Biblioteca Valenciana

Archives and Libraries
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López-Chávarri Andújar, Eduard, Leopoldo QUerol, Subirà i Puig, Josep, mitjana Rafael. josep Iturbi, Joaquín Rodrigo

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López-Chávarri Andújar, Eduard, Leopoldo QUerol, Subirà i Puig, Josep, mitjana Rafael. josep Iturbi, Joaquín Rodrigo

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Composer, musicologist, pedagogue and conductor

Doctor in law, he was self-taught at the start of his career. He studied later with Francesc Antich in Valencia with Pedrell in Barcelona. He completed his studies in Germany, with Salomon Jadassohn, and also in France and Italy. Although he was a lawyer for some years, in 1908 he decided to devote himself exclusively to music. He not only was a music critic for Las Provincias (Valencia) from 1898 but he was also war journalist in the 1920s. Furthermore, he published numerous books such as El anillo del nibelungo (1902) and biographies of Beethoven and C. Franck, among others. He took part in the most renowned artistic circles of Valencia. From 1910, he was professor of Aesthetics and Music History at the Conservatori Superior de Música of Valencia. His output has a nationalist aesthetics and Impressionist influences, such as can been seen in Acuarelas valencianas (1910). He studied Valencian folklore and worked in the Obra del Cançoner Popular de Catalunya.

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Composer, musicologist, pedagogue and conductor

Doctor in law, he was self-taught at the start of his career. He studied later with Francesc Antich in Valencia with Pedrell in Barcelona. He completed his studies in Germany, with Salomon Jadassohn, and also in France and Italy. Although he was a lawyer for some years, in 1908 he decided to devote himself exclusively to music. He not only was a music critic for Las Provincias (Valencia) from 1898 but he was also war journalist in the 1920s. Furthermore, he published numerous books such as El anillo del nibelungo (1902) and biographies of Beethoven and C. Franck, among others. He took part in the most renowned artistic circles of Valencia. From 1910, he was professor of Aesthetics and Music History at the Conservatori Superior de Música of Valencia. His output has a nationalist aesthetics and Impressionist influences, such as can been seen in Acuarelas valencianas (1910). He studied Valencian folklore and worked in the Obra del Cançoner Popular de Catalunya.

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Kapellmeister, composer and theorist

He began his music education with his uncle Ramon Rabassa, and later at the choir of the cathedral of Barcelona with Joan Barter and Francesc Valls. He was singer and harpist of the music chapell, and also assistant to VaIls. In 1713 he was appointed Kapellmeister of the cathedral of Vic and the following year he won the position in the cathedral of Valencia. In 1724, he moved to Seville and became Kapellmeister cathedral, a position he would held until the end of his life. Rabassa is an example of a Baroque composer who, thanks to his position in the music chapel of Archduke Charles of Austria, was familiar with Italian music. This music influenced his style incorporating, for example, more freedom in modulation. His large output is preserved in various peninsular archives, as well as in Guatemala and Mexico. He also authored the threatise reatise Guia para los principiantes (1726-1730).

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Kapellmeister, composer and theorist

He began his music education with his uncle Ramon Rabassa, and later at the choir of the cathedral of Barcelona with Joan Barter and Francesc Valls. He was singer and harpist of the music chapell, and also assistant to VaIls. In 1713 he was appointed Kapellmeister of the cathedral of Vic and the following year he won the position in the cathedral of Valencia. In 1724, he moved to Seville and became Kapellmeister cathedral, a position he would held until the end of his life. Rabassa is an example of a Baroque composer who, thanks to his position in the music chapel of Archduke Charles of Austria, was familiar with Italian music. This music influenced his style incorporating, for example, more freedom in modulation. His large output is preserved in various peninsular archives, as well as in Guatemala and Mexico. He also authored the threatise reatise Guia para los principiantes (1726-1730).

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