Teatre Barcelona

Historical Theatres and Concert Halls
Teatre Barcelona
  • Alternative names:
    Gran Saló Doré
    Teatre Doré
    Cine Alhambra

    Year of establishment: 1923
    History:
    Es va inaugurar el 1923 a la Rambla Catalunya, cantonada amb Plaça Catalunya, al mateix lloc on l’havien precedit locals d’espectacle, de cinema o cafès amb els noms de Grand Salon Doré, Alhambra o Eslava. Com a Teatre Barcelona va estar en actiu del 1923 al 1983. Ja el 1923 hi va actuar el pianista Emil von Sauer i el 1924 s’hi van estrenar les òperes Fantochines de Conrado del Campo i El mestre de música de Ferdinando Paër. Va acollir destacades actuacions com ara, el 1935, un multitudinari recital de poesia amb Federico García Lorca i Margarita Xirgu adreçat als obrers de Catalunya, convocats pels diversos ateneus obrers i retransmès per ràdio. Un dels darrers espectacles va ser Mori el Merma de la companyia La Claca amb figurins de Joan Miró, el 1979. Va ser enderrocat el 1987. S'hi va construir un hotel que, a la planta baixa acull un petit local d’espectacles anomenat Barcelona Music Hall.
    Related names:
    Alonso, Pilar
    Mateo, Màrius

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Cuplet singer. She started singing within the family circle until she moved to Barcelona. After a moderate success in her debut at Saló Doré, she progressively gained fame thanks to the performance of songs and cuplets in Catalan, in addition to her repertoire in Spanish. At the beginning of the 1920s she performed in Madrid and Seville, where she achieved some success. In Catalonia, she became a prominent figure in the cupletist scene and variety shows. She performed constantly at theatres such as Eldorado and made multiple recordings. Furthermore, she was key in the popularization of songs such as ‘La Marieta de l’ull viu - Baixant de la Font del Gat’. Around 1925, she got married and abandoned the theatres completely endeding her artistic career.

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Cuplet singer. She started singing within the family circle until she moved to Barcelona. After a moderate success in her debut at Saló Doré, she progressively gained fame thanks to the performance of songs and cuplets in Catalan, in addition to her repertoire in Spanish. At the beginning of the 1920s she performed in Madrid and Seville, where she achieved some success. In Catalonia, she became a prominent figure in the cupletist scene and variety shows. She performed constantly at theatres such as Eldorado and made multiple recordings. Furthermore, she was key in the popularization of songs such as ‘La Marieta de l’ull viu - Baixant de la Font del Gat’. Around 1925, she got married and abandoned the theatres completely endeding her artistic career.

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Violinist and composer. He studied at the Escola Municipal de Música of Barcelona with Pellicer, Lamote and Nicolau. Thanks to a scholarship from the City Council of Barcelona, he then studied in Berlin with Joseph Joachim and Max Bruch. At fourteen, he offered concerts in several cities in South America, and later toured the USA and Cuba. In 1915 he debuted at the Palau de la Música Catalana. Between 1921 and 1925 he lived in Mexico where he founded an orchestra and was a professor at the National Music School of Mexico. In 1926, he settled in Paris and in 1929 returned to Barcelona. There, he organized the Ibero-American Symphonic Music Festival of the World’s Fair, with the participation of figures such as Heitor Villa-Lobos. In 1931 he offered monographic concerts at the Teatre Barcelona. At the end of the Spanish Civil War, he moved to Portugal. He composed Majas, possibly premiered at the Gran Teatre del Liceu and the Teatro Real, and the symphonic work Poema de Occidente, based on the appearances of the Virgin of Fatima. He also composed piano music and violin arrangements.

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Violinist and composer. He studied at the Escola Municipal de Música of Barcelona with Pellicer, Lamote and Nicolau. Thanks to a scholarship from the City Council of Barcelona, he then studied in Berlin with Joseph Joachim and Max Bruch. At fourteen, he offered concerts in several cities in South America, and later toured the USA and Cuba. In 1915 he debuted at the Palau de la Música Catalana. Between 1921 and 1925 he lived in Mexico where he founded an orchestra and was a professor at the National Music School of Mexico. In 1926, he settled in Paris and in 1929 returned to Barcelona. There, he organized the Ibero-American Symphonic Music Festival of the World’s Fair, with the participation of figures such as Heitor Villa-Lobos. In 1931 he offered monographic concerts at the Teatre Barcelona. At the end of the Spanish Civil War, he moved to Portugal. He composed Majas, possibly premiered at the Gran Teatre del Liceu and the Teatro Real, and the symphonic work Poema de Occidente, based on the appearances of the Virgin of Fatima. He also composed piano music and violin arrangements.

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