array(2) { [0]=> string(5) "links" [1]=> string(8) "language" } array(9) { [0]=> object(stdClass)#268 (7) { ["node_title"]=> string(5) "Pilar" ["nid"]=> string(4) "3861" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(6) "Alonso" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#262 (53) { ["vid"]=> string(4) "4000" ["uid"]=> string(1) "5" ["title"]=> string(5) "Pilar" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "3861" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541429112" ["changed"]=> string(10) "1578990744" ["tnid"]=> string(3) "497" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1578990744" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "102" } } } ["field_fotografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(13) { ["fid"]=> string(2) "36" ["uid"]=> string(1) "3" ["filename"]=> string(33) "004 Alonso-02 mera fotografia.jpg" ["uri"]=> string(42) "public://004 Alonso-02 mera fotografia.jpg" ["filemime"]=> string(10) "image/jpeg" ["filesize"]=> string(6) "319647" ["status"]=> string(1) "1" ["timestamp"]=> string(10) "1456681943" ["rdf_mapping"]=> array(0) { } ["alt"]=> string(0) "" ["title"]=> string(0) "" ["width"]=> string(3) "988" ["height"]=> string(4) "1600" } } } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "415" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1897-02-15 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1980-04-10 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "163" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(785) "

Cuplet singer. She started singing within the family circle until she moved to Barcelona. After a moderate success in her debut at Saló Doré, she progressively gained fame thanks to the performance of songs and cuplets in Catalan, in addition to her repertoire in Spanish. At the beginning of the 1920s she performed in Madrid and Seville, where she achieved some success. In Catalonia, she became a prominent figure in the cupletist scene and variety shows. She performed constantly at theatres such as Eldorado and made multiple recordings. Furthermore, she was key in the popularization of songs such as ‘La Marieta de l’ull viu - Baixant de la Font del Gat’. Around 1925, she got married and abandoned the theatres completely endeding her artistic career.

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Cuplet singer. She started singing within the family circle until she moved to Barcelona. After a moderate success in her debut at Saló Doré, she progressively gained fame thanks to the performance of songs and cuplets in Catalan, in addition to her repertoire in Spanish. At the beginning of the 1920s she performed in Madrid and Seville, where she achieved some success. In Catalonia, she became a prominent figure in the cupletist scene and variety shows. She performed constantly at theatres such as Eldorado and made multiple recordings. Furthermore, she was key in the popularization of songs such as ‘La Marieta de l’ull viu - Baixant de la Font del Gat’. Around 1925, she got married and abandoned the theatres completely endeding her artistic career.

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"3711" } } } ["field_centres_de_documentaci_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "530" } } } ["field_urls_d_interes"]=> array(0) { } ["field_bibliografia"]=> array(0) { } ["field__udios_sense_fitxa"]=> array(0) { } ["field_np_noms_alternatius"]=> array(0) { } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(6) "Alonso" ["format"]=> NULL ["safe_value"]=> string(6) "Alonso" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(4) "Moll" ["format"]=> NULL ["safe_value"]=> string(4) "Moll" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541429112" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(6) "Alonso" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(6) "Alonso" ["format"]=> NULL ["safe_value"]=> string(6) "Alonso" } } } } [1]=> object(stdClass)#269 (7) { ["node_title"]=> string(6) "Jaume " ["nid"]=> string(4) "3872" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(5) "Bachs" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#259 (52) { ["vid"]=> string(4) "4011" ["uid"]=> string(1) "5" ["title"]=> string(6) "Jaume " ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "3872" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541429955" ["changed"]=> string(10) "1568119973" ["tnid"]=> string(3) "856" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1568119973" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(13) { ["fid"]=> string(2) "32" ["uid"]=> string(1) "3" ["filename"]=> string(13) "012 Bachs.jpg" ["uri"]=> string(22) "public://012 Bachs.jpg" ["filemime"]=> string(10) "image/jpeg" ["filesize"]=> string(5) "14165" ["status"]=> string(1) "1" ["timestamp"]=> string(10) "1456681551" ["rdf_mapping"]=> array(0) { } ["alt"]=> string(0) "" ["title"]=> string(0) "" ["width"]=> string(3) "229" ["height"]=> string(3) "529" } } } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1862-01-22 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1909-05-14 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { 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Singer and Composer

He studied singing in Barcelona under Goula, who encouraged him to become a baritone and later a tenor. After studying singing in Paris, he debuted as a baritone at Liceu with Donizetti and took the stage name Angelo Angioletti (sometimes subject to small variations). His performances won acclaim at the Politeama Genovese, Teatro Real of Madrid and Liceu, singing in operas by Wagner, Bizet and Thomas. His career was established when he covered for the tenor Francesc Viñas in wagnerian roles at Carlo Felice theatre (Genoa) and La Scala (Milan). By the end of his career he premiered Acté by Manén and Emporium by Morera. He also composed accompanied vocal pieces and the opera Aurèlia, premiered at Eldorado theatre (Barcelona). A collection of the singer's materials is held at the Biblioteca de Catalunya. 

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(880) "

Singer and Composer

He studied singing in Barcelona under Goula, who encouraged him to become a baritone and later a tenor. After studying singing in Paris, he debuted as a baritone at Liceu with Donizetti and took the stage name Angelo Angioletti (sometimes subject to small variations). His performances won acclaim at the Politeama Genovese, Teatro Real of Madrid and Liceu, singing in operas by Wagner, Bizet and Thomas. His career was established when he covered for the tenor Francesc Viñas in wagnerian roles at Carlo Felice theatre (Genoa) and La Scala (Milan). By the end of his career he premiered Acté by Manén and Emporium by Morera. He also composed accompanied vocal pieces and the opera Aurèlia, premiered at Eldorado theatre (Barcelona). A collection of the singer's materials is held at the Biblioteca de Catalunya. 

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"3693" } [1]=> array(1) { ["target_id"]=> string(4) "3711" } [2]=> array(1) { ["target_id"]=> string(4) "3740" } [3]=> array(1) { ["target_id"]=> string(4) "1797" } [4]=> array(1) { ["target_id"]=> string(4) "1795" } [5]=> array(1) { ["target_id"]=> string(4) "1793" } } } ["field_centres_de_documentaci_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3606" } } } ["field_urls_d_interes"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3829" } } } ["field_bibliografia"]=> array(0) { } ["field__udios_sense_fitxa"]=> array(0) { } ["field_np_noms_alternatius"]=> array(1) { ["und"]=> array(3) { [0]=> array(3) { ["value"]=> string(16) "Angelo Agioletti" ["format"]=> NULL ["safe_value"]=> string(16) "Angelo Agioletti" } [1]=> array(3) { ["value"]=> string(18) "Angiolo Angioletti" ["format"]=> NULL ["safe_value"]=> string(18) "Angiolo Angioletti" } [2]=> array(3) { ["value"]=> string(17) "Angiolo Angelotti" ["format"]=> NULL ["safe_value"]=> string(17) "Angiolo Angelotti" } } } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(5) "Bachs" ["format"]=> NULL ["safe_value"]=> string(5) "Bachs" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(6) "Rosés" ["format"]=> NULL ["safe_value"]=> string(6) "Rosés" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541429955" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(5) "Bachs" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(5) "Bachs" ["format"]=> NULL ["safe_value"]=> string(5) "Bachs" } } } } [2]=> object(stdClass)#270 (7) { ["node_title"]=> string(5) "Julia" ["nid"]=> string(4) "6210" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(7) "Borrull" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#278 (53) { ["vid"]=> string(4) "6377" ["uid"]=> string(1) "3" ["title"]=> string(5) "Julia" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "6210" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1614079379" ["changed"]=> string(10) "1618575699" ["tnid"]=> string(4) "6173" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1618575699" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "102" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "231" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1985-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(0) { } ["field_lloc_mort"]=> array(0) { } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(1148) "

Flamenco dancer

Daughter of Miguel Borrull Castellón. In 1910, promoted by her father in Madrid’s variety halls, she began dancing flamenco with her sister Isabel, adopting the stage name ‘Las Hermanas Borrull’ or ‘Las Egipcias’. The sisters made their debut a year later at the Teatre Arnau in Barcelona. In 1912, their success made it possible for them to perform for a few months at the flamenco restaurant La Feria in Paris.

Between 1913 and 1915, she embarked on a successful solo tour of different Spanish cities. In 1915, the family moved to Barcelona where she ran the Café Villa Rosa from 1916. At the same time, she performed in theatres in Barcelona and throughout the country, including Sala Imperio (Barcelona), Teatre Eslava (Valencia), Teatro de la Zarzuela (Madrid) and the Kursaal (Melilla).

She took over the direction of the family-run Café Villa Rosa in 1926. In 1934, she took part in the premiere of the flamenco comedy La zambra by Chorro Jumo at the Teatre Poliorama.

Julio Romero de Torres captured the dancer in the painting Alegrías (1917).

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(1135) "

Flamenco dancer

Daughter of Miguel Borrull Castellón. In 1910, promoted by her father in Madrid’s variety halls, she began dancing flamenco with her sister Isabel, adopting the stage name ‘Las Hermanas Borrull’ or ‘Las Egipcias’. The sisters made their debut a year later at the Teatre Arnau in Barcelona. In 1912, their success made it possible for them to perform for a few months at the flamenco restaurant La Feria in Paris.

Between 1913 and 1915, she embarked on a successful solo tour of different Spanish cities. In 1915, the family moved to Barcelona where she ran the Café Villa Rosa from 1916. At the same time, she performed in theatres in Barcelona and throughout the country, including Sala Imperio (Barcelona), Teatre Eslava (Valencia), Teatro de la Zarzuela (Madrid) and the Kursaal (Melilla).

She took over the direction of the family-run Café Villa Rosa in 1926. In 1934, she took part in the premiere of the flamenco comedy La zambra by Chorro Jumo at the Teatre Poliorama.

Julio Romero de Torres captured the dancer in the painting Alegrías (1917).

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Flamenco dancer

Daughter of Miguel Borrull Castellón. In 1912 she made her debut with his family at the Parisian club La Feria. She performed at the Café Villa Rosa, the family's Barcelona venue. She also performed at theatres such as Eldorado (1917, 1925), Novedades (1919) and Còmic (1921) in Barcelona, Romea and Comedia (1917) in Madrid, and Eslava (1915), Villa Rosa (1931) and Apol·lo (1932) in Valencia, where the press called her ‘the queen of gypsy dance’. In 1929 she took part in the premiere of the flamenco comedy La zambra del Sacro-Monte at the Teatre Nou in Barcelona. That same year, she also took part in Los flamencos, a lyrical sainete with music by Amadeu Vives premiered at Teatre Tívoli. In 1933 she collaborated with the company of Laura de Santelmo at the Gran Teatre del Liceu, in Falla’s opera La vida breve and in the gitanería El amor brujo. The following year, she performed with his sister Julia in the flamenco comedy La zambra del Chorro Jumo. FlFrom the 1940s onwards, she was described as the queen of alegrías and was a flamenco dance teacher at the school

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Flamenco dancer

Daughter of Miguel Borrull Castellón. In 1912 she made her debut with his family at the Parisian club La Feria. She performed at the Café Villa Rosa, the family's Barcelona venue. She also performed at theatres such as Eldorado (1917, 1925), Novedades (1919) and Còmic (1921) in Barcelona, Romea and Comedia (1917) in Madrid, and Eslava (1915), Villa Rosa (1931) and Apol·lo (1932) in Valencia, where the press called her ‘the queen of gypsy dance’. In 1929 she took part in the premiere of the flamenco comedy La zambra del Sacro-Monte at the Teatre Nou in Barcelona. That same year, she also took part in Los flamencos, a lyrical sainete with music by Amadeu Vives premiered at Teatre Tívoli. In 1933 she collaborated with the company of Laura de Santelmo at the Gran Teatre del Liceu, in Falla’s opera La vida breve and in the gitanería El amor brujo. The following year, she performed with his sister Julia in the flamenco comedy La zambra del Chorro Jumo. FlFrom the 1940s onwards, she was described as the queen of alegrías and was a flamenco dance teacher at the school

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Narcís Fita, sarsuela, P. Solana, Societat Euterpense Clavé

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Narcís Fita, sarsuela, P. Solana, Societat Euterpense Clavé

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Composer and pianist

He began his studies with his uncle Narcís Fita (organ) and with P. Solana (violin). He played the piano at cafes and conducted the choir Erato. At the age of thirteen he joined the Orquesta Figueras, where he began composing ballables. In 1888 he moved to Barcelona where he was a pianist-conductor in several renowned theatres. There, he also founded Orquestra Cotó together with some lecturers at Liceu, and toured around Europe. He created a type of staged revista called Portofolios Musicales. From 1878, he became famous for composing hundreds of dance pieces (the so-called 19th-century dances and americanas), which were performed by orchestras throughout Catalonia. He continued to compose small stage music with success, as well as works for male choirs, sardanes and easy piano pieces. His composition has been compared to that of other contemporary European composers, and especially to that of Johann Strauss the Son.

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Composer and pianist

He began his studies with his uncle Narcís Fita (organ) and with P. Solana (violin). He played the piano at cafes and conducted the choir Erato. At the age of thirteen he joined the Orquesta Figueras, where he began composing ballables. In 1888 he moved to Barcelona where he was a pianist-conductor in several renowned theatres. There, he also founded Orquestra Cotó together with some lecturers at Liceu, and toured around Europe. He created a type of staged revista called Portofolios Musicales. From 1878, he became famous for composing hundreds of dance pieces (the so-called 19th-century dances and americanas), which were performed by orchestras throughout Catalonia. He continued to compose small stage music with success, as well as works for male choirs, sardanes and easy piano pieces. His composition has been compared to that of other contemporary European composers, and especially to that of Johann Strauss the Son.

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Zarzuela and revue singer

In 1908 she settled in Barcelona and sung zarzuela, revue and operetta. In 1910 she performed at Teatre Tívoli in La corte del Faraón (with music by Lleó). The following year she premiered the lyrical sainete Gente menuda (with music by Valverde) at Teatre Còmic, and in 1912 Abierta toda la noche, (with music by Quislant i Badia) at Tívoli. In 1913 she took part in the premiere of El casament d’en Tarregada (with music by Francesc Montserrat) at the Teatre Nou.Despite numerous offers to perform outside of Barcelona, the so-called "Queen of the Parallel", performed mainly in theatres located on Avinguda Parallel, with very few exceptions. She had a light voice and imitated singers such as Pastora Imperio, La Fornarina and the French Nitta Jo, among others.She obtained a wide success acting with Joaquim Montero’s company, particularly in the revues ¡Arriba el telón! and Monterògraf. While rehearsing Cuando el amor muere with this company, she succumbed to the typhus epidemic that affected Barcelona between 1914 and 1915.

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Zarzuela and revue singer

In 1908 she settled in Barcelona and sung zarzuela, revue and operetta. In 1910 she performed at Teatre Tívoli in La corte del Faraón (with music by Lleó). The following year she premiered the lyrical sainete Gente menuda (with music by Valverde) at Teatre Còmic, and in 1912 Abierta toda la noche, (with music by Quislant i Badia) at Tívoli. In 1913 she took part in the premiere of El casament d’en Tarregada (with music by Francesc Montserrat) at the Teatre Nou.Despite numerous offers to perform outside of Barcelona, the so-called "Queen of the Parallel", performed mainly in theatres located on Avinguda Parallel, with very few exceptions. She had a light voice and imitated singers such as Pastora Imperio, La Fornarina and the French Nitta Jo, among others.She obtained a wide success acting with Joaquim Montero’s company, particularly in the revues ¡Arriba el telón! and Monterògraf. While rehearsing Cuando el amor muere with this company, she succumbed to the typhus epidemic that affected Barcelona between 1914 and 1915.

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["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(7) "Montoro" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(7) "Montoro" ["format"]=> NULL ["safe_value"]=> string(7) "Montoro" } } } } [6]=> object(stdClass)#274 (7) { ["node_title"]=> string(8) "Càndida" ["nid"]=> string(4) "4091" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(6) "Pérez" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#261 (53) { ["vid"]=> string(4) "4230" ["uid"]=> string(1) "5" ["title"]=> string(8) "Càndida" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4091" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541519722" ["changed"]=> string(10) "1562152019" ["tnid"]=> string(4) "1198" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1562152019" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "102" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "301" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1893-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1989-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "301" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(2) "22" } [1]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(1117) " " ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(1094) "

Composer and cupletista

In 1914 she debuted at Cinema Teatre Ideal Park in Olot, and was quickly hired by the D'Onnini company. She subsequently moved to Barcelona where she studied composition and, together with his future husband Melquíadez Lucarelli, she founded a music school specializing in music hall and a record label. During the 1920s, she sang and released numerous cuplets that enjoyed great success. During this time,s he toured several European cities thanks to the Paramount Company. From 1928 onwards, she performed in Latin America under the name Alba and she obtained Argentinian citizenship. After separating from Lucarelli (1929) she settled in Brazil together with the artist and industrialist Luiz Fossati. She abandoned her artistic career until her return to Catalonia (1968). She composed well-known cuplets in Catalan such as Les caramelles, Marieta de l'ull viu or Baixant de la font del gat (which was popularized by Raquel Meller).

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string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541519722" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(6) "Pérez" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(6) "Pérez" ["format"]=> NULL ["safe_value"]=> string(6) "Pérez" } } } } [7]=> object(stdClass)#275 (7) { ["node_title"]=> string(4) "Pere" ["nid"]=> string(4) "4101" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(6) "Pubill" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> 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Singer, guitarist and composer 

One of the main initiators of the Catalan rumba. He learned to play guitar as a kid. With 12 years he and his cousin Pepita Becas formed the duo Hermanos Montenegro, with which they won an award at the Tívoli Theater. Nevertheless, his first album (recorded in 1957) went unnoticed. In the 1960s he worked at the tablao El Duende (Madrid), and developed his style with the influence of Elvis Presley as well as the rumba El Pescadilla or El Orejas. In the 1970s his songs "Una lágrima" and "Borriquito com tu" achieved an international dissemination. In 1974 he took part in the Eurovision festival. In the mid 1980s, he announced his retirement from the stage. However, in 1991 he recorded 'Caballo Blanco', as part of Chipén's first album, and in 1992 he participated in the opening ceremony of the Barcelona Olympics. In addition to making 27 records, he was producer of his own record label through which he promoted Catalan rumba musicians.

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Cuplet singer

She made her debut as a cuplet singer in 1921 in Barcelona and received singing lessons from Joan Viladomat and Vicenç Martín Quirós. She specialized in couplet inspired by French chanson realiste, taking singers such as La Fréhel, Edith Piaf and Juliette Gréco as her role models.

In 1922, whilst achieving success at Teatre Apol·lo, she recorded La muller d'en Manelic and La filla del pescador for Gramófono record label. Joan Viladomat composed the music for the tango-couplet Fumando espero and she popularized it at the Edén Concert (Barcelona) and recorded it in 1924. In 1923 she made her debut at Teatro Maravillas in Madrid.

During the second half of the 1920s she consolidated her success in the Eldorado and Circ Barcelonès theatres, with couplets such as El tango de la cocaína (with music by Viladomat) which she recorded in 1927. From 1930, she appeared on stages only sporadically, back at Circ Barcelonès, Coliseum and Tívoli. Her last public appearance was in 1944 at Circ Roxy.

 

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Cuplet singer

She made her debut as a cuplet singer in 1921 in Barcelona and received singing lessons from Joan Viladomat and Vicenç Martín Quirós. She specialized in couplet inspired by French chanson realiste, taking singers such as La Fréhel, Edith Piaf and Juliette Gréco as her role models.

In 1922, whilst achieving success at Teatre Apol·lo, she recorded La muller d'en Manelic and La filla del pescador for Gramófono record label. Joan Viladomat composed the music for the tango-couplet Fumando espero and she popularized it at the Edén Concert (Barcelona) and recorded it in 1924. In 1923 she made her debut at Teatro Maravillas in Madrid.

During the second half of the 1920s she consolidated her success in the Eldorado and Circ Barcelonès theatres, with couplets such as El tango de la cocaína (with music by Viladomat) which she recorded in 1927. From 1930, she appeared on stages only sporadically, back at Circ Barcelonès, Coliseum and Tívoli. Her last public appearance was in 1944 at Circ Roxy.

 

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Noms propis: Munné, Joan; Laureano Fuents Matons, Rafael Salcedo de las Cuevas, Peralta (guitarra), Betancourt (guitarra), juan Benedetti, Maria Pacaldi Adela Muñoz del Monte

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Noms propis: Munné, Joan; Laureano Fuents Matons, Rafael Salcedo de las Cuevas, Peralta (guitarra), Betancourt (guitarra), juan Benedetti, Maria Pacaldi Adela Muñoz del Monte

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Composer, director and flautist

He began his musical studies in Mahon, where his family lived during the Peninsular War. He continued his studies in 1815 in Barcelona with Andreví, whilst playing the piccolo in the Band of the Artillery Regiment. In the 1820s, he settled in Paris, where he studied with Pierre Melchor and Eugen Münchs, and became part of the Royal Guard Band. When it dissolved in 1830, he returned to Barcelona and worked as a flautist at the Teatre de la Santa Creu. In 1832 he moved to Santiago de Cuba to conduct the orchestra and military bands. In his time there, he created a music school and a quartet, and composing and transcribing music. In 1850 he moved to Havana and developed the same activities. In 1866, he returned to Barcelona, where he won the composition prize of the Ateneu Barcelonès, created the Societat de Concerts Clàssics, promoted symphonic music and organized the so-called Concerts Casamitjana in various gardens of the city. His compositions are mostly for piano or symphonic orchestra. He enjoyed a great reputation.

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Composer, director and flautist

He began his musical studies in Mahon, where his family lived during the Peninsular War. He continued his studies in 1815 in Barcelona with Andreví, whilst playing the piccolo in the Band of the Artillery Regiment. In the 1820s, he settled in Paris, where he studied with Pierre Melchor and Eugen Münchs, and became part of the Royal Guard Band. When it dissolved in 1830, he returned to Barcelona and worked as a flautist at the Teatre de la Santa Creu. In 1832 he moved to Santiago de Cuba to conduct the orchestra and military bands. In his time there, he created a music school and a quartet, and composing and transcribing music. In 1850 he moved to Havana and developed the same activities. In 1866, he returned to Barcelona, where he won the composition prize of the Ateneu Barcelonès, created the Societat de Concerts Clàssics, promoted symphonic music and organized the so-called Concerts Casamitjana in various gardens of the city. His compositions are mostly for piano or symphonic orchestra. He enjoyed a great reputation.

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At the age of six he began his music studies in the parish of Santa Anna’s chapel in Barcelona under Pere Llorens i Llatchós. In 1853 he was admitted to the Consevatori del Liceu, where he studied solfeggio and piano under Raimond Gili and harmony and composition under Gabriel Balart. In 1863 he premiered the overture Minerva at the Teatre dels Camps Elisis in Barcelona and four years later he presented the opera Rahabba at the Gran Teatre del Liceu. In 1869 he moved to Paris and studied under Daniel F. E. Auber whilst conducting at the Théâtre de la Gaîté. In 1871 he returned to Barcelona and taught at the Conservatori del Liceu, an institution he directed from 1893 to 1917. In 1881 he premiered the opera La cova dels orbs at Teatre Circ Barcelonès. Regarding style, he adhered to Meyerbeer's school. His output includes music for voice and piano (which he called simfomeles), operas, and religious music. He wrote several didactic works on music history and theory. Some of his students were Ll. Casagemas, J.Sicard, M. Rodríguez de Alcántara, E. Daniel, F. Marshall and J. Zamacois.

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At the age of six he began his music studies in the parish of Santa Anna’s chapel in Barcelona under Pere Llorens i Llatchós. In 1853 he was admitted to the Consevatori del Liceu, where he studied solfeggio and piano under Raimond Gili and harmony and composition under Gabriel Balart. In 1863 he premiered the overture Minerva at the Teatre dels Camps Elisis in Barcelona and four years later he presented the opera Rahabba at the Gran Teatre del Liceu. In 1869 he moved to Paris and studied under Daniel F. E. Auber whilst conducting at the Théâtre de la Gaîté. In 1871 he returned to Barcelona and taught at the Conservatori del Liceu, an institution he directed from 1893 to 1917. In 1881 he premiered the opera La cova dels orbs at Teatre Circ Barcelonès. Regarding style, he adhered to Meyerbeer's school. His output includes music for voice and piano (which he called simfomeles), operas, and religious music. He wrote several didactic works on music history and theory. Some of his students were Ll. Casagemas, J.Sicard, M. Rodríguez de Alcántara, E. Daniel, F. Marshall and J. Zamacois.

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Noms propis: Munné, Joan; Laureano Fuents Matons, Rafael Salcedo de las Cuevas, Peralta (guitarra), Betancourt (guitarra), juan Benedetti, Maria Pacaldi Adela Muñoz del Monte

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Noms propis: Munné, Joan; Laureano Fuents Matons, Rafael Salcedo de las Cuevas, Peralta (guitarra), Betancourt (guitarra), juan Benedetti, Maria Pacaldi Adela Muñoz del Monte

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Composer, director and flautist

He began his musical studies in Mahon, where his family lived during the Peninsular War. He continued his studies in 1815 in Barcelona with Andreví, whilst playing the piccolo in the Band of the Artillery Regiment. In the 1820s, he settled in Paris, where he studied with Pierre Melchor and Eugen Münchs, and became part of the Royal Guard Band. When it dissolved in 1830, he returned to Barcelona and worked as a flautist at the Teatre de la Santa Creu. In 1832 he moved to Santiago de Cuba to conduct the orchestra and military bands. In his time there, he created a music school and a quartet, and composing and transcribing music. In 1850 he moved to Havana and developed the same activities. In 1866, he returned to Barcelona, where he won the composition prize of the Ateneu Barcelonès, created the Societat de Concerts Clàssics, promoted symphonic music and organized the so-called Concerts Casamitjana in various gardens of the city. His compositions are mostly for piano or symphonic orchestra. He enjoyed a great reputation.

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Composer, director and flautist

He began his musical studies in Mahon, where his family lived during the Peninsular War. He continued his studies in 1815 in Barcelona with Andreví, whilst playing the piccolo in the Band of the Artillery Regiment. In the 1820s, he settled in Paris, where he studied with Pierre Melchor and Eugen Münchs, and became part of the Royal Guard Band. When it dissolved in 1830, he returned to Barcelona and worked as a flautist at the Teatre de la Santa Creu. In 1832 he moved to Santiago de Cuba to conduct the orchestra and military bands. In his time there, he created a music school and a quartet, and composing and transcribing music. In 1850 he moved to Havana and developed the same activities. In 1866, he returned to Barcelona, where he won the composition prize of the Ateneu Barcelonès, created the Societat de Concerts Clàssics, promoted symphonic music and organized the so-called Concerts Casamitjana in various gardens of the city. His compositions are mostly for piano or symphonic orchestra. He enjoyed a great reputation.

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Composer

Based in Barcelona, he composed popular songs and dances during the second third of the 20^th century, with special relevance during the 1940s. His wife, Mercedes Belenguer, collaborated as his lyricist. They signed many of the works under the names of J. Lito and M. Godoy, respectively.

Some of the most celebrated songs include Mi casita de papel, Yo quiero un TBO and Amor que viene cantando, popularized by renowned vocalists of the time such as Pepe Blanco, Jorge Sepúlveda and Carmen Morell. The couple's production included pieces in different dance styles: tangos, foxtrots, pasodobles and boleros.

Francisco Codoñer is also the author of stage music premiered in Barcelona: the revue Luz en las sombras (1925) at Gran Teatre del Bosc; the lyrical fantasia Me debes un beso (1954) at Teatre Apol·lo and the revue Dos amores vienen cantando (1955) at Teatre Poliorama.

 

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Composer

Based in Barcelona, he composed popular songs and dances during the second third of the 20th century, with special relevance during the 1940s. His wife, Mercedes Belenguer, collaborated as his lyricist. They signed many of the works under the names of J. Lito and M. Godoy, respectively.

Some of the most celebrated songs include Mi casita de papel, Yo quiero un TBO and Amor que viene cantando, popularized by renowned vocalists of the time such as Pepe Blanco, Jorge Sepúlveda and Carmen Morell. The couple's production included pieces in different dance styles: tangos, foxtrots, pasodobles and boleros.

Francisco Codoñer is also the author of stage music premiered in Barcelona: the revue Luz en las sombras (1925) at Gran Teatre del Bosc; the lyrical fantasia Me debes un beso (1954) at Teatre Apol·lo and the revue Dos amores vienen cantando (1955) at Teatre Poliorama.

 

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Nét de Fidel Bosch i Llonch, mestre de Nicanor Pérez

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Nét de Fidel Bosch i Llonch, mestre de Nicanor Pérez

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Composer, violinist and teacher

He began his music studies in the family environment. Later, the studied violin, piano and composition with J. T. Vilar, J. M. Arteaga, D. Sánchez Deyá and G. Balart. In 1875 and 1880 he was the first violin in the orchestras of the Teatre Principal and the Societat de Concerts (Barcelona). Between 1882 and 1886, he was the first violin in Barbastre, and between 1886 and 1888, he conducted opera companies in several Spanish cities. During the 1890s, he obtained the position of director of the Escola de Música de Sabadell and later also that of the Municipal School of Vic. He also founded the Banda Municipal of Sabadell. Later in his life, he continued composing, conducting choirs and performing at the Escola Municipal de Sord-Muts (Barcelona). He also devoted himself to composition and won many prizes. His output includes music of all genres, such as stage and chamber music and sardanes. He is renowned for his choir and voice compositions, and for setting to music poems by J. Verdaguer and for harmonizing Catalan folk songs

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Composer, violinist and teacher

He began his music studies in the family environment. Later, the studied violin, piano and composition with J. T. Vilar, J. M. Arteaga, D. Sánchez Deyá and G. Balart. In 1875 and 1880 he was the first violin in the orchestras of the Teatre Principal and the Societat de Concerts (Barcelona). Between 1882 and 1886, he was the first violin in Barbastre, and between 1886 and 1888, he conducted opera companies in several Spanish cities. During the 1890s, he obtained the position of director of the Escola de Música de Sabadell and later also that of the Municipal School of Vic. He also founded the Banda Municipal of Sabadell. Later in his life, he continued composing, conducting choirs and performing at the Escola Municipal de Sord-Muts (Barcelona). He also devoted himself to composition and won many prizes. His output includes music of all genres, such as stage and chamber music and sardanes. He is renowned for his choir and voice compositions, and for setting to music poems by J. Verdaguer and for harmonizing Catalan folk songs

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He was choirister in La Seu d'Urgell. In 1806 he moved to Barcelona, studied with Queralt and Baguer and familiarized himself with Italian opera. During the Peninsular War he moved to Mahon, where he met Karl-Ernst Cook. After the war, Carnicer returned to Barcelona and was soon sent to Italy to recruit an opera troupe for Teatre de la Santa Creu (Barcelona) which turned out ot be that of Pietro Generali. In 1818 he took over the direction of the theater himself and programmed operas by Rossini. Rossini did also influence his own style, as can be apreciated in his Don Giovanni Tenorio or his overture on Rossini's Il barbiere di Sviglia (1818). Because of his liberal ideas, he went into exile to Paris (1823) and then to London (1826), where he published Six Spanish Airs and the national anthem of Chile. Back in Barcelona, he was forced to settle in Madrid to succeed Mercadante (1828-1845) in the Court theaters. There, he was appointed founder-professor of composition of the Conservatory and had Barbieri and Saldoni as students. His output includes over 200 works.

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He was choirister in La Seu d'Urgell. In 1806 he moved to Barcelona, studied with Queralt and Baguer and familiarized himself with Italian opera. During the Peninsular War he moved to Mahon, where he met Karl-Ernst Cook. After the war, Carnicer returned to Barcelona and was soon sent to Italy to recruit an opera troupe for Teatre de la Santa Creu (Barcelona) which turned out ot be that of Pietro Generali. In 1818 he took over the direction of the theater himself and programmed operas by Rossini. Rossini did also influence his own style, as can be apreciated in his Don Giovanni Tenorio or his overture on Rossini's Il barbiere di Sviglia (1818). Because of his liberal ideas, he went into exile to Paris (1823) and then to London (1826), where he published Six Spanish Airs and the national anthem of Chile. Back in Barcelona, he was forced to settle in Madrid to succeed Mercadante (1828-1845) in the Court theaters. There, he was appointed founder-professor of composition of the Conservatory and had Barbieri and Saldoni as students. His output includes over 200 works.

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Noms propis: Munné, Joan; Laureano Fuents Matons, Rafael Salcedo de las Cuevas, Peralta (guitarra), Betancourt (guitarra), juan Benedetti, Maria Pacaldi Adela Muñoz del Monte

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Noms propis: Munné, Joan; Laureano Fuents Matons, Rafael Salcedo de las Cuevas, Peralta (guitarra), Betancourt (guitarra), juan Benedetti, Maria Pacaldi Adela Muñoz del Monte

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Composer, director and flautist

He began his musical studies in Mahon, where his family lived during the Peninsular War. He continued his studies in 1815 in Barcelona with Andreví, whilst playing the piccolo in the Band of the Artillery Regiment. In the 1820s, he settled in Paris, where he studied with Pierre Melchor and Eugen Münchs, and became part of the Royal Guard Band. When it dissolved in 1830, he returned to Barcelona and worked as a flautist at the Teatre de la Santa Creu. In 1832 he moved to Santiago de Cuba to conduct the orchestra and military bands. In his time there, he created a music school and a quartet, and composing and transcribing music. In 1850 he moved to Havana and developed the same activities. In 1866, he returned to Barcelona, where he won the composition prize of the Ateneu Barcelonès, created the Societat de Concerts Clàssics, promoted symphonic music and organized the so-called Concerts Casamitjana in various gardens of the city. His compositions are mostly for piano or symphonic orchestra. He enjoyed a great reputation.

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Composer, director and flautist

He began his musical studies in Mahon, where his family lived during the Peninsular War. He continued his studies in 1815 in Barcelona with Andreví, whilst playing the piccolo in the Band of the Artillery Regiment. In the 1820s, he settled in Paris, where he studied with Pierre Melchor and Eugen Münchs, and became part of the Royal Guard Band. When it dissolved in 1830, he returned to Barcelona and worked as a flautist at the Teatre de la Santa Creu. In 1832 he moved to Santiago de Cuba to conduct the orchestra and military bands. In his time there, he created a music school and a quartet, and composing and transcribing music. In 1850 he moved to Havana and developed the same activities. In 1866, he returned to Barcelona, where he won the composition prize of the Ateneu Barcelonès, created the Societat de Concerts Clàssics, promoted symphonic music and organized the so-called Concerts Casamitjana in various gardens of the city. His compositions are mostly for piano or symphonic orchestra. He enjoyed a great reputation.

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Composer

Cuyàs studied piano and lyrical singing in Barcelona with Ramon Vilanova. In 1835 he premiered two symphonies at the Teatre de la Santa Creu and composed several arias and lyrical duos. Two years later, the same theater commissioned a choral work for a gala, but he interrupted the task to write the opera seria La Fattucchiera (1838) in the style of Bellini. The opera enjoyed a great success, it not only was performed 24 times that season, but also some of the choral numbers became part of Clavé's choirs later on. He died of tuberculosis the day of the last performance. Thanks to the opera's success with audiences and critics, it has been considered a cornerstone and symbol of romantic opera in Catalonia.

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Composer

Cuyàs studied piano and lyrical singing in Barcelona with Ramon Vilanova. In 1835 he premiered two symphonies at the Teatre de la Santa Creu and composed several arias and lyrical duos. Two years later, the same theater commissioned a choral work for a gala, but he interrupted the task to write the opera seria La Fattucchiera (1838) in the style of Bellini. The opera enjoyed a great success, it not only was performed 24 times that season, but also some of the choral numbers became part of Clavé's choirs later on. He died of tuberculosis the day of the last performance. Thanks to the opera's success with audiences and critics, it has been considered a cornerstone and symbol of romantic opera in Catalonia.

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classicisme. Alumnes: Antoni Rovira, Antoni Rius (?)

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classicisme. Alumnes: Antoni Rovira, Antoni Rius (?)

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Organist, Kapellmeister and conductor

Son of an artisan, he studied at the cathedral of Barcelona with Queralt (composition) and Baguer (organ). He succeeded Baguer as organist in 1808 and Queralt as a Kapellmeister in 1827, post he held until his dead. At the request of Ramon Carnicer he took the position of director of Teatre de la Santa Creu from 1830. He also founded a music school at his home, considered one of the most prestigious in Barcelona. His output includes a great amount of sacred music, some oratorios, operatic fragments and orchestral music. He obtained a great recognition as an organist (especially for his fugue improvisation skills), composer and teacher.

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Organist, Kapellmeister and conductor

Son of an artisan, he studied at the cathedral of Barcelona with Queralt (composition) and Baguer (organ). He succeeded Baguer as organist in 1808 and Queralt as a Kapellmeister in 1827, post he held until his dead. At the request of Ramon Carnicer he took the position of director of Teatre de la Santa Creu from 1830. He also founded a music school at his home, considered one of the most prestigious in Barcelona. His output includes a great amount of sacred music, some oratorios, operatic fragments and orchestral music. He obtained a great recognition as an organist (especially for his fugue improvisation skills), composer and teacher.

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Soprano
 
She studied in Barcelona with Obiols. In 1839, when he was sixteen, he performed and premiered operas by Donizetti, Mercadante and Pacini at the Liceu Filodramàtic del Montsió (later Gran Teatre del Liceu). Four years later, she performed at Teatre Principal until 1851. That very same season, she debuted at Gran Teatre del Liceu where she performed until 1859. She married Joaquim Ferrer, the businessman who was responsible for the first lyrical season of the Teatre de Girona (inaugurated in 1860). She performed in that theater for the last show of the season and remained there until June 1861. In 1864 she moved to Madrid to perform at Teatro Rossini and achieved a remarkable success. This was the starting point of her performances across the Iberian Peninsula.

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Soprano
 
She studied in Barcelona with Obiols. In 1839, when he was sixteen, he performed and premiered operas by Donizetti, Mercadante and Pacini at the Liceu Filodramàtic del Montsió (later Gran Teatre del Liceu). Four years later, she performed at Teatre Principal until 1851. That very same season, she debuted at Gran Teatre del Liceu where she performed until 1859. She married Joaquim Ferrer, the businessman who was responsible for the first lyrical season of the Teatre de Girona (inaugurated in 1860). She performed in that theater for the last show of the season and remained there until June 1861. In 1864 she moved to Madrid to perform at Teatro Rossini and achieved a remarkable success. This was the starting point of her performances across the Iberian Peninsula.

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"3705" } } } ["field_centres_de_documentaci_"]=> array(0) { } ["field_urls_d_interes"]=> array(0) { } ["field_bibliografia"]=> array(0) { } ["field__udios_sense_fitxa"]=> array(0) { } ["field_np_noms_alternatius"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(30) "Joana Baptista Fossa de Ferrer" ["format"]=> NULL ["safe_value"]=> string(30) "Joana Baptista Fossa de Ferrer" } } } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(5) "Fossa" ["format"]=> NULL ["safe_value"]=> string(5) "Fossa" } } } ["field_np_cognom_2"]=> array(0) { } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } 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Composer, Flautist and Violinist

He studied solfege and harmony with Andreví, violin with Francisco Berini and flute with Ignacio Cascante. He devoted himself professionally to the performance of both instruments: on the one hand, he was concert violinist and member of various string quartets, on the other hand, he was flutist of the music chapel of Barcelona’s cathedral and first flute of Teatre de la Santa Creu’s orchestra. In addition, he composed learning exercises for the flute. His compositional output includes religious, orchestral and chamber music (particularly for flute).

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Composer, Flautist and Violinist

He studied solfege and harmony with Andreví, violin with Francisco Berini and flute with Ignacio Cascante. He devoted himself professionally to the performance of both instruments: on the one hand, he was concert violinist and member of various string quartets, on the other hand, he was flutist of the music chapel of Barcelona’s cathedral and first flute of Teatre de la Santa Creu’s orchestra. In addition, he composed learning exercises for the flute. His compositional output includes religious, orchestral and chamber music (particularly for flute).

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"3706" } } } ["field_centres_de_documentaci_"]=> array(0) { } ["field_urls_d_interes"]=> array(0) { } ["field_bibliografia"]=> array(0) { } ["field__udios_sense_fitxa"]=> array(0) { } ["field_np_noms_alternatius"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(39) "Cayetano Gillet Gil y Llagostera Boguet" ["format"]=> NULL ["safe_value"]=> string(39) "Cayetano Gillet Gil y Llagostera Boguet" } } } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(3) "Gil" ["format"]=> NULL ["safe_value"]=> string(3) "Gil" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(10) "Llagostera" ["format"]=> NULL ["safe_value"]=> string(10) "Llagostera" } } } ["field_np_alies"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(5) "Gilet" ["format"]=> NULL ["safe_value"]=> string(5) "Gilet" } } } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { 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Clarinetist and Composer

He was a tailor's apprentice when at the age of ten, he started to learn flute, clarinet and bassoon from Josep Puig and harmony from Francesc Arbós. At that same age, he started to play in the artillery regiment's band. In the 1820s he befriended musicians from Teatre de la Santa Creu. In the 1830s he performed in orchestres-cobles with Ignasi Ayné and Jaume Planas after becoming again a military musician. During the 1840s, he was teacher and first clarinet of the orchestra of the Liceu, and was director of the so-called "Copla dels gallinaires". Between 1852 and 1856, he was a military major musician in Navarra, before settling again in Barcelona as a clarinetist at the Liceu and as conductor of several civil music bands. In addition, he opened a music store and represented the city in musical conferences. As he recounted in his memoirs, he composed more than 2000 ballables, of which only a hundred have been preserved. His most notable milestone was the premiere of the La Rondeña ballet in the inaugural performance of the Teatre del Liceu in 1848.

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Clarinetist and Composer

He was a tailor's apprentice when at the age of ten, he started to learn flute, clarinet and bassoon from Josep Puig and harmony from Francesc Arbós. At that same age, he started to play in the artillery regiment's band. In the 1820s he befriended musicians from Teatre de la Santa Creu. In the 1830s he performed in orchestres-cobles with Ignasi Ayné and Jaume Planas after becoming again a military musician. During the 1840s, he was teacher and first clarinet of the orchestra of the Liceu, and was director of the so-called "Copla dels gallinaires". Between 1852 and 1856, he was a military major musician in Navarra, before settling again in Barcelona as a clarinetist at the Liceu and as conductor of several civil music bands. In addition, he opened a music store and represented the city in musical conferences. As he recounted in his memoirs, he composed more than 2000 ballables, of which only a hundred have been preserved. His most notable milestone was the premiere of the La Rondeña ballet in the inaugural performance of the Teatre del Liceu in 1848.

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string(19) "1884-07-21 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1945-05-04 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(2) "22" } [1]=> array(1) { ["target_id"]=> string(2) "26" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(1011) "

Composer and pedagogue

He was a choirboy at the cathedral of Barcelona, and studied with Mas Serracant and M. Socias (composition, organ and piano), and with Pedrell and Morera at the Escola Municipal. Later, he studied piano with J. Malats. He conducted various bands and choirs, he was organist and Kapellmeister at churches and schools, and conducted symphonic concerts and theatrical seasons at the Teatre Principal, the Teatre Líric Català and Tívoli in Barcelona. From 1910 he collaborated in religious music conferences and from 1930, he worked as a composer, improviser, organist and teacher of the Escola Professional de la Dona de la Diputació. In the 1940s, he directed the Granollers and Barcelona Music Schools and served as music censor at the Barcelona Bishopric. Together with A. Alonso and J. Zamacois, he wrote the well-known Método graduado de solfeo LAZ . He was considered one of the most prominent composers of religious music and received numerous awards.

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Composer and pedagogue

He was a choirboy at the cathedral of Barcelona, and studied with Mas Serracant and M. Socias (composition, organ and piano), and with Pedrell and Morera at the Escola Municipal. Later, he studied piano with J. Malats. He conducted various bands and choirs, he was organist and Kapellmeister at churches and schools, and conducted symphonic concerts and theatrical seasons at the Teatre Principal, the Teatre Líric Català and Tívoli in Barcelona. From 1910 he collaborated in religious music conferences and from 1930, he worked as a composer, improviser, organist and teacher of the Escola Professional de la Dona de la Diputació. In the 1940s, he directed the Granollers and Barcelona Music Schools and served as music censor at the Barcelona Bishopric. Together with A. Alonso and J. Zamacois, he wrote the well-known Método graduado de solfeo LAZ . He was considered one of the most prominent composers of religious music and received numerous awards.

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["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1541504909" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "5" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg1" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(7) "Lambert" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(7) "Lambert" ["format"]=> NULL ["safe_value"]=> string(7) "Lambert" } } } } [9]=> object(stdClass)#474 (7) { ["node_title"]=> string(5) "Josep" ["nid"]=> string(4) "4038" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(7) "Marraco" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#479 (53) { ["vid"]=> string(4) "4177" ["uid"]=> string(1) "5" ["title"]=> string(5) "Josep" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "4038" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1541513029" ["changed"]=> string(10) "1579822298" ["tnid"]=> string(3) "417" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1579822298" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1835-04-06 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1913-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "22" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(976) "

Kapellmeister, composer and organist

He was a choirboy of the church of Palau de Barcelona and studied music with his father Marraco Xauxas and his uncle Joan Ferrer (violin). He also studied with Francesc Moliner and piano and composition with Bernat Calvó Puig, Mateu Ferrer Vilanova. In the 1850s he was a violinist at the orchestra of Teatre Principal and Teatre del Liceu. In 1864, he was appointed Kapellmeister of Barcelona’s Cathedral succeeding Mateu Ferrer. It is also reported that he was received by Rossini in Paris in 1862. Among its compositions, there are many popular dances of the time and religious music for small and large ensembles. The catalog also includes orchestral music, sometimes of operatic inspiration, and chamber music. Marraco was one of the most renowned composers of his time and considered a great improviser on the organ. Among his output is the Missa de Rèquiem pels morts de la Guerra d’Àfrica (1860).

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Kapellmeister, composer and organist

He was a choirboy of the church of Palau de Barcelona and studied music with his father Marraco Xauxas and his uncle Joan Ferrer (violin). He also studied with Francesc Moliner and piano and composition with Bernat Calvó Puig, Mateu Ferrer Vilanova. In the 1850s he was a violinist at the orchestra of Teatre Principal and Teatre del Liceu. In 1864, he was appointed Kapellmeister of Barcelona’s Cathedral succeeding Mateu Ferrer. It is also reported that he was received by Rossini in Paris in 1862. Among its compositions, there are many popular dances of the time and religious music for small and large ensembles. The catalog also includes orchestral music, sometimes of operatic inspiration, and chamber music. Marraco was one of the most renowned composers of his time and considered a great improviser on the organ. Among his output is the Missa de Rèquiem pels morts de la Guerra d’Àfrica (1860).

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["field_teatres_i_auditoris_relaci"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(4) "3706" } [1]=> array(1) { ["target_id"]=> string(4) "3693" } } } ["field_centres_de_documentaci_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3606" } } } ["field_urls_d_interes"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3839" } } } ["field_bibliografia"]=> array(0) { } ["field__udios_sense_fitxa"]=> array(0) { } ["field_np_noms_alternatius"]=> array(0) { } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(7) "Marraco" ["format"]=> NULL ["safe_value"]=> string(7) "Marraco" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(6) "Ferrer" ["format"]=> NULL ["safe_value"]=> string(6) "Ferrer" } } } ["field_np_alies"]=> array(0) { } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> 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"3434" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(6) "Viñas" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#459 (53) { ["vid"]=> string(4) "3565" ["uid"]=> string(1) "5" ["title"]=> string(5) "Josep" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "3434" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1540472331" ["changed"]=> string(10) "1573224267" ["tnid"]=> string(3) "520" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1573224267" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } 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string(13) "filtered_html" ["safe_value"]=> string(560) "

Conductor, tenor, guitarist and composer

He began his studies at the Escolania de la Mercè in Barcelona. Soon after, he started his international career as guitarist. He took the musical direction of Teatre Principal in Barcelona in the 1860-1861 season and later, that of Teatro de los Campos Elíseos in Madrid. He conducted the orchestras of Liceu, Romea and the Circo in Barcelona, and that of the Teatre Principal in Valencia. He composed zarzuelas (e.g. Don Ruperto Culebrinas) and music for guitar and piano.

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Violinist, pianist and conductor

He belonged to a family of musicians. He studied at Conservatori del Liceu where he was a student of Marià Obiols. He soon joined the Liceu Orchestra and later became répétiteur. He was appointed opera conductor of the Teatre de Girona, a position he held whilst conducting other Catalan theaters such as Reus and Tarragona. He was Obiols’s cover as conductor of the Liceu Orchestra and conducted in Lisbon, Madrid, Saint Petersburg and some cities in Italy.

 

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Violinist, pianist and conductor

He belonged to a family of musicians. He studied at Conservatori del Liceu where he was a student of Marià Obiols. He soon joined the Liceu Orchestra and later became répétiteur. He was appointed opera conductor of the Teatre de Girona, a position he held whilst conducting other Catalan theaters such as Reus and Tarragona. He was Obiols’s cover as conductor of the Liceu Orchestra and conducted in Lisbon, Madrid, Saint Petersburg and some cities in Italy.

 

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romanticisme, F. Berini (estrena director Stabat Mater)

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romanticisme, F. Berini (estrena director Stabat Mater)

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Composer

He was descendant of a noble family. He studied organ at the Jesuits's School in Nice and law in Bologna. In the mid-1840s, he moved to Barcelona and studied with Barba. He premiered a Stabat Mater at the Casino Filharmònic. He became one of the largest landowners in Empordà, alternating his residence between La Bisbal and Barcelona. His compositions were mainly intended for social gatherings of the aristocracy and bourgeoisie and included ballables and songs for voice and piano. The rest of his surviving output includes mainly sacred music. A zarzuela, two keyboard symphonies and the opera Giuditta (1855) with a libretto by Solera have been lost. Ferrer's life and music puts forward musical forms of sociability in nineteenth-century Catalonia.

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Composer

He was descendant of a noble family. He studied organ at the Jesuits's School in Nice and law in Bologna. In the mid-1840s, he moved to Barcelona and studied with Barba. He premiered a Stabat Mater at the Casino Filharmònic. He became one of the largest landowners in Empordà, alternating his residence between La Bisbal and Barcelona. His compositions were mainly intended for social gatherings of the aristocracy and bourgeoisie and included ballables and songs for voice and piano. The rest of his surviving output includes mainly sacred music. A zarzuela, two keyboard symphonies and the opera Giuditta (1855) with a libretto by Solera have been lost. Ferrer's life and music puts forward musical forms of sociability in nineteenth-century Catalonia.

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array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "102" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1823-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1873-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(810) "

Soprano
 
She studied in Barcelona with Obiols. In 1839, when he was sixteen, he performed and premiered operas by Donizetti, Mercadante and Pacini at the Liceu Filodramàtic del Montsió (later Gran Teatre del Liceu). Four years later, she performed at Teatre Principal until 1851. That very same season, she debuted at Gran Teatre del Liceu where she performed until 1859. She married Joaquim Ferrer, the businessman who was responsible for the first lyrical season of the Teatre de Girona (inaugurated in 1860). She performed in that theater for the last show of the season and remained there until June 1861. In 1864 she moved to Madrid to perform at Teatro Rossini and achieved a remarkable success. This was the starting point of her performances across the Iberian Peninsula.

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Soprano
 
She studied in Barcelona with Obiols. In 1839, when he was sixteen, he performed and premiered operas by Donizetti, Mercadante and Pacini at the Liceu Filodramàtic del Montsió (later Gran Teatre del Liceu). Four years later, she performed at Teatre Principal until 1851. That very same season, she debuted at Gran Teatre del Liceu where she performed until 1859. She married Joaquim Ferrer, the businessman who was responsible for the first lyrical season of the Teatre de Girona (inaugurated in 1860). She performed in that theater for the last show of the season and remained there until June 1861. In 1864 she moved to Madrid to perform at Teatro Rossini and achieved a remarkable success. This was the starting point of her performances across the Iberian Peninsula.

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array(2) { [0]=> string(5) "links" [1]=> string(8) "language" } array(1) { [0]=> object(stdClass)#559 (7) { ["node_title"]=> string(6) "Carles" ["nid"]=> string(4) "6254" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(8) "Saldanya" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#553 (53) { ["vid"]=> string(4) "6421" ["uid"]=> string(1) "3" ["title"]=> string(6) "Carles" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "6254" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1614170468" ["changed"]=> string(10) "1614170468" ["tnid"]=> string(4) "6250" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1614170468" ["revision_uid"]=> string(1) "3" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "21" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "231" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(2) { [0]=> array(4) { ["value"]=> string(19) "1902-10-06 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } [1]=> array(4) { ["value"]=> string(19) "1968-09-11 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1968-09-11 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(1148) "

Comedian, dancer and burlesque singer

He began working in variety at Teatre Arnau in 1918 and performed recurrently at the Còmic, Victòria and Apol·lo theatres in Barcelona’s Paral·lel. He also frequented Madrid stages, making his debut in 1926 at Teatro Romea. He was known by the stage name Alady, he wore a tuxedo, bowler hat and white gloves, moving away from the traditional comic look. He performed in the music hall with a style close to Parisian chansonniers. His shows were very popular and included a dialogue of jokes with the audience, dance and parody. Around 1930, he toured different Spanish provinces with his own company, which brought together dancers, an animal tamer and an illusionist, and had Miguel Mihura as a collaborator. He took part in vaudeville shows such as La reina ha relliscat of the Santpere-Nolla company offered at the Teatre Espanyol in 1932. That same year he was hired again at the Romea in Madrid, when the military coup took place. The so-called ‘King of the Parallel’ played supporting roles in films such as Armand Guerra's El amor solfeando (1930)

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Comedian, dancer and burlesque singer

He began working in variety at Teatre Arnau in 1918 and performed recurrently at the Còmic, Victòria and Apol·lo theatres in Barcelona’s Paral·lel. He also frequented Madrid stages, making his debut in 1926 at Teatro Romea. He was known by the stage name Alady, he wore a tuxedo, bowler hat and white gloves, moving away from the traditional comic look. He performed in the music hall with a style close to Parisian chansonniers. His shows were very popular and included a dialogue of jokes with the audience, dance and parody. Around 1930, he toured different Spanish provinces with his own company, which brought together dancers, an animal tamer and an illusionist, and had Miguel Mihura as a collaborator. He took part in vaudeville shows such as La reina ha relliscat of the Santpere-Nolla company offered at the Teatre Espanyol in 1932. That same year he was hired again at the Romea in Madrid, when the military coup took place. The so-called ‘King of the Parallel’ played supporting roles in films such as Armand Guerra's El amor solfeando (1930)

" } } } ["field_ciutats_relacionades"]=> array(1) { ["und"]=> array(3) { [0]=> array(1) { ["target_id"]=> string(2) "91" } [1]=> array(1) { ["target_id"]=> string(3) "163" } [2]=> array(1) { ["target_id"]=> string(3) "231" } } } ["field_associat_al_fons_del_museu"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_domini_public"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_patrimoni_musical_catal_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_obres"]=> array(0) { } ["field_institucions_i_formacions_"]=> array(0) { } ["field_noms_propis_relacionats"]=> array(0) { } ["field_teatres_i_auditoris_relaci"]=> array(1) { ["und"]=> array(4) { [0]=> array(1) { ["target_id"]=> string(4) "3701" } [1]=> array(1) { ["target_id"]=> string(4) "3704" } [2]=> array(1) { ["target_id"]=> string(4) "3721" } [3]=> array(1) { ["target_id"]=> string(4) "3699" } } } ["field_centres_de_documentaci_"]=> array(0) { } ["field_urls_d_interes"]=> array(0) { } ["field_bibliografia"]=> array(0) { } ["field__udios_sense_fitxa"]=> array(1) { ["und"]=> array(3) { [0]=> array(1) { ["target_id"]=> string(4) "6251" } [1]=> array(1) { ["target_id"]=> string(4) "6252" } [2]=> array(1) { ["target_id"]=> string(4) "6253" } } } ["field_np_noms_alternatius"]=> array(0) { } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(8) "Saldanya" ["format"]=> NULL ["safe_value"]=> string(8) "Saldanya" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(4) "Beut" ["format"]=> NULL ["safe_value"]=> string(4) "Beut" } } } ["field_np_alies"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(5) "Alady" ["format"]=> NULL ["safe_value"]=> string(5) "Alady" } } } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1614170468" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "3" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg2" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(8) "Saldanya" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(8) "Saldanya" ["format"]=> NULL ["safe_value"]=> string(8) "Saldanya" } } } } }

array(3) { [0]=> string(4) "body" [1]=> string(5) "links" [2]=> string(8) "language" } array(1) { [0]=> object(stdClass)#595 (7) { ["node_title"]=> string(6) "Amalia" ["nid"]=> string(4) "6525" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(6) "Molina" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#589 (53) { ["vid"]=> string(4) "6692" ["uid"]=> string(1) "5" ["title"]=> string(6) "Amalia" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "6525" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1617783233" ["changed"]=> string(10) "1617783233" ["tnid"]=> string(4) "6405" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1617783233" ["revision_uid"]=> string(1) "5" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "102" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3509" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1885-01-01 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1956-07-08 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "24" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(1188) "

Cuplet singer

She made her debut at the Café Novedades in Seville. In 1904 she settled in Madrid with a contract at Sala Actualidades. A year later she was already a well-known cuplet singer, sharing stage with Pastora Imperio, La Fornarina and La Bella Chelito. In the mid 1905, she visited Barcelona inaugurating the summer season at Teatre Granvia. In 1906 she began a national and international journey. She added songs and traditional costumes from other Spanish regions to the repertoire. The painter and stage designer Luis Muriel made up to 45 sets. In 1908 she performed for six months in the theatres of Havana and toured several Mexican cities. In 1914 she performed at Teatre Poliorama (Barcelona) with great success and in 1919 she made her debut in Paris with the opera Goyescas by Granados. The following year, she performed in London and in 1925 on Broadway. In 1947 she settled permanently in Barcelona. Some of her hits include Tango de los lunares, El aceitunero, Mi gitanillo, La naranjera and Pena, pena. She took part in the movie Malvaloca (1926) by Benito Perojo.

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(1184) "

Cuplet singer

She made her debut at the Café Novedades in Seville. In 1904 she settled in Madrid with a contract at Sala Actualidades. A year later she was already a well-known cuplet singer, sharing stage with Pastora Imperio, La Fornarina and La Bella Chelito. In the mid 1905, she visited Barcelona inaugurating the summer season at Teatre Granvia. In 1906 she began a national and international journey. She added songs and traditional costumes from other Spanish regions to the repertoire. The painter and stage designer Luis Muriel made up to 45 sets. In 1908 she performed for six months in the theatres of Havana and toured several Mexican cities. In 1914 she performed at Teatre Poliorama (Barcelona) with great success and in 1919 she made her debut in Paris with the opera Goyescas by Granados. The following year, she performed in London and in 1925 on Broadway. In 1947 she settled permanently in Barcelona. Some of her hits include Tango de los lunares, El aceitunero, Mi gitanillo, La naranjera and Pena, pena. She took part in the movie Malvaloca (1926) by Benito Perojo.

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Cuplet singer. She started singing within the family circle until she moved to Barcelona. After a moderate success in her debut at Saló Doré, she progressively gained fame thanks to the performance of songs and cuplets in Catalan, in addition to her repertoire in Spanish. At the beginning of the 1920s she performed in Madrid and Seville, where she achieved some success. In Catalonia, she became a prominent figure in the cupletist scene and variety shows. She performed constantly at theatres such as Eldorado and made multiple recordings. Furthermore, she was key in the popularization of songs such as ‘La Marieta de l’ull viu - Baixant de la Font del Gat’. Around 1925, she got married and abandoned the theatres completely endeding her artistic career.

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Cuplet singer. She started singing within the family circle until she moved to Barcelona. After a moderate success in her debut at Saló Doré, she progressively gained fame thanks to the performance of songs and cuplets in Catalan, in addition to her repertoire in Spanish. At the beginning of the 1920s she performed in Madrid and Seville, where she achieved some success. In Catalonia, she became a prominent figure in the cupletist scene and variety shows. She performed constantly at theatres such as Eldorado and made multiple recordings. Furthermore, she was key in the popularization of songs such as ‘La Marieta de l’ull viu - Baixant de la Font del Gat’. Around 1925, she got married and abandoned the theatres completely endeding her artistic career.

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Violinist and composer. He studied at the Escola Municipal de Música of Barcelona with Pellicer, Lamote and Nicolau. Thanks to a scholarship from the City Council of Barcelona, he then studied in Berlin with Joseph Joachim and Max Bruch. At fourteen, he offered concerts in several cities in South America, and later toured the USA and Cuba. In 1915 he debuted at the Palau de la Música Catalana. Between 1921 and 1925 he lived in Mexico where he founded an orchestra and was a professor at the National Music School of Mexico. In 1926, he settled in Paris and in 1929 returned to Barcelona. There, he organized the Ibero-American Symphonic Music Festival of the World’s Fair, with the participation of figures such as Heitor Villa-Lobos. In 1931 he offered monographic concerts at the Teatre Barcelona. At the end of the Spanish Civil War, he moved to Portugal. He composed Majas, possibly premiered at the Gran Teatre del Liceu and the Teatro Real, and the symphonic work Poema de Occidente, based on the appearances of the Virgin of Fatima. He also composed piano music and violin arrangements.

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Violinist and composer. He studied at the Escola Municipal de Música of Barcelona with Pellicer, Lamote and Nicolau. Thanks to a scholarship from the City Council of Barcelona, he then studied in Berlin with Joseph Joachim and Max Bruch. At fourteen, he offered concerts in several cities in South America, and later toured the USA and Cuba. In 1915 he debuted at the Palau de la Música Catalana. Between 1921 and 1925 he lived in Mexico where he founded an orchestra and was a professor at the National Music School of Mexico. In 1926, he settled in Paris and in 1929 returned to Barcelona. There, he organized the Ibero-American Symphonic Music Festival of the World’s Fair, with the participation of figures such as Heitor Villa-Lobos. In 1931 he offered monographic concerts at the Teatre Barcelona. At the end of the Spanish Civil War, he moved to Portugal. He composed Majas, possibly premiered at the Gran Teatre del Liceu and the Teatro Real, and the symphonic work Poema de Occidente, based on the appearances of the Virgin of Fatima. He also composed piano music and violin arrangements.

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