Pilar de Zaragoza. Seventeen years later, in 1612, he returned to Barcelona and was appointed Kapellmeister of the cathedral and that of the Capella de Música de Sant Jordi of the Generalitat de Catalunya. Despite the destruction of some archives, the large amount of surviving music place him as a composer of the transition between the aesthetics of the late Renaissance and that of the early Baroque.

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Kapellmeister and Composer 

It is probably he started his music education in Mataró. The first documented information about him is from 1593, when he was coadjutor of Julià Andreu Vilanova, Kapellmeister of the cathedral of Barcelona. That year he was appointed Kapellmeister of the cathedral of Tarragona and in 1595 he obtained the same position in the basilica of Pilar de Zaragoza. Seventeen years later, in 1612, he returned to Barcelona and was appointed Kapellmeister of the cathedral and that of the Capella de Música de Sant Jordi of the Generalitat de Catalunya. Despite the destruction of some archives, the large amount of surviving music place him as a composer of the transition between the aesthetics of the late Renaissance and that of the early Baroque.

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array(0) { } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541688759" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(5) "elena" ["picture"]=> string(1) "0" ["data"]=> NULL } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(5) "Pujol" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(5) "Pujol" ["format"]=> NULL ["safe_value"]=> string(5) "Pujol" } } } ["field_field_np_cognom_2"]=> array(0) { } } [3]=> object(stdClass)#222 (9) { ["node_title"]=> string(6) "Àngel" ["nid"]=> string(4) "4137" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(10) "Rodamilans" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["field_data_field_np_cognom_2_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#227 (53) { ["vid"]=> string(4) "4276" ["uid"]=> string(1) "5" ["title"]=> string(6) "Àngel" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4137" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541691480" ["changed"]=> string(10) "1579819217" ["tnid"]=> string(3) "465" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1579819217" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "297" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1874-05-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1936-08-27 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "297" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "22" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(1133) "

Composer 

He began his music education at the Escolania de la Puríssima Concepción of Sabadell and later, at the Escolania de Montserrat. There, between 1883 and 1890, he studied with father Milán Agostino and father Joan B. (Manuel) Guzmán. He studied religion at Barbastre, where he was also organist. Later, he studied at the Seminari de Barcelona, whilst studying also with Enric Granados. Based in Sabadell, he was Kapellmeister and organist at the church of the Immaculate Conception (1903-1915) until 1915, when he was appointed Kapellmeister and organist of the church of the Puríssima Concepció of Terrassa. There, he also founded the choir Montserrat. In 1923, he joined the Monastery of Montserrat where he developed pedagogical tasks at the escolania. He was also devoted to composition with an output of about a hundred vocal and religious works. Among his output, the songs and the Magnificat (1935) with Impressionist influences are particularly praised. He was killed in Sabadell during the first months of the war.

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(1080) "

Composer 

He began his music education at the Escolania de la Puríssima Concepción of Sabadell and later, at the Escolania de Montserrat. There, between 1883 and 1890, he studied with father Milán Agostino and father Joan B. (Manuel) Guzmán. He studied religion at Barbastre, where he was also organist. Later, he studied at the Seminari de Barcelona, whilst studying also with Enric Granados. Based in Sabadell, he was Kapellmeister and organist at the church of the Immaculate Conception (1903-1915) until 1915, when he was appointed Kapellmeister and organist of the church of the Puríssima Concepció of Terrassa. There, he also founded the choir Montserrat. In 1923, he joined the Monastery of Montserrat where he developed pedagogical tasks at the escolania. He was also devoted to composition with an output of about a hundred vocal and religious works. Among his output, the songs and the Magnificat (1935) with Impressionist influences are particularly praised. He was killed in Sabadell during the first months of the war.

" } } } ["field_ciutats_relacionades"]=> array(1) { ["und"]=> array(3) { [0]=> array(1) { ["target_id"]=> string(4) "3497" } [1]=> array(1) { ["target_id"]=> string(3) "297" } [2]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_associat_al_fons_del_museu"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_domini_public"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_patrimoni_musical_catal_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_obres"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "4403" } } } ["field_institucions_i_formacions_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3684" } } } ["field_noms_propis_relacionats"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3991" } } } ["field_teatres_i_auditoris_relaci"]=> array(0) { } ["field_centres_de_documentaci_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3594" } } } ["field_urls_d_interes"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3744" } } } ["field_bibliografia"]=> array(0) { } ["field__udios_sense_fitxa"]=> array(0) { } ["field_np_noms_alternatius"]=> array(0) { } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(10) "Rodamilans" ["format"]=> NULL ["safe_value"]=> string(10) "Rodamilans" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(6) "Canals" ["format"]=> NULL ["safe_value"]=> string(6) "Canals" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541691480" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(5) "elena" ["picture"]=> string(1) "0" ["data"]=> NULL } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(10) "Rodamilans" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(10) "Rodamilans" ["format"]=> NULL ["safe_value"]=> string(10) "Rodamilans" } } } ["field_field_np_cognom_2"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(6) "Canals" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(6) "Canals" ["format"]=> NULL ["safe_value"]=> string(6) "Canals" } } } } [4]=> object(stdClass)#223 (9) { ["node_title"]=> string(8) "Francesc" ["nid"]=> string(4) "3445" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(5) "Valls" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["field_data_field_np_cognom_2_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#211 (53) { ["vid"]=> string(4) "3576" ["uid"]=> string(1) "5" ["title"]=> string(8) "Francesc" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "3445" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1540472749" ["changed"]=> string(10) "1573744135" ["tnid"]=> string(3) "502" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1573744135" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(0) { } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1671-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1747-06-03 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(0) { } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "22" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(1112) "

Composer, Kapellmeister and music theorist. He possibly studied with Miquel Rosquelles at Santa Maria del Mar. He was Kapellmeister in Mataró and Girona and coadjutor to Joan Barter in Barcelona’s cathedral from 1696, due to the latter health issues. He was Kapellmeister of the same cathedral between 1706 to 1726, years in which he composed most of his religious music (636 works have survived). He was member of the Acadèmia dels Desconfiats. He was closely acquainted with Italian musicians such as Giuseppe Porsile (musician of the music chapel of King Carlos III), and have been considered key figures to understand the Italian influence in his music. His output includes the motet O vos omnes and the mass Missa Scala Aretina (1702, and re-instrumented for Carlos III), a piece that unleashed a long debate over Iberian religious music (1715-1730) that was backgrounded by the War of the Spanish Succession. This debate led Valls to write the treatise Mapa Harmonico (1741-1742). He was the teacher of Pere Rabassa, Jaume Casellas and probably Domènec Terradellas.

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(1111) "

Composer, Kapellmeister and music theorist. He possibly studied with Miquel Rosquelles at Santa Maria del Mar. He was Kapellmeister in Mataró and Girona and coadjutor to Joan Barter in Barcelona’s cathedral from 1696, due to the latter health issues. He was Kapellmeister of the same cathedral between 1706 to 1726, years in which he composed most of his religious music (636 works have survived). He was member of the Acadèmia dels Desconfiats. He was closely acquainted with Italian musicians such as Giuseppe Porsile (musician of the music chapel of King Carlos III), and have been considered key figures to understand the Italian influence in his music. His output includes the motet O vos omnes and the mass Missa Scala Aretina (1702, and re-instrumented for Carlos III), a piece that unleashed a long debate over Iberian religious music (1715-1730) that was backgrounded by the War of the Spanish Succession. This debate led Valls to write the treatise Mapa Harmonico (1741-1742). He was the teacher of Pere Rabassa, Jaume Casellas and probably Domènec Terradellas.

" } } } ["field_ciutats_relacionades"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_associat_al_fons_del_museu"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_domini_public"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_patrimoni_musical_catal_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_obres"]=> array(0) { } ["field_institucions_i_formacions_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3690" } } } ["field_noms_propis_relacionats"]=> array(1) { ["und"]=> array(4) { [0]=> array(1) { ["target_id"]=> string(4) "4093" } [1]=> array(1) { ["target_id"]=> string(4) "4123" } [2]=> array(1) { ["target_id"]=> string(4) "3453" } [3]=> array(1) { ["target_id"]=> string(4) "4111" } } } ["field_teatres_i_auditoris_relaci"]=> array(0) { } ["field_centres_de_documentaci_"]=> array(1) { ["und"]=> array(4) { [0]=> array(1) { ["target_id"]=> string(4) "3606" } [1]=> array(1) { ["target_id"]=> string(3) "530" } [2]=> array(1) { ["target_id"]=> string(4) "3605" } [3]=> array(1) { ["target_id"]=> string(4) "3594" } } } ["field_urls_d_interes"]=> array(0) { } ["field_bibliografia"]=> array(0) { } ["field__udios_sense_fitxa"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(4) "5353" } [1]=> array(1) { ["target_id"]=> string(4) "5354" } } } ["field_np_noms_alternatius"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(15) "Francisco Valls" ["format"]=> NULL ["safe_value"]=> string(15) "Francisco Valls" } } } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(5) "Valls" ["format"]=> NULL ["safe_value"]=> string(5) "Valls" } } } ["field_np_cognom_2"]=> array(0) { } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1540472749" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(5) "elena" ["picture"]=> string(1) "0" ["data"]=> NULL } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(5) "Valls" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(5) "Valls" ["format"]=> NULL ["safe_value"]=> string(5) "Valls" } } } ["field_field_np_cognom_2"]=> array(0) { } } [5]=> object(stdClass)#224 (9) { ["node_title"]=> string(5) "Josep" ["nid"]=> string(4) "3432" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(7) "Vinyals" 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Composer, conductor and organist

He began his education at the Escolania de Montserrat with Anselm Viola and Narcís Casanoves. He was ordained in 1790 and, two years later, he was appointed director of the Escolania de Montserrat. During the war of 1808-1814 he lived in Terrassa, where he composed for the music chapel. After the war, he contributed to the reestablishment of the Escolania and, together with Jacint Boada and Benet Brell, the restoration music archive of Montserrat. He spent his days as organist at the monastery of Sant Benet de Bages. Although most of his output has not survived, some Sonatas for the organ and Sis quintets per a instruments de vent (1804) have been preserved.

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Composer, conductor and organist

He began his education at the Escolania de Montserrat with Anselm Viola and Narcís Casanoves. He was ordained in 1790 and, two years later, he was appointed director of the Escolania de Montserrat. During the war of 1808-1814 he lived in Terrassa, where he composed for the music chapel. After the war, he contributed to the reestablishment of the Escolania and, together with Jacint Boada and Benet Brell, the restoration music archive of Montserrat. He spent his days as organist at the monastery of Sant Benet de Bages. Although most of his output has not survived, some Sonatas for the organ and Sis quintets per a instruments de vent (1804) have been preserved.

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["last_comment_timestamp"]=> string(10) "1540472217" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(5) "elena" ["picture"]=> string(1) "0" ["data"]=> NULL } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(7) "Vinyals" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(7) "Vinyals" ["format"]=> NULL ["safe_value"]=> string(7) "Vinyals" } } } ["field_field_np_cognom_2"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(5) "Galí" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(5) "Galí" ["format"]=> NULL ["safe_value"]=> string(5) "Galí" } } } } [6]=> object(stdClass)#225 (9) { ["node_title"]=> string(6) "Anselm" ["nid"]=> string(4) "3431" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(5) "Viola" 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Composer and teacher

He began his studies at the Escolania de Montserrat with Benet Esteve and Josep Martí. In 1756, he was ordained a monk and, for ten years, he resided in the monastery of Nuestra Señora de Montserrate in Madrid. There, in addition to completing the ecclesiastical instruction, he got in touch with the musical circles of Madrid, strongly influenced by Italian music. From 1768 and until his dead, he taught at the Escolania de Montserrat. His work is fundamental to understand the Montserratian school and its stylistic development. Among others, he was taught Ferran Sor, Josep Vinyals and Maur Ametller. He composed keyboard and religious music including important masses such as Missa Alma Redemptoris Mater and outstanding music for dulcian (baixó) and bass, such as the Concert per a baixó (1790-1791).

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(911) "

Composer and teacher

He began his studies at the Escolania de Montserrat with Benet Esteve and Josep Martí. In 1756, he was ordained a monk and, for ten years, he resided in the monastery of Nuestra Señora de Montserrate in Madrid. There, in addition to completing the ecclesiastical instruction, he got in touch with the musical circles of Madrid, strongly influenced by Italian music. From 1768 and until his dead, he taught at the Escolania de Montserrat. His work is fundamental to understand the Montserratian school and its stylistic development. Among others, he was taught Ferran Sor, Josep Vinyals and Maur Ametller. He composed keyboard and religious music including important masses such as Missa Alma Redemptoris Mater and outstanding music for dulcian (baixó) and bass, such as the Concert per a baixó (1790-1791).

" } } } ["field_ciutats_relacionades"]=> array(1) { ["und"]=> array(3) { [0]=> array(1) { ["target_id"]=> string(4) "3494" } [1]=> array(1) { ["target_id"]=> string(3) "226" } [2]=> array(1) { ["target_id"]=> string(3) "163" } } } ["field_associat_al_fons_del_museu"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_domini_public"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_patrimoni_musical_catal_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_obres"]=> array(0) { } ["field_institucions_i_formacions_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3684" } } } ["field_noms_propis_relacionats"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(4) "4165" } [1]=> array(1) { ["target_id"]=> string(4) "3432" } } } ["field_teatres_i_auditoris_relaci"]=> array(0) { } ["field_centres_de_documentaci_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3594" } } } ["field_urls_d_interes"]=> array(0) { } ["field_bibliografia"]=> array(0) { } ["field__udios_sense_fitxa"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(4) "5348" } [1]=> array(1) { ["target_id"]=> string(4) "5350" } } } ["field_np_noms_alternatius"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(4) "Pere" ["format"]=> NULL ["safe_value"]=> string(4) "Pere" } } } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(5) "Viola" ["format"]=> NULL ["safe_value"]=> string(5) "Viola" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(8) "Valentí" ["format"]=> NULL ["safe_value"]=> string(8) "Valentí" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1540471400" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(5) "elena" ["picture"]=> string(1) "0" ["data"]=> NULL } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(5) "Viola" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(5) "Viola" ["format"]=> NULL ["safe_value"]=> string(5) "Viola" } } } ["field_field_np_cognom_2"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(8) "Valentí" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(8) "Valentí" ["format"]=> NULL ["safe_value"]=> string(8) "Valentí" } } } } }