Arxiu Comarcal de la Garrotxa

Archives and Libraries
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Organist and composer

Baguer studied with his Uncle Francesc Mariner in Barcelona's cathedral, where he was appointed organist in 1789.

He taught composers such as Mateu Ferrer and Ramon Carnicer. Among his output, there are nineteenth classical symphonies, a concert for two bassoons, chamber music, organ and vocal music as well as oratorios such El regreso a Barcelona a su patra del Dr Josef Oriol (1807). In addition, he premiered the opera La principessa filosofa (1797) in Teatre de la Santa Creu, an opera with a libretto by Agustín Moreto which has been considered by some as a defence of emperor Charles VI during the War of the Spanish Succession (1701-1714).

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Organist and composer

Baguer studied with his Uncle Francesc Mariner in Barcelona's cathedral, where he was appointed organist in 1789.

He taught composers such as Mateu Ferrer and Ramon Carnicer. Among his output, there are nineteenth classical symphonies, a concert for two bassoons, chamber music, organ and vocal music as well as oratorios such El regreso a Barcelona a su patra del Dr Josef Oriol (1807). In addition, he premiered the opera La principessa filosofa (1797) in Teatre de la Santa Creu, an opera with a libretto by Agustín Moreto which has been considered by some as a defence of emperor Charles VI during the War of the Spanish Succession (1701-1714).

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Composer and organist

He studied at the chapel Tarragona's Cathedral under Joan C. Ripollès. He was appointed kapellmeister of the collegiate church of Tremp (1723-1739) and later of Sant Esteve d'Olot (1739-1775). His compositional production includes circa 50 liturgical and sacred music following Iberian models of the late Baroque.

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Composer and organist

He studied at the chapel Tarragona's Cathedral under Joan C. Ripollès. He was appointed kapellmeister of the collegiate church of Tremp (1723-1739) and later of Sant Esteve d'Olot (1739-1775). His compositional production includes circa 50 liturgical and sacred music following Iberian models of the late Baroque.

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Composer, kapellmeister and organist 

He began his musical education in 1826 at the escolania of the cathedral of Vic where he was a pupil of Josep Gallés. Towards 1838 he moved to Barcelona, where he studied at the church of Santa Maria del Pi with Josep Rosés and Josep Quintana. He replaced Francesc Andreví in two positions: as organist of Santa Maria del Pi from 1842 onwards and in 1853, as kapellmeister of the church of La Mercè. He composed around 700 pieces, a large part of which edited by Joan Baptista Pujol. His output includes the oratorio La última noche de Babilonia (1848) and the symphony Homenatge a Beethoven. He was teacher and conductor of the Philharmonic Society of Barcelona, and music critic for the newspaper El Áncora.

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Composer, kapellmeister and organist 

He began his musical education in 1826 at the escolania of the cathedral of Vic where he was a pupil of Josep Gallés. Towards 1838 he moved to Barcelona, where he studied at the church of Santa Maria del Pi with Josep Rosés and Josep Quintana. He replaced Francesc Andreví in two positions: as organist of Santa Maria del Pi from 1842 onwards and in 1853, as kapellmeister of the church of La Mercè. He composed around 700 pieces, a large part of which edited by Joan Baptista Pujol. His output includes the oratorio La última noche de Babilonia (1848) and the symphony Homenatge a Beethoven. He was teacher and conductor of the Philharmonic Society of Barcelona, and music critic for the newspaper El Áncora.

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Kapellmeister and Organist 

He probably started his musical education at the escolania of the cathedral of Lleida. In 1759, he entered the service of the cathedral of Barcelona, where would become Kapellmeister (1774-1815). His figure is inscribed in the classical style and his output includes religious music, among them, oratorios such as Daniel en Babilonia (1777) or Oratorio dels dolors (1796). He was the teacher of figures such as Baltasar Saldoni, Mateu Ferrer and Ramon Vilanova.

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(595) "

Kapellmeister and Organist 

He probably started his musical education at the escolania of the cathedral of Lleida. In 1759, he entered the service of the cathedral of Barcelona, where would become Kapellmeister (1774-1815). His figure is inscribed in the classical style and his output includes religious music, among them, oratorios such as Daniel en Babilonia (1777) or Oratorio dels dolors (1796). He was the teacher of figures such as Baltasar Saldoni, Mateu Ferrer and Ramon Vilanova.

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