Teatre Còmic

Historical Theatres and Concert Halls
Teatre Còmic
  • Year of establishment: 1905
    History:
    Situat a l'Avinguda del Paral·lel, va ser inaugurat el 1905 i clausurat el 1962. Construït per Joaquim Raspall, va presentar gèneres variats: opereta, sarsuela, l'astracanada i, sobretot, revista, un fet que el va portar a ser conegut com el Palacio de la Revista. S'hi van representar importants títols com ara la sarsuela La Generala (1912) d'Amadeu Vives, així com l'estrena de Déjate querer (1941) de Jacinto Guerrero. A la postguerra va acollir la companyia Els Vienesos, dirigida per Arthur Kaps, però finalment va orientar-se al gènere de la revista.
    Related names:
    Saldanya, Carles

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Comedian, dancer and burlesque singer

He began working in variety at Teatre Arnau in 1918 and performed recurrently at the Còmic, Victòria and Apol·lo theatres in Barcelona’s Paral·lel. He also frequented Madrid stages, making his debut in 1926 at Teatro Romea. He was known by the stage name Alady, he wore a tuxedo, bowler hat and white gloves, moving away from the traditional comic look. He performed in the music hall with a style close to Parisian chansonniers. His shows were very popular and included a dialogue of jokes with the audience, dance and parody. Around 1930, he toured different Spanish provinces with his own company, which brought together dancers, an animal tamer and an illusionist, and had Miguel Mihura as a collaborator. He took part in vaudeville shows such as La reina ha relliscat of the Santpere-Nolla company offered at the Teatre Espanyol in 1932. That same year he was hired again at the Romea in Madrid, when the military coup took place. The so-called ‘King of the Parallel’ played supporting roles in films such as Armand Guerra's El amor solfeando (1930)

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Comedian, dancer and burlesque singer

He began working in variety at Teatre Arnau in 1918 and performed recurrently at the Còmic, Victòria and Apol·lo theatres in Barcelona’s Paral·lel. He also frequented Madrid stages, making his debut in 1926 at Teatro Romea. He was known by the stage name Alady, he wore a tuxedo, bowler hat and white gloves, moving away from the traditional comic look. He performed in the music hall with a style close to Parisian chansonniers. His shows were very popular and included a dialogue of jokes with the audience, dance and parody. Around 1930, he toured different Spanish provinces with his own company, which brought together dancers, an animal tamer and an illusionist, and had Miguel Mihura as a collaborator. He took part in vaudeville shows such as La reina ha relliscat of the Santpere-Nolla company offered at the Teatre Espanyol in 1932. That same year he was hired again at the Romea in Madrid, when the military coup took place. The so-called ‘King of the Parallel’ played supporting roles in films such as Armand Guerra's El amor solfeando (1930)

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