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Teatre Apol·lo de València
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Year of establishment: 1876
History:
Va ser un teatre especialitzat en el gènere líric que va tenir una trajectòria de gairebé un segle: va ser inaugurat l’any 1876 i va perllongar les activitats fins el març de 1969, essent un dels teatres més populars de l’escena valenciana. Estava ubicat al carrer Joan d'Àustria de la ciutat. Al llarg de la seva història va acollir milers d’interpretacions sobretot de sarsueles i d’obres de teatre musical, però també de teatre. L’any 1896 va oferir la primera projecció cinematogràfica a València. Va ser el lloc d'estrena, el 13 de març del 1931, de la versió amb lletra del pasdoble El faller de Josep Serrano.
Flamenco dancer
Daughter of Miguel Borrull Castellón. In 1912 she made her debut with his family at the Parisian club La Feria. She performed at the Café Villa Rosa, the family's Barcelona venue. She also performed at theatres such as Eldorado (1917, 1925), Novedades (1919) and Còmic (1921) in Barcelona, Romea and Comedia (1917) in Madrid, and Eslava (1915), Villa Rosa (1931) and Apol·lo (1932) in Valencia, where the press called her ‘the queen of gypsy dance’. In 1929 she took part in the premiere of the flamenco comedy La zambra del Sacro-Monte at the Teatre Nou in Barcelona. That same year, she also took part in Los flamencos, a lyrical sainete with music by Amadeu Vives premiered at Teatre Tívoli. In 1933 she collaborated with the company of Laura de Santelmo at the Gran Teatre del Liceu, in Falla’s opera La vida breve and in the gitanería El amor brujo. The following year, she performed with his sister Julia in the flamenco comedy La zambra del Chorro Jumo. FlFrom the 1940s onwards, she was described as the queen of alegrías and was a flamenco dance teacher at the school
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Daughter of Miguel Borrull Castellón. In 1912 she made her debut with his family at the Parisian club La Feria. She performed at the Café Villa Rosa, the family's Barcelona venue. She also performed at theatres such as Eldorado (1917, 1925), Novedades (1919) and Còmic (1921) in Barcelona, Romea and Comedia (1917) in Madrid, and Eslava (1915), Villa Rosa (1931) and Apol·lo (1932) in Valencia, where the press called her ‘the queen of gypsy dance’. In 1929 she took part in the premiere of the flamenco comedy La zambra del Sacro-Monte at the Teatre Nou in Barcelona. That same year, she also took part in Los flamencos, a lyrical sainete with music by Amadeu Vives premiered at Teatre Tívoli. In 1933 she collaborated with the company of Laura de Santelmo at the Gran Teatre del Liceu, in Falla’s opera La vida breve and in the gitanería El amor brujo. The following year, she performed with his sister Julia in the flamenco comedy La zambra del Chorro Jumo. FlFrom the 1940s onwards, she was described as the queen of alegrías and was a flamenco dance teacher at the school
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T. 93 256 36 50
Carrer de Lepant 150, 08013 Barcelona
mail: patrimonimusical@auditori.cat