Teatre Tívoli

Historical Theatres and Concert Halls
Teatre Tívoli
  • Alternative names:
    Jardins del Tívoli
    Jardins de la Nimfa

    Year of establishment: 1919
    History:
    Situat al carrer de Casp, és un dels teatres més grans de la ciutat. Va ser construït el 1918 i es va inaugurar el 1919 amb l'oratori Les estacions de F. J. Haydn interpretat per l'Orfeó Català. Es va convertir en una sala important de sarsuela i òpera, alhora que en teatre de text en llengua catalana. Va ser socialitzat de 1936 a 1939 com a seu de la companyia d'òpera del Teatre Tívoli. Després de la guerra va passar a ser una sala d’exhibició cinematogràfica. L'any 1982 va reobrir per tornar a l'activitat teatral. Actualment en actiu, la història d’aquest teatre va associada a noms mítics de l'escena (Sarah Bernhardt, Margarida Xirgu, Raquel Meller) i a veus com les de Miguel Fleta, Emili Vendrell o Hipòlit Lázaro. S’hi va estrenar a barcelona l'òpera María del Carmen (1899) d'Enric Granados i Merlín (1950) d'Isaac Albéniz en versió adaptada i traduïda.
    Related names:
    Astort, Pere

array(11) { [0]=> string(5) "links" [1]=> string(8) "comments" [2]=> string(8) "language" [3]=> string(32) "field_any_d_enderrocament_fins_l" [4]=> string(27) "field_ta_any_de_constituci_" [5]=> string(23) "field_ta_lloc_geogr_fic" [6]=> string(31) "field_ta_entitat_col_laboradora" [7]=> string(17) "field_ta_historia" [8]=> string(25) "field_ta_noms_alternatius" [9]=> string(32) "field_ta_any_de_constituci_aprox" [10]=> string(20) "field_ta_no_clicable" } array(1) { [0]=> object(stdClass)#255 (7) { ["node_title"]=> string(4) "Pere" ["nid"]=> string(4) "6215" ["node_language"]=> string(2) "en" ["field_data_field_np_cognom_1_field_np_cognom_1_value"]=> string(6) "Astort" ["field_data_field_np_cognom_1_node_entity_type"]=> string(4) "node" ["_field_data"]=> array(1) { ["nid"]=> array(2) { ["entity_type"]=> string(4) "node" ["entity"]=> object(stdClass)#249 (53) { ["vid"]=> string(4) "6382" ["uid"]=> string(1) "3" ["title"]=> string(4) "Pere" ["log"]=> string(0) "" ["status"]=> string(1) "1" ["comment"]=> string(1) "2" ["promote"]=> string(1) "1" ["sticky"]=> string(1) "0" ["nid"]=> string(4) "6215" ["type"]=> string(9) "nom_propi" ["language"]=> string(2) "en" ["created"]=> string(10) "1614080411" ["changed"]=> string(10) "1621586303" ["tnid"]=> string(4) "6164" ["translate"]=> string(1) "0" ["revision_timestamp"]=> string(10) "1621586303" ["revision_uid"]=> string(1) "3" ["body"]=> array(0) { } ["field_g_nere"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(1) "1" } } } ["field_fotografia"]=> array(0) { } ["field_lloc_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_data_naixement"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1872-09-24 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_data_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(4) { ["value"]=> string(19) "1925-03-13 00:00:00" ["timezone"]=> string(13) "Europe/Berlin" ["timezone_db"]=> string(13) "Europe/Berlin" ["date_type"]=> string(8) "datetime" } } } ["field_lloc_mort"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(2) "91" } } } ["field_tipus_de_persona"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(1) "3" } } } ["field_biografia"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(1127) "

He was admitted to the church of La Mercè in Barcelona as a choirboy and was taught by Josep Cortinas. In addition, he studied piano under Llorenç Bau, composition under Domènec Mas i Serracant and possibly under Felip Pedrell. He began composing while working as a salesperson for the music publisher Rafel Guàrdia. In 1901, he created his own publishing company and piano shop named El Arte Musical. He became particularly focused on the composition of dance pieces he labeled ‘waltz-boston’, which consisted in a fusion of waltzes, American ragtime, and other proto-jazz harmonies and rhythms. From 1899 onwards, he signed these compositions under the pseudonym Clifton Worsley. Thus, his music achieved a wide circulation across the most relevant national and international publishers of the time and through the sale of piano rolls and recordings. In addition to composing over 200 dances (including waltzes-boston, two-steps, cake-walks, shimmies and fox-trots) he composed songs and operettas such as El vals de los pájaros and Palabra de rey, both premiered in 1917 at Teatre Tívoli

" ["format"]=> string(13) "filtered_html" ["safe_value"]=> string(1126) "

He was admitted to the church of La Mercè in Barcelona as a choirboy and was taught by Josep Cortinas. In addition, he studied piano under Llorenç Bau, composition under Domènec Mas i Serracant and possibly under Felip Pedrell. He began composing while working as a salesperson for the music publisher Rafel Guàrdia. In 1901, he created his own publishing company and piano shop named El Arte Musical. He became particularly focused on the composition of dance pieces he labeled ‘waltz-boston’, which consisted in a fusion of waltzes, American ragtime, and other proto-jazz harmonies and rhythms. From 1899 onwards, he signed these compositions under the pseudonym Clifton Worsley. Thus, his music achieved a wide circulation across the most relevant national and international publishers of the time and through the sale of piano rolls and recordings. In addition to composing over 200 dances (including waltzes-boston, two-steps, cake-walks, shimmies and fox-trots) he composed songs and operettas such as El vals de los pájaros and Palabra de rey, both premiered in 1917 at Teatre Tívoli

" } } } ["field_ciutats_relacionades"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(2) "91" } [1]=> array(1) { ["target_id"]=> string(3) "163" } } } ["field_associat_al_fons_del_museu"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_domini_public"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_patrimoni_musical_catal_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["value"]=> string(1) "0" } } } ["field_obres"]=> array(0) { } ["field_institucions_i_formacions_"]=> array(0) { } ["field_noms_propis_relacionats"]=> array(1) { ["und"]=> array(2) { [0]=> array(1) { ["target_id"]=> string(4) "4052" } [1]=> array(1) { ["target_id"]=> string(4) "4085" } } } ["field_teatres_i_auditoris_relaci"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(3) "733" } } } ["field_centres_de_documentaci_"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "3606" } } } ["field_urls_d_interes"]=> array(0) { } ["field_bibliografia"]=> array(0) { } ["field__udios_sense_fitxa"]=> array(1) { ["und"]=> array(1) { [0]=> array(1) { ["target_id"]=> string(4) "6163" } } } ["field_np_noms_alternatius"]=> array(0) { } ["field_np_cognom_1"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(6) "Astort" ["format"]=> NULL ["safe_value"]=> string(6) "Astort" } } } ["field_np_cognom_2"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(5) "Ribas" ["format"]=> NULL ["safe_value"]=> string(5) "Ribas" } } } ["field_np_alies"]=> array(1) { ["und"]=> array(1) { [0]=> array(3) { ["value"]=> string(15) "Clifton Worsley" ["format"]=> NULL ["safe_value"]=> string(15) "Clifton Worsley" } } } ["field_np_cr_dit_fotografia"]=> array(0) { } ["rdf_mapping"]=> array(9) { ["rdftype"]=> array(2) { [0]=> string(9) "sioc:Item" [1]=> string(13) "foaf:Document" } ["title"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(8) "dc:title" } } ["created"]=> array(3) { ["predicates"]=> array(2) { [0]=> string(7) "dc:date" [1]=> string(10) "dc:created" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["changed"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(11) "dc:modified" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } ["body"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(15) "content:encoded" } } ["uid"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:has_creator" } ["type"]=> string(3) "rel" } ["name"]=> array(1) { ["predicates"]=> array(1) { [0]=> string(9) "foaf:name" } } ["comment_count"]=> array(2) { ["predicates"]=> array(1) { [0]=> string(16) "sioc:num_replies" } ["datatype"]=> string(11) "xsd:integer" } ["last_activity"]=> array(3) { ["predicates"]=> array(1) { [0]=> string(23) "sioc:last_activity_date" } ["datatype"]=> string(12) "xsd:dateTime" ["callback"]=> string(12) "date_iso8601" } } ["path"]=> array(1) { ["pathauto"]=> string(1) "1" } ["cid"]=> string(1) "0" ["last_comment_timestamp"]=> string(10) "1614080411" ["last_comment_name"]=> NULL ["last_comment_uid"]=> string(1) "3" ["comment_count"]=> string(1) "0" ["name"]=> string(4) "crg2" ["picture"]=> string(1) "0" ["data"]=> string(189) "a:6:{s:16:"ckeditor_default";s:1:"t";s:20:"ckeditor_show_toggle";s:1:"t";s:14:"ckeditor_width";s:4:"100%";s:13:"ckeditor_lang";s:2:"en";s:18:"ckeditor_auto_lang";s:1:"t";s:7:"contact";i:0;}" } } } ["field_field_np_cognom_1"]=> array(1) { [0]=> array(2) { ["rendered"]=> array(2) { ["#markup"]=> string(6) "Astort" ["#access"]=> bool(true) } ["raw"]=> array(3) { ["value"]=> string(6) "Astort" ["format"]=> NULL ["safe_value"]=> string(6) "Astort" } } } } }