Teatre Victòria de Barcelona

Historical Theatres and Concert Halls
Teatre Victòria de Barcelona
  • Alternative names:
    Teatre Soriano

    Year of establishment: 1905
    History:
    L’any 1905 es va inaugurar a l'Avinguda del Paral·lel el Teatro Pabellón Soriano, El Suri, dedicat als espectacles de varietats i revista. Després d'un breu període de temps utilitzat com a cinema, l'octubre de 1916 es va inaugurar com a Teatre Victòria. Allí es va estrenar L'auca del senyor Esteve de Santiago Rusiñol (1917) i hi van actuar els artistes i solistes vocals més destacats del moment. En els anys de la postguerra es va convertir en un teatre de vodevils, varietats i revista, i ha estat l'espai on s'han estrenat els espectacles musicals de la Companyia Dagoll Dagom, amb títols com el popular Mar i cel (1987) de amb música d’Albert Guinovart i text de Xavier Bru de Sala. Entre 1995 i 1999 va ser la seu provisional del Gran Teatre del Liceu mentre es reconstruïa després de l'incendi del 1994.
    Related names:
    López, Victòria

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Soprano

Victòria dels Àngels studied at the Superior Conservatory of Music of the Liceu. Member of Ars Musicae, she debuted at the Gran Teatre del Liceu in 1945 singing the role of Countess of Almaviva in Le Nozze di Figaro. This debut was the start of an international career that took her to the most important theaters and festivals around the world, including the Wagner Festival in Bayreuth where, in 1961, she sang the role of Elisabeth in Tannhäuser. She finished her operatic career singing Pélleas et Mélisande by C. Debussy at the Teatro de la Zarzuela in Madrid. From the 1980s, she decided to focus on recitals and singing lieder, a genre in which she was considered exceptional. She made numerous recordings, some of which were highly praised. She was considered one of the greatest sopranos of the second half of the twentieth century.

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Soprano

Victòria dels Àngels studied at the Superior Conservatory of Music of the Liceu. Member of Ars Musicae, she debuted at the Gran Teatre del Liceu in 1945 singing the role of Countess of Almaviva in Le Nozze di Figaro. This debut was the start of an international career that took her to the most important theaters and festivals around the world, including the Wagner Festival in Bayreuth where, in 1961, she sang the role of Elisabeth in Tannhäuser. She finished her operatic career singing Pélleas et Mélisande by C. Debussy at the Teatro de la Zarzuela in Madrid. From the 1980s, she decided to focus on recitals and singing lieder, a genre in which she was considered exceptional. She made numerous recordings, some of which were highly praised. She was considered one of the greatest sopranos of the second half of the twentieth century.

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